This is an anthology of irreverence and humor in the hands of our best poets. Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, ""Seriously Funny"" ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Toure said that honey is never good when it's only in one mouth, and the editors of ""Seriously Funny"" hope its readers find much to share with others.

Human-computer confluence refers to an invisible, implicit, embodied or even implanted interaction between humans and system components. New classes of user interfaces are emerging that make use of several sensors and are able to adapt their physical properties to the current situational context of users. A key aspect of human-computer confluence is its potential for transforming human experience in the sense of bending, breaking and blending the barriers between the real, the virtual and the augmented, to allow users to experience their body and their world in new ways. Research on Presence, Embodiment and Brain-Computer Interface is already exploring these boundaries and asking questions such as: Can we seamlessly move between the virtual and the real? Can we assimilate fundamentally new senses through confluence? The aim of this book is to explore the boundaries and intersections of the multidisciplinary field of HCC and discuss its potential applications in different domains, including healthcare, education, training and even arts.

Brain-computer interfaces (BCIs) are devices that enable people to communicate via thought alone. Brain signals can be directly translated into messages or commands. Until recently, these devices were used primarily to help people who could not move. However, BCIs are now becoming practical tools for a wide variety of people, in many different situations. What will BCIs in the future be like? Who will use them, and why? This book, written by many of the top BCI researchers and developers, reviews the latest progress in the different components of BCIs. Chapters also discuss practical issues in an emerging BCI enabled community. The book is intended both for professionals and for interested laypeople who are not experts in BCI research.

This reissue was first published in 1982. It deals specifically with the 'Asiatic mode of production' described by Karl Marx in his basic evolutionary model for human society. The term defines a special form of society marked by state ownership of the means of production and extensive intervention by the state in all forms of social life. In the soviet Union, the concept has had a chequered and controversial career: leading writers, primarily Stalin, have denied its very existence, mobilizing the heavy artillery of state ideology in their defence, whilst later scholars show signs of reversing this trend. Drawing on a large body of Soviet writing on historiography, Stephen Dunn develops a critical analysis of the issue, and introduces important corrections to the accounts hitherto available in the West. His work should be of major interest to students of Soviet politics, economists and Marxists.

This reissue was first published in 1982. It deals specifically with the a ~Asiatic mode of productiona (TM) described by Karl Marx in his basic evolutionary model for human society. The term defines a special form of society marked by state ownership of the means of production and extensive intervention by the state in all forms of social life. In the soviet Union, the concept has had a chequered and controversial career: leading writers, primarily Stalin, have denied its very existence, mobilizing the heavy artillery of state ideology in their defence, whilst later scholars show signs of reversing this trend.

Drawing on a large body of Soviet writing on historiography, Stephen Dunn develops a critical analysis of the issue, and introduces important corrections to the accounts hitherto available in the West. His work should be of major interest to students of Soviet politics, economists and Marxists.

In this meditative and incisive collection, Pulitzer Prize winner Stephen Dunn draws on themes of morality and mortality to explore the innermost machinations of human nature. Shifting in tone but never wavering in their essential honesty, these poems reflect on desire, restraint and the roles we play in an ever-evolving society. A stunning sequence on the relationship between the speaker and "Mrs. Cavendish" examines an intimacy sustained and repelled by politics, philosophy and attraction. Wide-ranging, intellectually daring and wry, Pagan Virtues reminds us of Dunn's penetrating eye for the universal and the specific, and his ability to highlight our contradictions with tenderness and wit.

A volume which explores Black Joy, Queer Joy, and the ways in which family is both biological and chosen.

In his seventeenth collection of poetry, Pulitzer Prize winner Stephen Dunn confronts the lines we fight against and the ones we draw for ourselves. Lines of Defense poignantly captures the absurdities of modern life, expectations derailed, the lived life juxtaposed to the imagined life, and the defenses we don to make do. The poems in Lines of Defense are wry and elegiac, precisely observed and wide-reaching. As with the best of Dunn s work, they take stock of the quotidian aspects of life, of the essential comedy of getting through the day: finding a lost cat; not being invited to a party; taking a granddaughter to a carnival. The lines of defense are the lines of the verse itself, as poetry forms a stronghold against mortality. This essential volume showcases a poet writing at the height of his powers.

From Before We Leave:

Where are we going? It s not an issue of here or there. And if you ever feel you can t take another step, imagine how you might feel to arrive, if not wiser, a little more aware how to inhabit the middle ground between misery and joy."

