Everyone loves romantic music: the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. But as Stephen Walsh - author of the highly praised Debussy: A Painter in Sound - points out in this intensely absorbing study, there is infinitely more to romantic music than meets the eye. The Beloved Vision amounts to a complete, entertaining and singularly readable account of the whole phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire, with some little help from earlier times. The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang, seen as a reaction of the individual artist to the confident certainties of the Enlightenment. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. Risk taking - the braving of the unknown - was certainly an important part of what the composers wanted to do, as true of Chopin and Verdi as it is of Berlioz and Wagner. It's an exciting, colourful, story, told with passion but also with the precision and clarity of detail for which this author is so widely admired.

By presenting current psychological theories alongside individual case studies, this book will guide you to understand the theory as it applies to specific instances of each crime. Covering a wide range of cases, from economic crimes, to terrorism and sexual and violent crimes, this book provides a comprehensive and engaging resource to develop an understanding of forensic psychology.

This study explores the organization, history and uniforms of the Soviet Red Army during the 20 years between its victory in the Civil War and the invasion of the USSR by Germany in 1941. The two decades following the Bolshevik victory over the 'Whites' in the Russian Civil War saw widespread and fundamental developments for the Red Army. Nevertheless, these still left it largely unready to face Germany's Operation Barbarossa in June 1941. Having been reduced in size and planning for modernization, the Red Army of the 1920s was employed to ruthlessly crush anti-Bolshevik opposition (real or suspected) in several regions of the USSR, notably Ukraine and Central Asia, and to fight a brief border war against Chinese Manchuria. During the 1930s, Stalin virtually 'beheaded' the army by a needless series of murderous purges of the officer class; despite this, the Red Army was victorious in clashes against Imperial Japan in the Nomonhan region in 1938-39, where General Zhukov earned his spurs. Simultaneously, the Soviet Union sent instructors and pilots to fight for the Republicans in the Spanish Civil War (1936-39). The non-aggression pact with Nazi Germany allowed Stalin to take over half of Poland in September 1939; but a few months later his 'Winter War' against Finland demonstrated serious inadequacies in the Red Army's readiness for modern warfare, which would be shockingly confirmed in the first days of Operation Barbarossa. Using rare photos and detailed colour artwork, this study explores the interwar history of the Red Army, describing its campaigns, organization and uniforms, and focusing on the 20 years between its victory in the Civil War and the invasion of the USSR by Germany in 1941.

Driven by the Iranian Revolution of 1979 and the insecurities it provoked in Saddam Hussein's Iraqi dictatorship, the Iran-Iraq War would become the largest conventional conflict of the period. Curiously little-known considering its scale and longevity, the struggle between Iran and Iraq was primarily fought along the 1,458km border in a series of battles which, despite both sides being armed with modern small arms, armour and aircraft, often degenerated into attritional struggles reminiscent of World War I. Such a comparison was underlined by frequent periods of deadlock, the extensive use of trenches by both sides, and the deployment of chemical weapons by Iraq. Fully illustrated with specially commissioned artwork, this study investigates the organization, appearance and equipment of the ground forces of both sides in the Iran-Iraq War, including Iraq's Republican Guards and Iran's Pasdaran or Islamic Revolutionary Guard Corps. The war resulted in stalemate with some half a million dead and at least as many wounded. The financial costs incurred in waging such a long and debilitating war were one of the spurs that led Saddam Hussein to invade Kuwait barely two years later, setting in motion one of the defining currents of recent Middle-Eastern history.

The Spanish Civil War, 1936-39, was the curtain-raiser to World War II, and the major international event of the 1930s. It was the first great clash of 20th-century ideologies, between the rebel Nationalist army led by General Franco (right-wing, and aided by Nazi Germany and Fascist Italy), and the Republican army of the government (left-wing, and aided by the Communist Soviet Union and many volunteers from liberal democracies). Three years of widespread campaigns involved the most modern weapons available. The war was fought ruthlessly by both sides, and when the Nationalists secured victory they installed a dictatorship that lasted until November 1975 - the last such regime in Western Europe. Featuring specially commissioned full-color artwork, this first part of a two-part study depicts the fighting men of the Nationalist forces that strove to take control of Spain alongside their German and Italian allies.

