From acclaimed director Steve McQueen (12 Years a Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller with a powerful ensemble cast.

When four armed robbers are killed in a failed heist attempt, their widows—with nothing in common except a debt left by their dead husbands’ criminal activities—take fate into their own hands to forge a future on their own terms.

Steve McQueen stars in this classic action movie about Frank Bullitt, a San Francisco detective who has become hardened to crime. He is assigned by an over ambitious politician Chalmers (Robert Vaughn) to protect a key Mafia member who is due to appear in hearings that would catapault Chalmers into the public eye. But the safe house is ambushed, his friend is murdered and the witness is critically injured. Bullitt decides to search for the origin of the leak and the killers himself, despite Chalmers trying to interfere and shut down the investigation in a bid to keeping the hearings going. The film features one of cinema's most famous car chases, and expert driver McQueen performs all his own stunts.

This detailed survey presents for the first time an alternative history of the moving image, chronicling artists' ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists' widely differing achievements, aspirations, theories and approaches. Featuring over 400 international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation and multimedia, this generously illustrated account offers an incomparable introduction to this increasingly popular and continually evolving art-form. With 153 illustrations in colour

Closing Ranks tells of an illustrious career, giving a behind the scenes look at the workings of the Metropolitan Police. One of the founder members of the Black Police Association Charitable Trust, Leroy Logan has had first-hand experience of race relations in modern-day Britain, and he relates how his strong Christian faith helped him persevere in a frequently hostile work environment. Offering encouragement to other black officers to stay on and work to change the culture within the police, Leroy's passion for good policing shines through . . . as does his touching concern to guide and empower young people. 'I was amazed and intrigued by the way Leroy had stood his ground and progressed within the Metropolitan Police against so many obstacles: hostility, outright racism and being repeatedly overlooked for promotion.' Steve McQueen, from the Foreword 'This is a story that needs telling.' Patrick Regan OBE, Kintsugi Hope 'Leroy Logan is a great example of achievement against all the odds.' The Rt Revd Rose Hudson-Wilkin, Bishop of Dover

A huge glass tower block, touted as the tallest building in the world, bursts into flame on its opening night.

An all-star cast includes Steve McQueen as Michael O'Hallorhan, the fire chief determined to get the blaze under control, while Paul Newman stars as embarrassed architect Doug Roberts, trapped inside with fellow guests Fred Astaire, Richard Chamberlain and Robert Wagner.

The Towering Inferno became the biggest of the Seventies cycle of disaster movies, which began four years earlier with 'Airport'.

The complete seven seasons of the original mystery and suspense series hosted by the master of suspense himself, Alfred Hitchcock. Each 30-minute episode includes opening and closing monologues by Hitchcock who explains some aspect of the day's story in his inimitably dry, humorous monotone.

'I was amazed and intrigued by the way Leroy had stood his ground and progressed within the Metropolitan Police against so many obstacles: hostility, outright racism and being repeatedly overlooked for promotion.' Steve McQueen, from the Foreword Discover the incredible true story behind Steve McQueen's critically acclaimed film Small Axe: Red, White and Blue in Closing Ranks. Leroy Logan's inspiring autobiography tells of an illustrious career and gives a fascinating behind the scenes look at the workings of the Metropolitan Police. One of the founder members of the Black Police Association Charitable Trust, Leroy relates with powerful honesty his first-hand experience of racism, and how his strong Christian faith helped him persevere in a frequently hostile work environment. Offering encouragement to other Black officers, Leroy's passion for good policing shines through, as does his touching concern to guide and empower young people. Closing Ranks will motivate anyone who wants to deepen their understanding of race relations in Britain over the last thirty years. It's a compelling autobiography from a successful Black man who has truly made a difference. 'This is a story that needs telling.' Patrick Regan OBE, Kintsugi Hope 'Leroy Logan is a great example of achievement against all the odds.' The Rt Revd Rose Hudson-Wilkin, Bishop of Dover

Year 3 is one of the most ambitious records of citizenship ever undertaken. Using the medium of the traditional school class photograph, this epic work captures tens of thousands of London schoolchildren from a single academic year. Mapping a picture of the present, the artwork captures a milestone year in a child's personal development: the moment when they become more conscious of the world beyond their immediate family. It is a critical time for them to develop confidence in all areas of life, to understand more about their place in the changing world and to think about the future. Depicting rows of children sitting or standing alongside their teachers and teaching assistants, Year 3 reflects this moment of excitement, anxiety and hope. Year 3 is more than a portrait of a generation however: it documents and explores, in a way never before attempted, a range of urgent ideas connected to the UK, and to our world, today. This book takes the photographs as a starting point and looks ahead, commenting on and contextualising the artwork and its message, but also providing a platform for new voices, and a new set of ideas. Year 3 is less a commemoration and more an active extension of the artwork itself: 'a glimpse of the capital's future, a hopeful portrait of a generation to come.'

Self-made property developer Thomas Crown (Steve McQueen) masterminds a successful billion-dollar bank job, even though he has no need of the money. Beautiful insurance investigator Vicky Anderson (Faye Dunaway) begins to look into the case and instinctively picks Crown out as the major suspect. Thus begins an intriguing cat-and-mouse game, with Crown treating Anderson to a fine old time - beach buggies, gliders, kinky chess games - as the pair try to simultaneously seduce and outwit each other. Norman Jewison directs.

Steve McQueen directs this unflinching dramatisation of the last weeks in the life of Bobby Sands, the Provisional IRA member who led the 1981 Irish hunger strike in the political wing of Belfast's Maze Prison. Ten prisoners starved themselves to death in protest at being denied official political prisoner status by Margaret Thatcher's government. Michael Fassbender plays Sands, whose passionate commitment to the cause for which he has been imprisoned and in the righteousness of dying for his political beliefs is portrayed in a central scene where he discusses the morality of the hunger strike with a visiting priest (Liam Cunningham). The film premiered at the 2008 Cannes Film Festival, where it was given an 'Un Certain Regard' screening.