All four of Steve Aylett's "Accomplice" books in one volume, revised, with a new Preface and an intro by Michael Moorcock. Starburst Magazine has called the books "a hugely impressive example of outrageous literary wit and uncommon good sense, demonstrating once more that Aylett is the coolest writer alive today". SFX has called them "Bizarre, innovative and utterly original". Collecting the titles Only an Alligator, The Velocity Gospel, Dummyland and Karloff's Circus, THE COMPLETE ACCOMPLICE follows the simple Barny and his friends through the intertwisted power manipulations of Accomplice, a zone where hell's defected demons discover they can never match or out-do humanity when it comes to spectacular dishonesty and evasion. "Something this rapid shouldn't be so intoxicating or so dense with ideas. It's a roaring, groaning perpetual motion machine decked out as a fun fair attraction. Read it and you'll need resuscitating" - 3:AM

A NEW ADVENTURE IN MICHAEL MOORCOCK'S 'END OF TIME' UNIVERSE
21st-century revolutionary Leo finds himself at the End of Time, surrounded by decadent sorcerers whose childlike incomprehension is his worst nightmare. How to be effective when consequence is removed? What can have meaning when everything is transformed into fashion? Can love exist here? Leo storms through this lurid land in search of meaning, a cause, and a meal he can recognise.
" the most original voice in the literary scene" - Michael Moorcock
Steve Aylett has been described as "utterly original" (SFX), "an unstoppable master of space and time" (Asimov 's) and " the coolest writer alive today " (Starburst).
"one of the most exciting and innovative creators to emerge in years" - Alan Moore "a phenomenal talent" - Trashotron
"Aylett has made a career out of redefining the boundaries of science fiction - and sanity" - Barnes & Noble Spotlight Feature
"the sheer exuberance and inventiveness that can take a sentence, twist it through an unfathomable angle, and layer on meanings and associations that enrich the text. There's a real sense of Aylett's joy in playing with words, a sense of fun that is still mingled with acute observation." Concatenation

After strangling a mime in the King's court, Fain encounters a crazy old man who offers to grant him three wishes. What will Fain ask for? Looping through his own past and offending kings and leaders throughout the world, Fain searches for the means to wisely direct his new powers. His quest grows increasingly vivid as he encounters monsters, mermaids, warlocks and autarchs, gathering richer understanding with each magic gift. With an introduction by Alan Moore, Fain the Sorcerer is a dense and mischievous work of shamanic satire. "Aylett makes both the journey and its end an absolute delight for the reader... an instant classic in the field" - Locus "rip-roaring good fun" - Jeff Vandermeer, SFsite "a stunning work of the imagination that is also very, very funny, from one of the most exciting and innovative creators to emerge along in years." - Alan Moore Steve Aylett has been described as "utterly original" (SFX), "an unstoppable master of space and time " (Asimov 's), " the most original voice in the literary scene" (Michael Moorcock) and " the coolest writer alive today " (Starburst). "Aylett has made a career out of redefining the boundaries of science fiction - and sanity." - Barnes & Noble Spotlight Feature www.steveaylett.com

About to quit the failed experiment of civilisation, fake detective Taffy Atom is detained by one last case - a boy with a bomb in his mind. But what's the trigger? Pursued by cops, mobsters, mercenaries and a mechanical swan, Atom carries the bomb and trigger through Beerlight City, the single holdout of creative mischief in a world overtaken by the trend-led Fadlands. By the relentless principles of gun karma Aylett's final Beerlight book lands you in the Delayed Reaction Bar and fixes you a glass of antifreeze with everything in it. Listen to your heart. It will not stop slowly. "The most original and most consciousness-altering living writer in the English language, not to mention one of the funniest. In NOVAHEAD Aylett delivers his most searing work to date and comes up with noir fiction so black it's fluorescent" - Alan Moore. Steve Aylett has been described as "utterly original" (SFX), "an unstoppable master of space and time" (Asimov's), "the most original voice in the literary scene" (Michael Moorcock) and "the coolest writer alive today" (Starburst). "Aylett has made a career out of redefining the boundaries of science fiction - and sanity." - Barnes & Noble Spotlight Feature.

