It's Bobbie's thirty-fifth birthday party, and all her friends are wondering why she isn't married. Why can't she find the right man, settle down and start a family? A breakthrough on Broadway in 1970, Company is Stephen Sondheim and George Furth's legendary musical comedy about life, love and loneliness, featuring some of Sondheim's most iconic songs including 'Company', 'You Could Drive a Person Crazy', 'The Ladies Who Lunch', 'Side by Side' and 'Being Alive'. The acclaimed West End revival in 2018 was conceived and directed by award-winning director Marianne Elliott and produced by Elliott & Harper Productions. Reimagining the musical by switching the gender of several characters, including the protagonist Bobbie, played by Rosalie Craig, the production also starred Patti LuPone, Mel Giedroyc and Jonathan Bailey. It won the Peter Hepple Award for Best Musical at the 2018 Critics' Circle Theatre Awards. This edition features the complete revised book and lyrics for the production, colour production photographs, and an introduction by Sondheim's biographer David Benedict.

Sondheim's landmark musical about a reunion of showgirls, with a book by James Goldman. New York, 1971. There's a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs, and lie about themselves. Including such classic songs as 'Broadway Baby', 'I'm Still Here' and 'Losing My Mind', James Goldman and Stephen Sondheim's legendary musical was originally staged in New York in 1971, and received its British premiere in 1987. This edition was published alongside the major revival at the National Theatre, London, in 2017, directed by Dominic Cooke and starring Tracie Bennett, Janie Dee, Philip Quast and Imelda Staunton.

"That joyous rarity, a work of sophisticated artistic ambition and deep political purpose that affords nonstop pleasure."--William A. Henry III, "Time"

The gruesomely fascinating musical about the 'Demon Barber of Fleet Street', one of Sondheim's greatest hits. From the writing partnership behind A Little Night Music. Victim of a gross injustice that robbed him of his wife and child, Sweeney Todd sets about exacting a terrible revenge on society: slitting the throats of the customers who visit his barbershop. But things are getting complicated - a romance has developed with Mrs Lovett, the lady who runs the pie shop next door, and the disappearances are starting to cause concern. With the bodies piling up, Sweeney Todd hits upon a novel idea, and starts passing on his 'patrons' to his homely neighbour... Meat pie, anyone? Stephen Sondheim and Hugh Wheeler's musical Sweeney Todd opened on Broadway in 1979 and in the West End in 1980. It won the Tony Award for Best Musical and Olivier Award for Best New Musical. It has since had numerous revivals as well as a film adaptation.

Inspired by Georges Seurat's pointillist masterpiece, Sunday Afternoon on the Island of La Grande Jatte, Stephen Sondheim and James Lapine's musical celebrates the art of creation and the creation of art. In the first half of the musical, set in 1884, the people - and the animals - in the painting come to life in a world where, for the artist George, art comes before love, before everything. In the second half, a century later, Seurat's great-grandson is wrestling with the same obsessions in present-day New York. Sunday in the Park with George was premiered on Broadway in May 1984, in a production directed by James Lapine. An earlier, incomplete version had been performed Off-Broadway at Playwrights Horizons in July 1983. The musical went on to win the 1985 Pulitzer Prize for Drama. The first London production opened at the National Theatre in March 1990. It won the 1991 Olivier Award for Best New Musical.

(Easy Piano Composer Collection). 15 Sondheim standouts simplified for beginning players: Anyone Can Whistle * Broadway Baby * Children Will Listen * Comedy Tonight * Good Thing Going * Johanna * Losing My Mind * Loving You * Not a Day Goes By * Not While I'm Around * Old Friends * Pretty Women * Send in the Clowns * Side by Side by Side * Sunday. Includes lyrics and a composer bio.

Evoking a fraternity of political assassins and would-be assassins across a hundred years of our history, Sondheim and Weidman daringly examine success, failure and the questionable drive for power and celebrity in American society. "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, "Associated Press"

Book by Hugh Wheeler Introduction by Christopher Bond "Mr. Sondheim fearlessly explores psychic caverns where civilized people are not dying to go ... A naked Sweeney Todd stands revealed as a musical of naked rage, chewing up everyone in its path as it spits out blood and tears." - Frank Rich, The New York Times * "A work of such scope and such daring that it dwarfs every other Broadway musical that even attempts to invite comparison." - Rex Reed, New York Daily News

Longtime musical theatre collaborators Stephen Sondheim and George Furth, who together created the landmark musical Company, have joined forces again to create a compellingly original thriller - Mr. Sondheim's first nonmusical play. Getting Away with Murder unfolds on a stormy night on Manhattan's Upper West Side at a group therapy session. The patients arrive only to find that their faithful, Pulitzer Prize-winning psychiatrist is missing. What unfolds is a classic whodunit in the tradition of Sleuth and The Mousetrap that harkens back to Sondheim's screenplay collaboration with Anthony Perkins on the cult film The Last of Sheila.

