Bradley Cooper stars in this drama directed by John Wells as chef Adam Jones. The film follows Adam as he attempts to rebuild his life and career after a period of erratic, drug-fuelled, behaviour led to him losing his restaurant. Adam moves to London from New Orleans where his former maitre d' Tony (Daniel Brühl) reluctantly employs him as head chef at his fine-dining establishment. But to Adam this is only a stepping stone to his real dream - to open a restaurant of his own and achieve a three Michelin star rating.

Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer's readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur', and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism.

This book provides the first comprehensive overview of the complete works of Wilkie Collins's. Examining his vast array of novels and short stories, this volume includes analysis of the social, historical, and political commentary Collins offered within his works, illuminating Collins as more than a successful crime and sensation author, or the fortunate recipient of Dicken's grand patronage, but as a hard-thinking and lively-writing part of the rich mid-Victorian literary scene. Overall, Collins is seen as a master of narratives which deal with social and personal issues that were much debated in his fifty-year authorial period. Close attention is paid to the events, themes, and characterization in his fiction, revealing his analytic vigor and the literary power of that period and context. Delivering fresh insight into the variety and richness of Collins' themes and arguments, this volume provides a key source of information and analysis on all Collins' fiction.

Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer's readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur', and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism.

This book explores and explains stories about the mythic outlaw, who from the Middle Ages to the present day has stood up for the values of natural law and true justice. Analysing the whole sequence of Robin Hood adventures, it begins with the medieval tradition, including early poems and the long-surviving sung ballads, and goes on to look at two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined Robin as a modern figure - a lover of nature, Marian, England and the rights of the ordinary man. In novels and films he has developed into an international figure of freedom, while Marian's role has grown in a modern feminist context. Even to this day, the Robin Hood myth continues to reproduce itself, constantly discovering new forms and new meanings. -- .

George Reynolds is arguably the most prolific of all nineteenth-century English novelists, reaching an enormous audience through his thirty-six novels. Often selling in very large numbers in weekly one-penny installments, his works were known as by the most popular English novelist ever. Yet today, he remains almost unknown in the canon of English Literature. A serious radical, strongly pro-woman, and a leading Chartist seeking the vote for all men, Reynolds’ vigorous heroines differ notably from the Victorian novelists’ timid norm. He was strongly pro-Jewish and pro-Gypsy, very interested in French and Italian society, but wrote for ordinary English working people. Dickens thought him a dangerous leftist: for all these reasons, he was excluded from the elite literary world. G. W. M. Reynolds: The Man Who Outsold Dickens reestablishes Reynolds as a major figure of mid-nineteenth-century fiction and an author of European range and status. This book examines his massive popularity and notable concern with the problems of ordinary people, especially women, in the complex and often dangerous new world of the modern city. With the support of his wife Susannah, Reynolds’ enormous influence would also make a contribution to the cause of mass political education through his role in the development of popular fiction and journalism. This book is a major innovation in the field of Victorian literary studies, with relevance to popular cultural studies, the politics of literature, and publishing history, presenting properly a much overlooked major English novelist.

Crime fiction was a creation of the modern world and its suddenly growing cities, when in both reality and fiction specialists emerged to identify criminals and protect the anxious, isolated citizens. At first they tended to be lawyers, but then detectives, both amateurs and police, came to play a central role. The development of crime fiction has its own mysteries. The book explores theme-focused aspects of its complex history through the nineteenth century. The first two chapters show how America and France generated new forms of crime fiction, often influencing each other. The next chapter reveals social variations among the early investigators, and then gender is the focus for a discussion of the roles played by women as authors, and even detectives. Chapter 5 studies how major English writers like Gaskell, Dickens, Collins and Braddon were influenced by and contributed to crime fiction. The book concludes by analyzing how and why Hume's The Mystery of a Hansom Cab became a best-seller in 1887-8; finally it exposes the imperial features, some of them already post-colonial, which helped to make the Sherlock Holmes stories seem dynamically up-to-date.

