An old pond; a frog jumps in: the sound of water -- Basho This comprehensive introduction to Japan's best-loved haiku poets is the perfect book for anyone wanting to learn about haiku. Compiled and with commentary by renowned author and translator William Scott Wilson, the book features 26 poets and 550 haiku, exquisitely translated. Wilson takes the reader on a fascinating journey through the works of the major Japanese poets from the fifteenth century up to the present. The poets include Basho, Shiki, Buson and Issa (the "Great Four") along with other well-known practitioners of the genre such as Ryokan, Kikaku and Chora. Wilson gives his own brand-new renditions of poems that are already known as classics, and also shares with us the delightful work of a number of poets who are rarely found in English translation, such as six female poets including Chiyojo and Hisajo, as well as novelist Natsume Soseki, who, unbeknown to many, also wrote haiku. The book is divided into sections, each starting with a 2-4 page introduction to each poet, followed by a selection of that poet's haiku, in Japanese script and English translation. Online audio files are available with recordings of the poems in both English and Japanese.

Bodhidharma, its first patriarch, reputedly said that Zen Buddhism represents "a special transmission outside the teaching/Without reliance on words and letters." This saying, along with the often perplexing use of language (and silence) by Zen masters, gave rise to the notion that Zen is a
"lived religion" based strictly on practice. This collection of previously unpublished essays argues that Zen actually has a rich and varied literary heritage. Among the most significant texts are hagiographic accounts and recorded sayings of individual Zen masters, koan collections and
commentaries, and rules for monastic life. This volume offers learned yet accessible studies of some of the most important classical Zen texts, including some that have received little scholarly attention (and many that are accessible only to specialists). Each essay provides historical, literary,
and philosophical commentary on a particular text or genre.

The growth rate of the Gross Domestic Product (GDP) in the Asia-Pacific region greatly surpasses the world average. When the Trans-Pacific Partnership (TPP) is better realized, then the world's largest free trade zone will be firmly established. It seems that this region has a very rosy outlook indeed; however, this region also faces a large number of serious problems such as: atomic energy in Japan, conflicts about East Asian regional integration, the decline of the Japanese Official Development Assistance (ODA), and the TPP's possible impact on the Japanese universal health insurance system. We now face a possible Sino-Japanese military conflict concerning the Senkaku Islands (or Diaoyutai Islands). In short, the Asia-Pacific region has both a rosy future and the potential influence from unstable and dangerous elements at work within the region at present. The main purpose of this book is to analyze historical development, whilst looking at the contemporary situation of Japan from interdisciplinary perspectives. This book asks three major questions: (1) Is this really globalization? (2) What are Japan's relations with other Asian countries? (3) Do U.S.-Japan relations still matter? Fourteen leading scholars in their fields answer these questions from interdisciplinary perspectives.

This book provides an in-depth textual and literary analysis of the Blue Cliff Record (Chinese Biyanlu, Japanese Hekiganroku), a seminal Chan/Zen Buddhist collection of commentaries on one hundred gongan/koan cases, considered in light of historical, cultural, and intellectual trends from the Song dynasty (960-1279). Compiled by Yuanwu Keqin in 1128, the Blue Cliff Record is considered a classic of East Asian literature for its creative integration of prose and verse as well as hybrid or capping-phrase interpretations of perplexing cases. The collection employs a variety of rhetorical devices culled from both classic and vernacular literary sources and styles and is particularly notable for its use of indirection, allusiveness, irony, paradox, and wordplay, all characteristic of the approach of literary or lettered Chan. However, as instrumental and influential as it is considered to be, the Blue Cliff Record has long been shrouded in controversy. The collection is probably best known today for having been destroyed in the 1130s at the dawn of the Southern Song dynasty (1127-1279) by Dahui Zonggao, Yuanwu's main disciple and harshest critic. It was out of circulation for nearly two centuries before being revived and partially reconstructed in the early 1300s. In this book, Steven Heine examines the diverse ideological connections and disconnections behind subsequent commentaries and translations of the Blue Cliff Record, thereby shedding light on the broad range of gongan literature produced in the eleventh to thirteenth centuries and beyond.

This volume continues the work of a recent collection published in 2012 by Oxford University Press, Dogen: Textual and Historical Studies. It features some of the same outstanding authors as well as some new experts who explore diverse aspects of the life and teachings of Zen master Dogen (1200-1253), the founder of the Soto Zen sect (or Sotoshu) in early Kamakura-era Japan. The contributors examine the ritual and institutional history of the Soto school, including the role of the Eiheji monastery established by Dogen as well as various kinds of rites and precepts performed there and at other temples. Dogen and Soto Zen builds upon and further refines a continuing wave of enthusiastic popular interest and scholarly developments in Western appropriations of Zen. In the last few decades, research in English and European languages on Dogen and Soto Zen has grown, aided by an increasing awareness on both sides of the Pacific of the important influence of the religious movement and its founder. The school has flourished throughout the medieval and early modern periods of Japanese history, and it is still spreading and reshaping itself in the current age of globalization.

Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Following two volumes on Zen literature (Zen Classics and The Zen Canon) and two volumes on Zen practice (The Koan and Zen Ritual) they now propose a volume on the most significant product of the Zen tradition - the Zen masters who have made this kind of Buddhism the most renowned in the world by emphasizing the role of eminent spiritual leaders and their function in establishing centers, forging lineages, and creating literature and art. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the last millennium by the classic literature of this tradition. Each chapter looks at a single prominent master. Authors assess the master's personality and charisma, his reported behavior and comportment, his relationships with teachers, rivals and disciplines, lines of transmission, primary teachings, the practices he emphasized, sayings and catch-phrases associated with him, his historical and social context, representations and icons, and enduring influences.

Since Zen Buddhism first captivated the attention of Western seekers the dominant discourse about this sect has been romantic, idealistic, and utopian. The essence of Zen has been described as ineffable, holistic, and promoting social harmony. In recent years, however, some scholars have begun to examine Zen through the lenses of historical and cultural criticism, producing a sharp challenge to the traditional view. These clashing viewpoints are now entrenched in two warring camps, and their exponents talk past each other with virtually no constructive interaction. In this book, Steven Heine argues that a constructive compromise is possible. He focuses on three principal areas of disagreement: (1) the role of language and discourse in a tradition that claims to be 'outside words and letters, ' yet has produced a voluminous body of texts, (2) the function of rituals and objects of worship to gain world benefit in a tradition supposedly founded on unmediated experience attained in an iconoclastic and ascetic environment, (3) the impact of a tradition that espouses peace and harmony on social issues such as class and gender discrimination and on nationalism and imperialism in Japan. Avoiding the stagnant polarization that characterizes most encounters between Zen traditionalists and their critics, he suggests ways in which these two perspectives can complement each other in a more balanced and nuanced alternative position.

Dogen (1200-1253), the founder of the Soto Zen sect in Japan, is especially known for introducing to Japanese Buddhism many of the texts and practices that he discovered in China. Heine reconstructs the context of Dogen's travels to and reflections on China by means of a critical look at traditional sources both by and about Dogen in light of recent Japanese scholarship. While many studies emphasize the unique features of Dogen's Japanese influences, this book calls attention to the way Chinese and Japanese elements were fused in Dogen's religious vision. It reveals many new materials and insights into Dogen's main writings, including the multiple editions of the Shobogenzo, and how and when this seminal text was created by Dogen and was edited and interpreted by his disciples. This book is the culmination of the author's thirty years of research on Dogen and provides the reader with a comprehensive approach to the master's life works and an understanding of the overall career trajectory of one of the most important figures in the history of Buddhism and Asian religious thought.

Dogen (1200-1253), the founder of the Soto Zen sect in Japan, is especially known for introducing to Japanese Buddhism many of the texts and practices that he discovered in China. Heine reconstructs the context of Dogen's travels to and reflections on China by means of a critical look at traditional sources both by and about Dogen in light of recent Japanese scholarship. While many studies emphasize the unique features of Dogen's Japanese influences, this book calls attention to the way Chinese and Japanese elements were fused in Dogen's religious vision. It reveals many new materials and insights into Dogen's main writings, including the multiple editions of the Shobogenzo, and how and when this seminal text was created by Dogen and was edited and interpreted by his disciples. This book is the culmination of the author's thirty years of research on Dogen and provides the reader with a comprehensive approach to the master's life works and an understanding of the overall career trajectory of one of the most important figures in the history of Buddhism and Asian religious thought.

This is a companion volume to The Koan and The Zen Canon, by the same editors. The first volume collected original essays on koan collections, recorded sayings of individual masters, histories of major schools, and compilations of monastic regulations. The second focuses on the early history of Zen in China, providing overview assessments of many of the most important canonical texts that set the Zen tradition in motion throughout East Asia. Zen Classics will follow that historical movement, focusing primarily on texts from Korea and Japan that brought this Buddhist movement to fruition. Although enormously diverse in style and structure all of the texts and genres of texts considered here were fundamental to the unfolding of Zen in East Asia. The range of genres reveals the varieties of Zen practice, from rules of daily practice to sermons and meditation manuals. The all new essays in this volume will be contributed by an international team of distinguished scholars of Buddhism. It is aimed at a broad audience including college students, Zen practitioners, and scholars of East Asian history, religion, and culture, as well as specialists in Buddhist history.

