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This set offers a representitive collection of the verse satire of
the Romantic period, published between the mid-1780s and the
mid-1830s. As well as two single-author volumes, from William
Gifford and Thomas Moore, there is also a wealth of rare, unedited
material.
This set offers a representitive collection of the verse satire of
the Romantic period, published between the mid-1780s and the
mid-1830s. As well as two single-author volumes, from William
Gifford and Thomas Moore, there is also a wealth of rare, unedited
material.
This set offers a representitive collection of the verse satire of
the Romantic period, published between the mid-1780s and the
mid-1830s. As well as two single-author volumes, from William
Gifford and Thomas Moore, there is also a wealth of rare, unedited
material.
This set offers a representitive collection of the verse satire of
the Romantic period, published between the mid-1780s and the
mid-1830s. As well as two single-author volumes, from William
Gifford and Thomas Moore, there is also a wealth of rare, unedited
material.
The past decade has seen a profound shift in our collective
understanding of the digital network. What was once understood to
be a transcendent virtual reality is now experienced as a
ubiquitous grid of data that we move through and interact with
every day, raising new questions about the social, locative,
embodied, and object-oriented nature of our experience in the
networked world. In The Emergence of the Digital Humanities, Steven
E. Jones examines this shift in our relationship to digital
technology and the ways that it has affected humanities scholarship
and the academy more broadly. Based on the premise that the network
is now everywhere rather than merely "out there," Jones links
together seemingly disparate cultural events-the essential features
of popular social media, the rise of motion-control gaming and
mobile platforms, the controversy over the "gamification" of
everyday life, the spatial turn, fabrication and 3D printing, and
electronic publishing-and argues that cultural responses to changes
in technology provide an essential context for understanding the
emergence of the digital humanities as a new field of study in this
millennium. The Open Access version of this book, available at
https://doi.org/10.4324/9780203093085, has been made available
under a Creative Commons Attribution-Non Commercial-No Derivatives
4.0 license.
MRI Atlas of Pituitary Imaging focuses on magnetic resonance
imaging (MRI), the imaging modality of choice for the evaluation of
pituitary disorders, since it provides a detailed anatomy of the
pituitary gland and surrounding structures, particularly the soft
tissues. A basic understanding and interpretation of MRI is
important for many clinicians outside of the field of radiology,
especially endocrinologists who may receive limited formal training
in such areas. This concise Atlas includes a brief review of the
principles of magnetic resonance imaging and then reinforces these
principles by utilizing a case-based approach to review various
pituitary pathologies. The Atlas serves as a strong clinical
teaching aid for endocrinologists, radiologists, and neurosurgeons
in training. It also serves as a great reference for physicians who
are currently in practice.
Publishing, Editing, and Reception is a collection of twelve essays
honoring Professor Donald H. Reiman, who moved to the University of
Delaware in 1992. The essays, written by friends, students, and
collaborators, reflect the scholarly interests that defined
Reiman's long career. Mirroring the focus of Reiman's work during
his years at Carl H. Pforzheimer Library in New York and as lead
editor of Shelley and his Circle, 1773-1822 (Harvard University
Press), the essays in this collection explore authors such as Mary
Shelley, William Hazlitt, Lord Byron and Percy Bysshe Shelley;
moreover, they confirm the continuing influence of Reiman's
writings in the fields of editing and British Romanticism. Ranging
from topics such as Byron's relationship with his publisher John
Murray and the reading practices in the Shelley circle to Rudyard
Kipling's response to Shelley's politics, these essays draw on a
dazzling variety of published and manuscript sources while engaging
directly with many of Reiman's most influential theories and
arguments.
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