A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite. This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. Can it be imagined that in the world of Ivanhoe, the Eglinton Tournament, Dante Gabriel Rossetti, Alfred Tennyson, the working class remained largely oblivious to, or at best uninterested in, medievalism? What, if any, was the working-class medievalist counter-blast to conservatism? How did feminism and socialismdeploy the medieval past? The contributions here range beyond the usual canonical cultural sources to investigate the ephemera: the occasional poetry, the forgotten novels, the newspapers, short-lived cultural journals, fugitive Chartist publications. A picture is created of a richly varied and subtle understanding of the medieval past on the part of socialists, radicals, feminists and working-class thinkers of all kinds, a set of dreams of the Middle Agesto counter what many saw as the disorder of the times.

The major discovery of a late 17c manuscript of Robin Hood ballads is a significant event in the study of early English popular culture: fuller and variant ballad texts introduced with full critical apparatus. The discovery of the Forresters Manuscript in 1993 cast new light on the Robin Hood ballad tradition. Dating from about 1670, it contains twenty-one ballads, with two versions of one, providing texts clearly superior to those available in Child's classic ballad collection: for example, the action of Robin Hood and Queen Katherine and The Noble Fisherman, obscure for centuries, is now clear in versions fuller than those apparently cut down tofit the size for broadside publication.Other Forresters texts of high interest are radically variant texts of Robin Hood and Allin a Dale, Robin Hood and the Bishop and The King's Disguise and Friendship with Robin Hood, the last two offering texts some seventy years earlier This edition offers a full diplomatic text in original spelling with light modern punctuation, textual introductions, notes on text and meaning, glossary and bibliography. A General Introduction discusses the tendencies of the manuscript asa whole, and a Manuscript Description is provided by HILTON KELLIHER, Keeper of Western Manuscripts at the British Library. STEPHEN KNIGHT is Professor of English Literature at the University of Wales at Cardiff.

Australian crime fiction grew from the country's modern origins as a very distant English prison. Early stories described escaped convicts becoming heroic bushrangers, or how the system maltreated mis-convicted people. As Australia developed, thrillers emerged about threats to the wealth of free settlers and crime among gold-seekers from England and America, and then urban crime fiction including in 1887 London's first best-seller, Fergus Hume's Melbourne-located The Mystery of a Hansom Cab. The genre thrived, with bush detectives like Billy Pagan and Arthur Upfield's half-Indigenous 'Bony', and from the 1950s women like June Wright, Pat Flower and Patricia Carlon linked with the internationally burgeoning psychothriller. Modernity has massified the Australian form: the 1980s saw a flow of private-eye thrillers, both Aussie Marlowes and tough young women, and the crime novel thrived, long a favorite in the police-skeptical country. In the twenty-first century some authors have focused on policemen, and more on policewomen- and finally there is potent Indigenous crime fiction. In this book Stephen Knight, long-established as an authority on the genre and now back in Melbourne, tells in detail and with analytic coherence this story of a rich but previously little-known national crime fiction.

Twenty-one short chapters discuss in detail the books selected as the most popular and influential mysteries across time. Starting with Caleb Williams (William Godwin) and Edgar Huntly (Charles Brockden Brown), the series moves through the great detective authors - Poe's Dupin stories, Doyle's Adventures of Holmes, Christie's The Murder of Roger Ackroyd, Sayers's Strong Poison, Chandler's The Big Sleep, Simenon's The Yellow Dog - and also considers lesser-known important early books, Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr Ripley, and Chester Himes's African American detectives in Cotton Comes to Harlem, while diversity develops further in Sara Paretsky's tough woman detective V. I. Warshawski in IndemnityOnly, Umberto Eco's The Name of the Rose - both medievalist and postmodern -- and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best of the most modern have been primarily international - Manuel Vasquez Montalban's Catalan Southern Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, The Girl with a Dragon Tattoo by Sweden's Stieg Larsson and Vikram Chanda's Mumbai-based Sacred Games.