This important new book introduces, analyzes and takes forward a post-Keynesian theory of the firm. It makes a vital contribution to the conceptualisation of uncertainty that is consistent with the methodological presuppositions of Post Keynesian economics. The author attempts to make a positive contribution to the development of Post Keynesian economics by refuting allegations of incoherence, detailing some of the salient implications of a transmutable conception of economic processes and then starting to explore what this means for how Post Keynesians conceptualise uncertainty. The book argues that the Post Keynesian distinctive view of time, understood as a non-deterministic open systems process, is a core and defining characteristic which is linked to its theoretical discussion of money and the principle of effective demand. Covering areas such as the coherence of Post Keynesianism, the future of Post Keynesian economics and Keynesian methodological debates, this book is useful reading for all Post Keynesian scholars with a strong interest in economic methodology and the philosophical underpinnings of economics.

This important new book introduces, analyzes and takes forward a post-Keynesian theory of the firm. It makes a vital contribution to the conceptualisation of uncertainty that is consistent with the methodological presuppositions of Post Keynesian economics. The author attempts to make a positive contribution to the development of Post Keynesian economics by refuting allegations of incoherence, detailing some of the salient implications of a transmutable conception of economic processes and then starting to explore what this means for how Post Keynesians conceptualise uncertainty. The book argues that the Post Keynesian distinctive view of time, understood as a non-deterministic open systems process, is a core and defining characteristic which is linked to its theoretical discussion of money and the principle of effective demand. Covering areas such as the coherence of Post Keynesianism, the future of Post Keynesian economics and Keynesian methodological debates, this book is useful reading for all Post Keynesian scholars with a strong interest in economic methodology and the philosophical underpinnings of economics.

With a new introduction by Pulitzer Prize-winning poet Stephen Dunn, this redesigned and fully reset edition of Complete Poems collects and presents all the poems published or designated for publication by E.E. Cummings in his lifetime.

Brain-computer interfaces (BCIs) are devices that enable people to communicate via thought alone. Brain signals can be directly translated into messages or commands. Until recently, these devices were used primarily to help people who could not move. However, BCIs are now becoming practical tools for a wide variety of people, in many different situations. What will BCIs in the future be like? Who will use them, and why? This book, written by many of the top BCI researchers and developers, reviews the latest progress in the different components of BCIs. Chapters also discuss practical issues in an emerging BCI enabled community. The book is intended both for professionals and for interested laypeople who are not experts in BCI research.

D.I. Damen Brook returns in DEATH DO US PART, the sixth book in Steven Dunne's gripping crime series. Proclaimed by Stephen Booth as 'dark and twisted...with and exceptional depth of humanity', it will appeal to fans of Peter Robinson and Mark Billingham. Even death cannot part these couples . . . DI Damen Brook is on a rare period of leave and determined to make the most of it by re-connecting with his daughter Terri. But with her heavy drinking proving a challenge, Brook takes the opportunity to visit a local murder scene when his help is requested. An elderly couple have each been executed with a single shot to the heart and the method echoes that of a middle-aged gay couple killed the previous month. With the same killer suspected and the officer currently in charge nearing retirement, Brook knows that he has little choice but to cut short his leave when forced by his superiors to take the lead on the case. Brook believes that he can catch this ruthless killer, but already distracted by Terri's problems, is he about to make a fatal mistake and lead the killer right to his own door?

DI Brook thought the nightmare was over- but the Reaper has left behind a horrifying legacy... A nail-shredding thriller for fans of Stuart MacBride and Thomas Harris. When an accidental drowning is found to be murder, Brook's past relationship with the victim makes him the prime suspect. A fact made worse when he receives a chilling message urging him to continue the work of the serial killer The Reaper, the deranged vigilante who had previously terrorised the UK. When a copycat murder on a Derby estate surfaces shortly afterwards, Brook is left with no alternative but to reopen the case- and to find a serial killer he knows is already dead. But as Brook delves deeper, he unearths the secrets behind a series of savage murders stretching back to 1975. Terrifyingly, it seems that The Reaper's influence has inspired a new band of willing disciples... A nail-shredding thriller for fans of Stuart MacBride and Thomas Harris.