During the Korean War and the Vietnam War, US Navy Special Warfare units played a variety of vital combat roles amid two of the deadliest conflicts of the Cold War. In Korea, underwater demolition teams (UDTs) surveyed beaches for amphibious operations, cleared sea mines from harbors, conducted seaborne raids against inshore targets, and served as scouts for the infiltration of Korean guerrillas and British Royal Marine Commando raids along the North Korean coast. In South Vietnam, UDTs surveyed beaches and demolished Viet Cong bunkers, supply caches, and river obstacles in the Mekong Delta. The SEALs (Sea Air Land teams) deployed entire platoons into the Mekong Delta and the Rung Sat Special Zone to conduct guerrilla warfare against the Viet Cong that included ambushes, reconnaissance, and capturing leaders and supply caches. In addition, the SEALs also played important roles in the Phoenix Program and in rescuing prisoners of war. Fully illustrated throughout, this study explores how the US Navy's specially trained naval commandos accomplished their missions in Korea and Vietnam.

Claude Debussy was that rare creature, a composer who reinvented the language of music without alienating the majority of music lovers. He is the modernist everyone loves. How did he manage this? Was it through the association of his music with visual images, or was it simply that, by throwing out the rule book of the Paris Conservatoire where he studied, his music put beauty of sound above the spiritual ambitions of the German tradition from which those rules derived. Stephen Walsh's thought-provoking biography, told partly through the events of Debussy's life, and partly through a critical discussion of his music, addresses these and other questions about one of the most influential composers of the early twentieth century.

This is a comprehensive guide to the armies that fought a devastating and decisive conflict in the Eastern Mediterranean between the two World Wars of the 20th century. From the initial Greek invasion, designed to "liberate" the 100,000 ethnic Greeks that lived in Western Turkey and had done for centuries, to Mustafa Kemal Ataturk's incredibly efficient formation of a national government and a regular army, this was a war that shaped the geopolitical landscape of the Mediterranean to this day. It gave birth to the modern Turkish state, displacing millions and creating bitter memories of atrocities committed by both sides. Augmented with very rare photographs and beautiful illustrations, this ground-breaking title explores the history, organization, and appearance of the armies, both guerilla and conventional, that fought in this bloody war.

By presenting current psychological theories alongside individual case studies, this book will guide you to understand the theory as it applies to specific instances of each crime. Covering a wide range of cases, from economic crimes, to terrorism and sexual and violent crimes, this book provides a comprehensive and engaging resource to develop an understanding of forensic psychology.

During the Seven Years' War (1755-63), a number of independent light-infantry outfits served under British command and dedicated light companies were added to the British Army's regular infantry battalions. The light companies were disbanded after the war but the prominent role played by light infantry was not forgotten, and in 1771-72 light-infantry companies were reinstated in every regiment in the British Isles. Although William Howe formed a training camp at Salisbury in 1774 specifically to practise light-infantry doctrine, the outbreak of the American Revolution in 1775 found the British Army wanting, and the light companies were no different. After evacuating Boston in March 1776, Howe began to remodel and drill his army at Halifax, standardizing lighter uniform and emphasizing more open-order tactics. He also brigaded his light companies together into composite battalions, which went on to fight in almost every major engagement during the American Revolution. They spearheaded British assaults, using night-time surprise and relying upon the bayonet in engagements such as Paoli and Old Tappan. They also matched their regular and irregular opponents in bush-fighting, and at times fought in far-flung detachments alongside Native American and Loyalist allies on the frontier. Featuring specially commissioned full-colour artwork, this book offers a comprehensive guide to the formation, uniform, equipment, doctrines and tactics of these elite light infantry companies and battalions, and considers how, over the course of the war they developed a fearsome reputation, and exemplified the psychological characteristics exhibited by crack military units across history.

