Talmuda de-Eretz Israel: Archaeology and the Rabbis in Late Antique Palestine brings together an international community of historians, literature scholars and archaeologists to explore how the integrated study of rabbinic texts and archaeology increases our understanding of both types of evidence, and of the complex culture which they together reflect. This volume reflects a growing consensus that rabbinic culture was an "embodied" culture, presenting a series of case studies that demonstrate the value of archaeology for the contextualization of rabbinic literature. It steers away from later twentieth-century trends, particularly in North America, that stressed disjunction between archaeology and rabbinic literature, and seeks a more holistic approach.

Jews, Christians and Polytheists in the Ancient Synagogue explores the ways in which divergent ethnic, national and religious communities interacted with one another within the synagogue in the Greco-Roman period. It presents new perspectives regarding the development of the synagogue and its significance of this institution for understanding religion and society under the Roman Empire.

Jews, Christians and Polytheists in the Ancient Synagogue explores the ways in which divergent ethnic, national and religious communities interacted with one another within the synagogue in the Greco-Roman period. It presents new perspectives regarding the development of the synagogue and its significance of this institution for understanding religion and society under the Roman Empire.

Art and Judaism During the Greco-Roman Period explores the Jewish experience with art during the Greco-Roman period from the Hellenistic period through the rise of Islam. It starts from with the premise that Jewish art in antiquity was a "minority" or "ethnic" art and surveys ways that Jews fully participated in, transformed, and at times rejected the art of their general environment. Art and Judaism focuses upon the politics of identity during the Greco-Roman period, even as it discusses ways that modern identity issues have sometimes distorted and at other times refined scholarly discussion of ancient Jewish material culture. Art and Judaism, the first historical monograph on ancient Jewish art in forty years, evaluates earlier scholarship even as it sets out in new directions. Placing literary sources in careful dialogue with archaeological discoveries, this "New Jewish Archaeology" is an important contribution to Judaic Studies, Religious Studies, Art History, and Classics. The Revised Edition includes a new introduction, additional images, and color plates.

This Festschrift in honor of Professor Lawrence H. Schiffman, a leading authority on the Dead Sea Scrolls and Rabbinic Judaism, includes contributions by twenty of his disciples, each of whom is a scholar in their own right. The many subjects covered display a wide range of interdisciplinary approaches and will be of interest to students and scholars alike.

Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the "thick description" of Josephus's portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions-both in antiquity, and in our own time. "Taken as a whole, Fine's book exhibits the value of bridging disciplines. The historiographical segments integrated throughout this volume offer essential insights that will inform any student of Roman and late antiquity." Yael Wilfand, Hebrew University, Review of Biblical Literature, 2014.

Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the "thick description" of Josephus's portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions-both in antiquity, and in our own time. "Taken as a whole, Fine's book exhibits the value of bridging disciplines. The historiographical segments integrated throughout this volume offer essential insights that will inform any student of Roman and late antiquity." Yael Wilfand, Hebrew University, Review of Biblical Literature, 2014.

From the ancient rabbis to medieval Ashkenaz, from North Africa to Syria, from the United States to modern Israel, the articles collected in Liturgy in the Life of the Synagogue reflect the diversity of approaches and the questions that modern scholars residing in North America, Europe, and Israel bring to bear on the study of Jewish liturgy. The book spans the entire history of rabbinic prayer and presents a diverse array of approaches, ranging from classical methods applied to new topics to today's interdisciplinary approaches. Contributors include: R. Kimelman, S. Fine, D. Reed Blank, V. B. Mann, S. C. Reif, R. Langer, N. Feuchtwanger-Sarig, M. L. Kligman, J. D. Sarna, J. Tabory, and S. P. Wachs.

Jewish Religious Architecture explores ways that Jews have expressed their tradition in brick and mortar and wood, in stone and word and spirit, from the biblical Tabernacle to contemporary Judaism. Social historians, cultural historians, art historians and philologists have come together in this volume to explore this extraordinary architectural tradition.