(P/V/G Composer Collection). The first definitive collection of Sondheim's songs, with selections from Anyone Can Whistle, Assassins, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Pacific Overtures, Passion, Road Show, Saturday Night, Sunday in the Park with George, and Sweeney Todd. Includes detailed notes about the shows and films.

(Vocal Score). Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child. Newly edited. Complete vocal score including: Agony * Any Moment * Children Will Listen * Giants in the Sky * I Know Things Now * Into the Woods * It Takes Two * No More * No One Is Alone * On the Steps of the Palace * Stay with Me.

The musical tale of a domineering stage mother's inadvertent creation of a burlesque stripper, now available in paperback for the first time.

"Priceless and peerless...a thrilling work of theatricality."--Wayman Wong, "San Francisco Examiner"

(Vocal Collection). The most comprehensive, multi-volume collection of Sondheim songs ever published. Each volume has a different contents list. The volumes include songs in original keys, and appropriate transpositions. Each volume includes an extensive introductory section, with plot synopses and comments from Sondheim about songs and shows.

A breakthrough Broadway musical in 1970, Company remains fresh, acerbic and original today. The musical's themes - marriage and commitment, friendship and loneliness - and its innovations in form mark it as a landmark of modern American musical theatre. Company's 25th anniversary was commemorated by two major revivals: in New York, at the Roundabout Theatre Company and in London at the Donmar Warehouse. This edition incorporates all revisions and additions made for these productions.

On the eve of a once-glorious theatre's destruction, all of life's might-have-beens take center stage as two jaded couples glamorize the old days in what proves to be a shattering experience. Declared "one of the greatest musicals ever written" by the "New York Times," the legendary classic by musical visionaries Sondheim and Goldman will return to Broadway in fall 2011.

In" Hat Box," Stephen Sondheim presents his complete collected lyrics from the acclaimed" Finishing the Hat" and" Look, I Made a Hat." This box set includes lyrics from Sondheim's most popular shows like" West Side Story, Sweeney Todd, Sunday in the Park with George, "and" Into the Woods, " richly annotated with anecdotes, pointed observations, and invaluable advice from one of the greatest songwriters of our time. This handsomely designed package is essential reading for any fan of the theater or this living legend's work.

A handsome army officer, entangled with a married woman, is despatched to a distant military outpost. There he has to beat off the attentions of Fosca, the sickly - and distinctly unattractive - cousin of his commanding officer, only to realise that he's falling in love with her.

Stephen Sondheim returns with the second volume of his collected lyrics, giving us another remarkable glimpse into
his life's work, and into his life.
As he did in the acclaimed and best-selling "Finishing the Hat" (one of "The New York Times "10 Best Books of 2010), Sondheim richly annotates his lyrics with personal and theater history, discussions of his collaborations, and exacting, charming dissections of his work--both the successes and the failures. Picking up where he left off in "Finishing the Hat, "he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning "Sunday in the Park with George, "as well as "Into the Woods, Assassins, " and "Passion." Here too is an in-depth look at "Wise Guys, "subsequently transformed into "Bounce, "and eventually into "Road Show." And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years.
Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, "Look, I Made a Hat" will be devoured by Sondheim's passionate fans today and for years to come.

"Addison Mizner and Wilson Mizner were brothers who, although they played only a minor role in the cultural history of this country, might well be seen to represent two divergent aspects of American energy: the builder and the squanderer."--Stephen Sondheim

"The score is full of delights, intelligence and tension . . . with a tight, funny book."--New York Daily News

Road Show, Stephen Sondheim's first musical since his 1994 Tony Award-winner Passion, is making its highly anticipated New York premiere this season at the Public Theater. The show--with the book by John Weidman, Sondheim's collaborator from Pacific Overtures and Assassins--has been in development for several years with productions in Chicago and Washington, DC, and grew from an idea that germinated in Sondheim's mind some fifty years ago. The show dramatizes the real-life Mizner brothers, following their fortunes from the 1890s Alaskan gold rush to the 1920s Florida land boom: Addison as an architect and Wilson as a con man, each brother seeking his own American dream.

Stephen Sondheim's career spans from his work as lyricist for West Side Story and Gypsy, to composer/lyricist on such masterpieces as Company, Follies, A Little Night Music, Sweeney Todd, and Sunday in the Park with George.

John Weidman wrote the books for Sondheim's Pacific Overtures and Assassins, and he co-authored the books for America's Sweetheart and the revival of Anything Goes. He also co-created, with Susan Stroman, the Tony Award-winning Contact.

(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine

"Throwing caution to the winds, I assert that A Little Night Music comes as close as possible to being the perfect romantic comedy musical." -Brendan Gill, The New Yorker "Heady, civilized, sophisticated and enchanting. Good God! An adult musical." -Clive Barnes, The New York Times