SPECIAL INTRODUCTORY PRICE! (Valid until 3 months after publication) The Cold War dominated international politics between 1945 and 1990, when the two superpowers, the United States and Soviet Union, vied for supremacy. Their clash profoundly influenced the main trends of the time, including economic development, technological change, and decolonization. It divided Europe, with the fault line running through Germany. Although it never erupted into a major superpower conflagration, it was a vicious struggle that was often fought through proxies in the Third World, periodically flared into searing 'limited' conflicts in Korea, Vietnam, and Afghanistan, and occasionally produced the most dangerous international crises, particularly over Berlin and Cuba, which brought the world to the brink of nuclear war. This new Routledge title is the first reference work authoritatively to draw together all the major works on this pivotal event. The first volume explores how historians and political scientists have approached the Cold War, from the early debates between those who sought to blame one of the two superpowers for starting it, to the findings in the 1990s that were based on newly available sources from the former communist bloc. The volume also makes sense of more recent efforts to examine its global, transnational, and cultural dynamics. The next three volumes are arranged chronologically, dealing in turn with the origins of the Cold War, 1945-53; the oscillating period of crisis and detente between 1953 and 1975; and the end of the Cold War, 1975-90. These three volumes collect a compelling mixture of classic and cutting-edge works. They gathered scholarship explores the story from above and below-from the perspective not just of Washington, Moscow, and Beijing, but also of the smaller players who sought to manipulate the superpowers for their own ends. The tightly focused organization of this collection will allow scholars quickly and easily to access both established and up-to-date assessments of the Cold War, and will also make for irresistible browsing. With a comprehensive introduction, providing essential background information and relating the various pieces to each other, Cold War Studies is destined to be an indispensable resource for research and study.

From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils of government, where Franklin D. Roosevelt and George Marshall held clear views about how much blood and gore Americans could stomach, to the command centers in London, Algiers, Naples, and Paris, where many reporters were stuck with the dreary task of reporting the war by communique. At the heart of this book is the epic journey of reporters like Wes Gallagher and Don Whitehead of the Associated Press, Drew Middleton of the New York Times, Bill Stoneman of the Chicago Daily News, and John Thompson of the Chicago Tribune; of columnists like Ernie Pyle and Hal Boyle; and of photographers like Margaret Bourke-White and Robert Capa. These men and women risked their lives on countless occasions to get their dispatches and their images back home. In providing coverage of war in an open society, they also balanced the weighty responsibility of adhering to censorship regulations while working to sell newspapers and maintaining American support for the war. These reporters were driven by a combination of ambition, patriotism, and belief in the cause. War Beat, Europe shows how they earned their reputation as America's golden generation of journalists and wrote the first draft of World War II history for posterity.

The extent to which combat casualties influence the public's support for war is one of the most frequently and fiercely debated subjects in current American life and has cast an enormous shadow over both the Iraq and Afghanistan conflicts. The common assumption, based largely on U.S. experience in past wars, is that the public is in some way casualty averse or casualty shy, and that as losses increase its support for a war will inexorably decline. Yet this assumption has been adopted as conventional wisdom without any awareness of one of the most important dimensions of the issue: how has the public become aware of the casualties sustained during particular wars? To what extent has the government tried to manipulate or massage the figures? When and why have these official figures been challenged by opportunistic political opponents or aggressive scoop-seeking reporters? As Steven Casey demonstrates, at key moments in most wars what the public actually receives is not straightforward and accurate casualty totals, but an enormous amount of noise based on a mixture of suppression, suspicion, and speculation. This book aims to correct this gap in information by showing precise what casualty figures the government announced during its various wars, the timing of these announcements, and any spin officials may have placed upon these, using a range of hitherto untapped primary documents. Among the nuggets he has uncovered is that during World War I the media depended on Axis figures and that the Army and Navy did not announce casualty figures for an entire year during World War II. Organized chronologically, the book addresses the two world wars, the limited wars in Korea and Vietnam, and the recent conflicts that are part of the War on Terror. Using sources such as the private military command papers of Generals Patton, MacArthur, and Westmoreland, and previously unopened New York Times archives, it offers the first analysis of how the U.S. government has publicized combat casualties during these wars, and how these official announcements have been debated and disputed by other voices in the polity. Casey discusses factors such as changes of presidential administration, the improvement of technology, the sending of war correspondents to cover multiple conflicts, and the increasing ability to identify bodies. Casey recreates the complicated controversies that have surrounded key battles, and in doing so challenges the simplicity of the oft-repeated conventional wisdom that "as casualties mount, support decreases. " By integrating military and political history, he presents a totally new interpretation of U.S. domestic propaganda since 1917, filling a major gap left by a spate of recent books. Finally, it provides a fresh and engaging new perspective on some of the biggest battles in recent American history, including the Meuse-Argonne, D-Day, the Battle of the Bulge, China's intervention in the Korean War, the Tet Offensive, and the recent campaigns in Iraq and Afghanistan. This book should speak to the military, political, and media history markets, and it should also reach a wider audience that is debating contemporary casualty figures.

