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This third installment in the popular series of practical books about guns and shooting is aimed at women of all ages-the fastest-growing segment of the sport-and it couldn't come at a better time. America and firearms literally grew up together, but today guns are often simply linked to crime and violence; gun control has become a polarizing political issue; and misinformation about firearms is spreading. Now three experts have tackled the subject in a series of books that explores the realities of guns and shooting and sets the record straight about some common misconceptions. On the heels of The Gun Book for Boys and The Gun Book for Parents, The Gun Book for Girls is for girls (and women) interested in guns and shooting but who have little or no background in firearms. Through example and anecdote, the book emphasizes safety and proper usage, and it defines terms and provides hands-on advice about using and maintaining guns. It also covers firearms, shooting methods, clothing and accessories for women, profiles females who shoot and who work in the gun trade, and discusses the issues around guns for self-defense (a topic of special interest to women). Like the other two titles, this book is non-political and written in an easy-to-understand conversational tone. Each book is thoroughly illustrated, and content is presented in easily managed portions that can be read in series or singly, all backed up with an index.
Ernest Hemingway's friend AE Hotchner once described a 'yellowed four-by-five picture of Ernest', shown to him by Hemingway, 'aged five or six, holding a small rifle. Written on the back in his mother's hand was the notation, "Ernest was taught to shoot by Pa when 2.5 years and when 4 could handle a pistol".' Firearms and shooting infused Hemingway's existence and thus his writing. He was a member of his high school gun club and went to war when he was eighteen. he hunted elk, deer, and bears in the American West and went on two extended African safaris, which figured hugely in his writing and changed his life. To the day of his death, Hemingway remained an avid hunter, first-class wingshot, and capable rifleman. Following years of research from Sun Valley to Key West and from Nairobi, Kenya, to Hemingway's home in Cuba, this volume significantly expands what we know about Hemingway's shotguns, rifles, and pistols - the tools of the trade that proved themselves in his hunting, target shooting, and in his writing. Weapons are some of our most culturally and emotionally potent artifacts. The choice of gun can be as personal as the car one drives or the person one marries - another expression of status, education, experience, skill, and personal style. Including short excerpts from Hemingway's works, these stories of his guns and rifles tell us much about him as a lifelong expert hunter and shooters, and as a man.
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