In the constant apocalypse nobody cares if your skull is made of wood or your friends are flying ants. Corrosive phantoms are two-a-penny in such a high-res environment. Minotaur Babs improves the shining hour by snogging horses and has a style pedal attached to his arm so he can punch people in the manner of various celebrities. A basement of whispering apes is the source of all wisdom. Bob is propelled through a hull door with only a parachute between him and the slamming palm of god. Placid vampires suggest shapeless and impractical management policies. But how much of the narrator's vortical tale is designed to annoy Eddie and waste his time? A volley of poetic stand-up, this intense splurge contains some of the most unnerving excuses in print, all a-scramble with phosphene electricity and casual resentment. You will emerge from this revised edition glowing like a dashboard saint.

Steve Aylett has been described as "utterly original" (SFX), "the most original voice in the literary scene" (Michael Moorcock), "an unstoppable master of space and time" (Asimov's) and "the coolest writer alive today" (Starburst). SMITHEREENS collects 19 stories including 'The Man Whose Head Expanded', the prophetic 'Download Syndrome', 'The Burnished Adventures of Injury Mouse', the full text of 'Voyage of the Iguana', the last ever Beerlight story 'Specter's Way', 'Horoscope', and the closest thing Aylett has ever written to a traditional SF story, 'Bossanova' (featuring a robot and two spaceships ) There are also animal-attack-while-writing reminiscences in 'Evernemesi' and top-of-the-line declarative bitterness in 'On Reading New Books'. Snails, whales and cortical drills. Aylett's last collection. "clearly a phenomenal talent." - Trashotron "Aylett has made a career out of redefining the boundaries of science fiction - and sanity." - Barnes & Noble Spotlight Feature

There's a new genre rising from the underground. Its name: BIZARRO. For years, readers have been asking for a category of fiction dedicated to the weird, crazy, cult side of storytelling that has become a staple in the film industry (with directors such as David Lynch, Takashi Miike, Tim Burton, and even Lloyd Kaufman) but has been largely ignored in the literary world, until now. The Bizarro Starter Kit features short novels and story collections by ten of the leading authors in the bizarro genre: Ray Fracalossy, Jeremy C. Shipp, Jordan Krall, Mykle Hansen, Andersen Prunty, Eckhard Gerdes, Bradley Sands, Steve Aylett, Christian TeBordo, and Tony Rauch.

"There was also a problem with the first edition of Rigor Mortis. The biographical notes on the back cover- with the by now inevitable photo of Lint kissing a tortoise- stated that Lint had died in 1972. The media, poised to praise him after his death, sprang in with lamentations that he had been tragically neglected by commercial enterprise and that it was baffling that his artistic genius had not been more appreciated. Their bitter embarrassment upon learning that he was still alive and open to their patronage drove a bigger wedge than ever between the media and Lint- they had no recourse but to pretend he did not exist at all. 'So in terms of money, publicity and ease of progress,' Lint observed, 'all remains the same.'" Jeff Lint was author of some of the strangest and most inventive satirical SF of the twentieth century. He transcended genre in classics such as Jelly Result and The Stupid Conversation, becoming a cult figure and pariah. Like his contemporary Philip K. Dick, he was blithely ahead of his time. Aylett follows Lint through his Beat days; his immersion in pulp SF, psychedelia and resentment; his disastrous scripts for Star Trek and Patton; the controversies of The Caterer comic and the scariest kids' cartoon ever aired; and his belated Hollywood success in the 1990s. It was a career haunted by death, including the undetected death of his agent, the suspicious death of his rival Herzog, and the unshakable "Lint is dead" rumors, which persisted even after his death.

This follow-up to LINT, the biography of cult author Jeff Lint, delves deeper into the psychosis of the seminal writer's work. This series of essays and reviews from around the globe, representing decades of study, is being presented for the first time in collected form. A must-have for collectors, students, imitators, and stalkers alike. "Satire has no effect-a mirror holds no fear for those with no shame." Contributors include Steve Aylett, Eileen Welsome, Arkhipov Halt, Daniel Guyal, Chris Diana, Alfred Bork, Michael H. Hersh, George Cane, Dennis Ofstein, and Jean-Marie Guerin.

Set in the blood-drenched chaos of Beerlight, "a blown circuit, where to kill a man was less a murder than a mannerism," Dante Cubit and his pill-popping sidekick, the Entropy Kid, waltz into First National Bank with some serious attitude and a couple of snub guns. Murderous, trigger-happy cops, led by the doughnut-chomping redneck police chief, arrive in force, firing indiscriminately into the crowd gathered outside. Surrender or capture is out of the question. Dante's beloved, the murderous assassin Rosa Control , packing a not-so-small arsenal , prowls the streets, trying to engineer her man's escape. Will Dante slip past the forces of corruption and disorder to join his Rosa? What happens next is a tangled mess of reality and virtual reality.