The Korean War occupies a unique place in American history and foreign policy. Because it followed closely after World War II and ushered in a new era of military action as the first hot conflict of the cold war, the Korean War was marketed as an entirely new kind of military campaign. But how were the war-weary American people convinced that the limited objectives of the Korean War were of paramount importance to the nation?
In this ground-breaking book, Steven Casey deftly analyzes the Truman and Eisenhower administrations' determined efforts to shape public discourse about the war, influence media coverage of the conflict, and gain political support for their overall approach to waging the Cold War, while also trying to avoid inciting a hysteria that would make it difficult to localize the conflict. The first in-depth study of Truman's and Eisenhower's efforts to garner and sustain support for the war, Selling the Korean War weaves a lucid tale of the interactions between the president and government officials, journalists, and public opinion that ultimately produced the twentieth century concept of limited war.
It has been popularly thought that the public is instinctively hostile towards any war fought for less than total victory, but Casey shows that limited wars place major constraints on what the government can say and do. He also demonstrates how the Truman administration skillfully rededicated and redefined the war as it dragged on with mounting casualties. Using a rich array of previously untapped archival resources--including official government documents, and the papers of leading congressmen, newspaper editors, and war correspondents--Casey's work promises to bethe definitive word on the relationship between presidents and public opinion during America's "forgotten war."

Cautious Crusade explores how Americans viewed Nazi Germany during World War II, the extent to which the public opposed the president's vision for planning both Germany's defeat and future, and how opinion and policy interacted as the Roosevelt administration grappled with various aspects of the German problem during this period.

How presidents spark and sustain support for wars remains an enduring and significant problem. Korea was the first limited war the U.S. experienced in the contemporary period - the first recent war fought for something less than total victory. In Selling the Korean War, Steven Casey explores how President Truman and then Eisenhower tried to sell it to the American public.
Based on a massive array of primary sources, Casey subtly explores the government's selling activities from all angles. He looks at the halting and sometimes chaotic efforts of Harry Truman and Dean Acheson, Dwight Eisenhower and John Foster Dulles. He examines the relationships that they and their subordinates developed with a host of other institutions, from Congress and the press to Hollywood and labor. And he assesses the complex and fraught interactions between the military and war correspondents in the battlefield theater itself.
From high politics to bitter media spats, Casey guides the reader through the domestic debates of this messy, costly war. He highlights the actions and calculations of colorful figures, including Senators Robert Taft and JHoseph McCarthy, and General Douglas MacArthur. He details how the culture and work routines of Congress and the media influenced political tactics and daily news stories. And he explores how different phases of the war threw up different problems - from the initial disasters in the summer of 1950 to the giddy prospects of victory in October 1950, from the massive defeats in the wake of China's massive intervention to the lengthy period of stalemate fighting in 1952 and 1953.

From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils of government, where Franklin D. Roosevelt and George Marshall held clear views about how much blood and gore Americans could stomach, to the command centers in London, Algiers, Naples, and Paris, where many reporters were stuck with the dreary task of reporting the war by communique. At the heart of this book is the epic journey of reporters like Wes Gallagher and Don Whitehead of the Associated Press, Drew Middleton of the New York Times, Bill Stoneman of the Chicago Daily News, and John Thompson of the Chicago Tribune; of columnists like Ernie Pyle and Hal Boyle; and of photographers like Margaret Bourke-White and Robert Capa. These men and women risked their lives on countless occasions to get their dispatches and their images back home. In providing coverage of war in an open society, they also balanced the weighty responsibility of adhering to censorship regulations while working to sell newspapers and maintaining American support for the war. These reporters were driven by a combination of ambition, patriotism, and belief in the cause. War Beat, Europe shows how they earned their reputation as America's golden generation of journalists and wrote the first draft of World War II history for posterity.