For the young woman kidnapped on her way home from the pub, the nightmare is about to begin... Weeks after Caitlin Kinnear goes missing, the police are unable to break her case. Worse they are not even certain harm has come to her. But determined to pursue all leads, DI Damen Brook and his team begin to trawl through the murky world of cheap migrant labour. Convinced that the answers lie hidden within its depths, Brook soon begins to realise Caitlin is in terrible danger. When the body of another young girl turns up it becomes clear that Caitlin's abduction might not be an isolated incident and the race is on to save her. But with time running out, can Brook put the pieces together and find Caitlin before it's too late?

In this robust collection Crystal Bacon explores vision and the nature of myth-making, from cultural archetypes, such as Persephone and Narcissus, to Anne Frank and Chet Baker, to the personal myths that shape individual lives. Additionally, these poems, written from Bacon's perspective and adopted personas, examine the timeless themes of birth and death, love and loss, maleness and femaleness.

As a Geraldine R. Dodge Foundation poet, Crystal Bacon led writing seminars for high school teachers in southern New Jersey. Her work has appeared in publications in the US and Canada as well as the anthology, "Urban Nature: Poems about Wildlife in the City." A professor at Gloucester County College, she divides her time between New Jersey and Nova Scotia.

Incisively capturing the oddities of our logic and the whimsies of our reason, the poems in Whereas show there is always another side to a story. With graceful rhythm and equal parts humour and seriousness, Stephen Dunn considers the superstition and sophistry embedded in everyday life: household objects that seem to turn against us, the search for meaning in the barrage of daily news, the surprising confessions between neighbours across a row of hedges. Finding beauty in the ordinary, this collection affirms the absurdity of making affirmations, allowing room for more rethinking, reflection, revision, prayer and magic in the world.

This book is an exploration and interpretation of the diverse symbols and images that represent the sacred presence of God in the Book of Psalms. These images of sacred spaces and objects represent diverse conceptions of "the sanctuary" or sacred spaces, objects and texts that mediate God's presence and bridge the gap between the ineffable nature of God as transcendent and beyond human comprehension and as immanently and intimately present in human experience. I explore the multivalent ways in which images of sacred spaces and objects facilitate prayer and contemplation. This book represents a valuable contribution to the study of Psalms and biblical theology, spirituality and prayer.

Hailed as "indispensable" (David Wojahn), Pulitzer Prize–winning poet Stephen Dunn masterfully shifts between the metaphysical and the ironic, never wavering in his essential honesty. His graceful poems confront our contradictions with tenderness and wit, enliven the ordinary with penetrating observation, and alert us to the haunting wonders and relationships that surround us. The Not Yet Fallen World draws from all nineteen of Stephen Dunn’s crystalline volumes, including his most recent, Pagan Virtues (2019); the National Book Critics Circle Award Finalist Loosestrife (1996); and the Pulitzer Prize–winning Different Hours (2000). By turns sardonic and profound, Dunn examines the disguises we don to hide from ourselves and reveals sublime beauty hidden within seemingly mundane interactions. Nine new poems extend the poet’s inquiry into the paradoxes of contemporary life; as he writes in "Love Poem Near the End of the World," "Something keeps me holding on / to a future I didn’t think possible." Arranged to further Dunn’s signature themes—mortality, morality, and the roles we play in the essential human comedy of getting through each day—this final collection captures the breadth of an acclaimed poet’s achievement. His legacy is a poetic expanse suffused with fearless generosity and perceptive wisdom.

The past can't stay hidden forever... The Cold Case Unit of Derby Constabulary feels like a morgue to DI Damen Brook. But in disgrace and recently back from suspension, his boss thinks it's the safest place for him. But Brook isn't going down without a fight and when he uncovers a pattern in a series of murders that date back to 1963, he is forced to dig deeper. How could a killer stay undetected for so long? Could it be luck or are more sinister forces at work? Applying his instincts and razor sharp intelligence, Brook delves deep into the past of both suspects and colleagues unsure where the hunt will lead him. What he does know for sure is that a significant date is approaching fast and the killer may be about to strike again...

Winner of the 2001 Pulitzer Prize for Poetry.

A wise and graceful new collection by one of our "major, indispensable poets" (Sidney Lea). The mysteries of Eros and Thanatos, the stubborn endurance of mind and body in the face of diminishment--these are the undercurrents of Stephen Dunn's eleventh volume. "I am interested in exploring the 'different' hours," he says, "not only of one's life, but also of the larger historical and philosophical life beyond the personal."

"Different Hours leads us down a trail of wisdom, teaching us to live like the poet."—Alicia Suskin Ostriker

"Wisdom might be something we could only learn through a language like Stephen Dunn's, unbearably fearless and beautiful."—Gerald Stern