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Ralph Ellison has been a controversial figure, both lionized and
vilified, since he seemed to burst onto the national literary scene
in 1952 with the publication of Invisible Man. In this volume
Steven C. Tracy has gathered a broad range of critics who look not
only at Ellison's seminal novel but also at the fiction and
nonfiction work that both preceded and followed it, focusing on
important historical and cultural influences that help
contextualize Ellison's thematic concerns and artistic aesthetic.
These essays, all previously unpublished, explore how Ellison's
various apprenticeships--in politics as a Black radical; in music
as an admirer and practitioner of European, American, and
African-American music; and in literature as heir to his realist,
naturalist, and modernist forebears--affected his mature literary
productions, including his own careful molding of his literary
reputation. They present us with a man negotiating the difficult
sociopolitical, intellectual, and artistic terrain facing African
Americans as America was increasingly forced to confront its own
failures with regard to the promise of the American dream to its
diverse populations. These wide-ranging historical essays, along
with a brief biography and an illustrated chronology, provide a
concise yet authoritative discussion of a twentieth-century
American writer whose continued presence on the stage of American
and world literature and culture is now assured.
Writers of the Black Chicago Renaissance comprehensively explores
the contours and content of the Black Chicago Renaissance, a
creative movement that emerged from the crucible of rigid
segregation in Chicago's "Black Belt" from the 1930s through the
1960s. Heavily influenced by the Harlem Renaissance and the Chicago
Renaissance of white writers, its participants were invested in
political activism and social change as much as literature, art,
and aesthetics. The revolutionary writing of this era produced some
of the first great accolades for African American literature and
set up much of the important writing that came to fruition in the
Black Arts Movement. The volume covers a vast collection of
subjects, including many important writers such as Richard Wright,
Gwendolyn Brooks, and Lorraine Hansberry as well as cultural
products such as black newspapers, music, and theater. The book
includes individual entries by experts on each subject; a
discography and filmography that highlight important writers,
musicians, films, and cultural presentations; and an introduction
that relates the Harlem Renaissance, the White Chicago Renaissance,
the Black Chicago Renaissance, and the Black Arts Movement.
Contributors are Robert Butler, Robert H. Cataliotti, Maryemma
Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King,
Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth
Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene
Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott,
James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara,
Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel
Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.
John Edgar Tidwell and Steven C. Tracy have brought together for
the first time a book-length collection of critical and theoretical
writings about Sterling A. Brown that recovers and reasserts his
continuing importance for a contemporary audience. Exploring new
directions in the study of Brown's life and work, After Winter is
structured around the following three features: (1) new and
previously published essays that sum up contemporary approaches to
the multifaceted works that Brown created in a variety of genres;
(2) interviews with Brown's acquaitances and contemporaries that
articulate his unique aesthetic vision and communicate his
importance as a scholar, creative writer, and teacher; and (3) a
discography of source material that innovatively extends the study
and teaching of Brown's acclaimed poetry, especially his Southern
Road, focusing on recordings of folk materials relevant to the
subject matter, style, and meaning of individual poems from his
oeuvre.
Ralph Ellison has been a controversial figure, both lionized and
vilified, since he seemed to burst fully formed on to the national
literary scene in 1952 with the publication of Invisible Man. In
this volume Steven C. Tracy has gathered a broad range of critics
who look not only at Ellison's seminal novel but also at the
fiction and nonfiction work that both preceded and followed it,
focusing on important historical and cultural influences that help
contextualize Ellison's thematic concerns and artistic aesthetic.
These essays, all previously unpublished, explore how Ellison's
various apprenciceships-in politics as a Black radical; in music as
an admirer and practioner of European, American, and
African-American music; and in literature as heir to his realist,
naturalist, and modernist forebears-affected his mature literary
productions, including his own careful molding of his literary
reputation. They present us with a man negotiating the difficult
sociopolitical, intellectual, and artistic terrain facing African
Americans as America was increasingly forced to confront its own
failures with regard to the promise of the American dream to its
diverse populations. These wide-ranging historical essays, along
with a brief biography and an illustrated chronology, provide a
concise yet authoritative discussion of a twentieth-century
American writer whose continued presence on the stage of American
and world literature and culture is now assured.
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