Bodhidharma, its first patriarch, reputedly said that Zen Buddhism represents "a special transmission outside the teaching/Without reliance on words and letters." This saying, along with the often perplexing use of language (and silence) by Zen masters, gave rise to the notion that Zen is a "lived religion," based strictly on non-linguistic practice and lacking a substantial canon of sacred texts. Even those who recognize the importance of Zen texts commonly limit their focus to a few select texts without recognizing the wide variety of Zen literature. This collection of previously unpublished essays argues that Zen actually has a rich and varied literary heritage. Among the most significant textual genres are hagiographic accounts and recorded sayings of individual Zen masters, koan collections and commentaries, and rules for monastic life. During times of political turmoil in China and Japan, these texts were crucial to the survival and success of Zen, and they have for centuries been valued by practitioners as vital expressions of the truth of Zen. This volume offers learned yet accessible studies of some of the most important classical Zen texts, including some that have received little scholarly attention (and many of which are accessible only to specialists). Each essay provides historical, literary, and philosophical commentary on a particular text or genre. Together, they offer a critique of the "de facto canon" that has been created by the limited approach of Western scholarship, and demonstrate that literature is a diverse and essential part of Zen Buddhism.

Koans are enigmatic spiritual formulas used for religious training in the Zen Buddhist tradition. This innovative religious practice is one of the most distinctive elements of this tradition, which originated in medieval China and spread to Japan and Korea. Perhaps no dimension of Asian religious has attracted so much interest in the West, and its influence is apparent from beat poetry to deconstructive literary critisism. The essays collected in this volume argue that our understanding of the Koan tradition has been severely limited. The authors try to undermine stereotypes and problematic interpretations by examining previously unrecognized factors in the formation of the tradition, and by highlighting the rich complexity and remarkable diversity of Koan practice and literature.

A collection of essays by 20th-century American, English, and European composers in which each composer discusses a large choral work or works he has written, along with the principles that guided the composition.

It is said that in traditional Japan the samurai embraced Zen because it helped them to be fearless in adversity, to act quickly and decisively, and to keep focused on their ultimate goal. In White Collar Zen, Steven Heine shows how, by applying Zen principles in our working lives, we can achieve the same results for ourselves. Heine describes the way Zen embraces two different yet harmonious paths. The Way of the Hermit teaches detachment-the mental clarity you need to view your situation dispassionately and impartially, to perceive who is an ally and who is a competitor, to understand what is possible and what is not. The Way of the Warrior teaches the ability to act without hesitation at the proper moment. Together, they can prepare you to meet the challenges of the modern professional world. Heine offers a step-by-step approach to attaining these skills and applying them in daily life. Using real-world examples interwoven with sayings and stories from the Zen tradition, he shows how Zen can help in situations ranging from gaining a deserved promotion to overcoming obstacles that arise from a breakdown in teamwork. He makes it clear that in Zen the path to personal success must be one that values integrity, respects every individual, emphasizes cooperation, and serves the goals of the larger group. Replete with practical advice, White Collar Zen will appeal to many of the same readers who have made The Art of War and The Book of Five Rings so successful. It will certainly fascinate anyone interested in applying Zen principles to achieving professional excellence.

The stereotype of Zen Buddhism as a minimalistic or even immaterial meditative tradition persists in the Euro-American cultural imagination. This volume calls attention to the vast range of "stuff" in Zen by highlighting the material abundance and iconic range of the Soto, Rinzai, and Obaku sects in Japan. Chapters on beads, bowls, buildings, staffs, statues, rags, robes, and even retail commodities in America all shed new light on overlooked items of lay and monastic practice in both historical and contemporary perspectives. Nine authors from the cognate fields of art history, religious studies, and the history of material culture analyze these "Zen c matters" in all four senses of the phrase: the interdisciplinary study of Zen's matters (objects and images) ultimately speaks to larger Zen matters (ideas, ideals) that matter (in the predicate sense) to both male and female practitioners, often because such matters (economic considerations) help to ensure the cultural and institutional survival of the tradition. Zen and Material Culture expands the study of Japanese Zen Buddhism to include material inquiry as an important complement to mainly textual, institutional, or ritual studies. It also broadens the traditional purview of art history by incorporating the visual culture of everyday Zen objects and images into the canon of recognized masterpieces by elite artists. Finally, the volume extends Japanese material and visual cultural studies into new research territory by taking up Zen's rich trove of materia liturgica and supplementing the largely secular approach to studying Japanese popular culture. This groundbreaking volume will be a resource for anyone whose interests lie at the intersection of Zen art, architecture, history, ritual, tea ceremony, women's studies, and the fine line between Buddhist materiality and materialism.

Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Following two volumes on Zen literature (Zen Classics and The Zen Canon) and two volumes on Zen practice (The Koan and Zen Ritual) they now propose a volume on the most significant product of the Zen tradition - the Zen masters who have made this kind of Buddhism the most renowned in the world by emphasizing the role of eminent spiritual leaders and their function in establishing centers, forging lineages, and creating literature and art. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the last millennium by the classic literature of this tradition. Each chapter looks at a single prominent master. Authors assess the master's personality and charisma, his reported behavior and comportment, his relationships with teachers, rivals and disciplines, lines of transmission, primary teachings, the practices he emphasized, sayings and catch-phrases associated with him, his historical and social context, representations and icons, and enduring influences.