During the Japanese occupation of large parts of Asia and the Pacific in 1941-45, Japan raised significant numbers of troops to fight alongside them, as well as militias to guard their conquests. The total number of these soldiers is estimated at no fewer than 600,000 men. These ranged from the regular troops of Manchukuo (200,000 men), Nanking China (250,000), Thailand, and recruits from the 'puppet' Burmese Independence Army (30,000) and Indian National Army (40,000), to constabularies and spear-wielding militias in the Philippines (15,000), Borneo, Indonesia and New Guinea. Many of the recruits from former European colonies hoped for independence as part of the 'Greater East-Asian Co-Prosperity Sphere' proclaimed by Japanese propaganda, but Japan's intentions were entirely cynical. They formed alliances to deny the Allied powers access to territory that they could not actually occupy, and raised these large numbers of auxiliary troops to relieve the manpower burden of occupation, or simply as 'cannon-fodder'. This extensively researched study examines each of these armies and militias in detail, exploring their history and deployment during World War II, and revealing the intricacies of their arms and equipment with stunning full-colour artwork and previously unpublished contemporary photographs.

This book offers an extensive overview of the myriad Republican forces during the Spanish Civil War, 1936-39. The conflict was the curtain-raiser to World War II, and the major international event of the 1930s. The study illustrates, textually and visually, how the Republican forces were initially varied in appearance and character. Loyal elements of the Spanish army that rejected the appeal of the rebel generals were supported by a wide range of volunteer regional units and political militias, and by volunteers from many other countries.
These disparate forces were later amalgamated--by force--into the Communist-dominated People's Army. Thereafter their motley array of clothing, weapons and equipment became rather more uniform as the Soviet Union provided support and supplies on a large scale. Featuring specially commissioned full-color artwork, this second part of a two-part study depicts the fighting men of the Republican forces that strove to retain control of Spain alongside thousands of international volunteers.

In 1912, the Balkan states formed an alliance in an effort to break free from the crumbling Ottoman Empire. Forming an army of some 645,000 troops from Greece, Bulgaria, Serbia and Montenego, they took on a force of 400,000 Turkish soldiers. Both sides were equipped with the latest weapons technology. This book looks at the diverse and sometimes colourful uniforms worn by both sides, paying special attention to insignia, weapons and equipment. It also gives an overview of the campaigns that became a 'priming pan' of World War I.

The first illustration of a cannon in Europe can be dated quite precisely to 1326. This book explores the development of gunpowder, the earliest appearance of cast-bronze cannon in Western Europe, followed by the design and development of the wrought-iron cannon. The wrought-iron hoop-and-stave method of barrel construction was a system that came to dominate medieval artillery design both large and small until the end of the 15th century, and saw the cannon used not only as a prestige weapon, but start to be used as a practical and terrifying weapon on the medieval battlefield. In 1453, the Ottomans' conquest of Constantinople, with their extensive artillery, marked the triumph of medieval firepower.

The book will focus on the technology and tactics of early European artillery on both sea and land, and assess its impact on medieval warfare.

The extraordinary group of Russian composers who came together in St Petersburg in the 1860s - long known as 'The Mighty Handful', but, as the moguchaya kuchka, better translated as 'the great little heap' - gave rise to one of the most fascinating and colourful stories in all musical history. Stephen Walsh, author of a major biography of their direct successor, Stravinsky, has written an absorbing account of Musorgsky and his circle - Borodin, Cui, Balakirev and Rimsky-Korsakov. With little or no musical education they created works of lasting significance - Musorgsky's Boris Godunov, Borodin's Prince Igor and Rimsky-Korsakov's Sheherazade. Written with deep understanding and panache, The Kuchka, is highly engaging and a significant contribution to cultural history.

Stephen Walsh's magisterial, engagingly written two-volume "Stravinsky" is the most detailed and extensive work available on the life of the man widely regarded as the greatest composer of the twentieth century. This second volume takes up the composer's story in 1934, in a Europe growing ever more chaotic in the lead-up to World War II. Walsh follows Stravinsky's emigration to the United States, where he courted Hollywood, associated with writers and artists including Aldous Huxley, W.H. Auden, and George Balanchine, began a career as a conductor and recording artist, and composed a string of masterpieces that changed the course of twentieth-century music. "Stravinsky: The Second Exile" takes full account of Russian-language sources, including much correspondence, made available since the composer's death and since the fall of the Soviet Union, and is the first work to thoroughly assess the authenticity of many of the writings published under Stravinsky's name.