George Reynolds is arguably the most prolific of all nineteenth-century English novelists, reaching an enormous audience through his thirty-six novels. Often selling in very large numbers in weekly one-penny installments, his works were known as by the most popular English novelist ever. Yet today, he remains almost unknown in the canon of English Literature. A serious radical, strongly pro-woman, and a leading Chartist seeking the vote for all men, Reynolds' vigorous heroines differ notably from the Victorian novelists' timid norm. He was strongly pro-Jewish and pro-Gypsy, very interested in French and Italian society, but wrote for ordinary English working people. Dickens thought him a dangerous leftist: for all these reasons, he was excluded from the elite literary world. G. W. M. Reynolds: The Man Who Outsold Dickens reestablishes Reynolds as a major figure of mid-nineteenth-century fiction and an author of European range and status. This book examines his massive popularity and notable concern with the problems of ordinary people, especially women, in the complex and often dangerous new world of the modern city. With the support of his wife Susannah, Reynolds' enormous influence would also make a contribution to the cause of mass political education through his role in the development of popular fiction and journalism. This book is a major innovation in the field of Victorian literary studies, with relevance to popular cultural studies, the politics of literature, and publishing history, presenting properly a much overlooked major English novelist.

Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up to the present with discussions of a globalized Merlin who finds his way into popular literature, film, television, and New Age philosophy.

Knight argues that Merlin in all his guises represents a conflict basic to Western societies-the clash between knowledge and power. While the Merlin story varies over time, the underlying structural tension remains the same whether it takes the form of bard versus lord, magician versus monarch, scientist versus capitalist, or academic versus politician. As Knight sees it, Merlin embodies the contentious duality inherent to organized societies. In tracing the applied meanings of knowledge in a range of social contexts, Knight reveals the four main stages of the Merlin myth: Wisdom (early Celtic British), Advice (medieval European), Cleverness (early modern English), and Education (worldwide since the nineteenth century). If a wizard can be captured within the pages of a book, Knight has accomplished the feat.

A classic and highly controversial expose of the secret world of the Freemasons reissued with a new introduction by Martin Short, author of 'Inside the Brotherhood'. The Freemasons have long fascinated outsiders. The subject of Dan Brown's new novel - set for release in 2007 - this secret and exclusive society, thought to be the largest in Britain today, remains a mystery to the many excluded from its ranks. One would never know if a father or brother was a member due to the mandatory vow of secrecy. In this classic, controversial expose, Stephen Knight talks to the men on the inside - those who have broken their vow of secrecy to reveal the darker side of the 'brotherhood'. Do they influence the law? Is the KGB involved? And is there is a secret group of Masons running the country today, perhaps influencing every move we make? Fully updated with a new introduction by Martin Short, acclaimed author of 'Inside the Brotherhood', this is the unmissable, true story of an ancient, and mysterious brotherhood operating in our midst.

This book explores and explains stories about the mythic outlaw, who from the Middle Ages to the present day has stood up for the values of natural law and true justice. Analysing the whole sequence of Robin Hood adventures, it begins with the medieval tradition, including early poems and the long-surviving sung ballads, and goes on to look at two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined Robin as a modern figure - a lover of nature, Marian, England and the rights of the ordinary man. In novels and films he has developed into an international figure of freedom, while Marian's role has grown in a modern feminist context. Even to this day, the Robin Hood myth continues to reproduce itself, constantly discovering new forms and new meanings. -- .

The first collection of major scholarly studies of aspects of the Robin Hood tradition. The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and filmstudies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.

The only figure in the Dictionary of National Biography who is said never to have existed, Robin Hood has taken on an air of reality few historical figures achieve. His image in various guises has been put to use as a subject of ballads, nationalist rallying point, Disney cartoon fox, greenclad figure of farce, tabloid fodder, and template for petty criminals and progressive political candidates alike.

In this engaging and deeply informed book Stephen Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. The best way to get at the essence of the Robin Hood myth, Knight believes, is in terms not of chronological and generic progression but of the purposes served by heroes. Each of the book's four central chapters identifies a particular model of the hero, mythic or biographic, which dominated in certain periods and in certain genres, and explores their interrelations, their implications, and their historical and sociopolitical contexts.