"Great, beautiful little studies of unspoken fear and longing and love, told with a sure-footed delicacy rare in a debut" Sarah Moss, Irish Times "An exciting, original, and very welcome new voice" Donal Ryan "These are startling, adventurous and often wonderful stories. I loved this collection" Roddy Doyle A sharp and insightful debut short story collection about the pitfalls of ordinary life A wife yearns to escape the tight-fisted confines of a package holiday. A boy dreams of footballing greatness as his mother mourns a loss. A man tries to assemble an absent child's playhouse, with impossible instructions and too much beer. A woman seeks clarity from automated voices. A father is distracted from Christmas tree shopping with his son by the looming pressure of quarterly sales targets. Shine/Variance captures the tiny crises and wonders of daily life with warmth, wit and decisive clarity. Ordinary people - commuters, call centre workers, children and parents - struggle for stability while craving more, and the schism between expectation and reality is only rarely bridged. Yet, amidst the faltering, recognition and bright moments of hope still illuminate their days. Fresh, tender and darkly funny, these stories are a window into the longings, frustrations and painfully human connections of ordinary life from a remarkable new voice in fiction. "The most powerful new collection I've read in some years" John Boyne "Brilliantly bats, staggeringly compelling, and ferociously funny. Stephen Walsh rips the concreteness of reality straight from us and reflects back a more wobbly version of our turbulent lives... Completely unique" June Caldwell "Full of assured originality and freshness - a new writer much to be welcomed" Bernard MacLaverty

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.  

From the Mexican Revolution to the Zarumilla War, in the first 40 years of the 20th century the nations of Central and South America were frequently disturbed by border clashes, civil wars and revolution. Many of these conflicts became known as 'Banana Wars'. Some involved only lightly armed guerrillas, but others saw armies operating artillery and armoured vehicles, supported by aircraft and river navies. The conflicts in Honduras and Nicaragua saw the intervention of US Marines, and later wars involved armour and aircraft from the militaries of Europe.

Using detailed colour plates and a wealth of contemporary photographs, this book shows the uniforms, equipment and strategies of the armies involved in these conflicts little known in the West. Covering wars crossing the length and breadth of the continent, this is the fascinating account of the wars that helped shape modern Latin America.

Widely regarded as the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art, yet no dependable biography of him exists. Previous studies have drawn too heavily from his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States.
In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents. Stravinsky's brilliantly creative involvement with the "Ballets Russes "is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an emigre in France trying to make his living as a conductor and pianist as well as a composer, Walsh reveals the true roots of his notorious obsession with money. He also describes the nature of his long affair with Vera Sudeykina.
While always respecting Stravinsky's own insistence that life and art be kept distinct, "Stravinsky "makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life.

Stravinsky's Oedipus Rex is widely acknowledged as one of the most original musical theater works of the twentieth century. This clear and concise guide, the first ever written on the work, describes the plot, the music and the staging in close detail and provides a fully documented discussion of the origins of Oedipus Rex in Stravinsky's own work and thinking. By placing the work in its social context, the author paints a vivid picture of Parisian artistic politics in the twenties, from which emerged one of the richest and most suggestive works of modern times. The full libretto is provided, with a parallel translation.

Stravinsky's opera-oratorio Oedipus rex is widely acknowledged as one of the most original music-theatre works of the twentieth century. This clear and concise guide is the first ever to be written on this work and it describes the music and its staging in close detail. It offers the first proper explanation of the plot and its relation to its literary sources and provides a fully documented discussion of the origins of Oedipus rex in Stravinsky's own work and thinking. By placing the work in its social context Stephen Walsh paints a vivid picture of Parisian artistic politics in the twenties from which emerges one of the richest and most suggestive works of art of modern times.

In these essays, the leading French composer and conductor Pierre Boulez explains many of his most significant ideas about music. The essays are divided into four parts, the first three concerned with common preoccupations (aesthetic, technical, and polemical) and the last a collection of entries intended for a music encyclopedia. Boulez offers penetrating and provocative analyses of the music of the major figures of twentieth-century music including Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, and Ravel. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.