The definitive guide to hundreds of Britain's most outstanding gardens, in the care of the National Trust The National Trust has the finest collection of gardens in the United Kingdom. In this book, Stephen Lacey paints a vivid picture of the individual gardens, and places each one in its context within British horticultural history. All the major periods and styles of garden design are represented, from the formality of early gardens such as Hanbury Hall and Ham House, magnificent 18th-century landscapes like Stowe and Croome Park and the heady Victorian creations of Biddulph Grange and Waddesdon Manor to the famous plantsmen's gardens of the last century, such as Nymans, Hidcote Manor and Sissinghurst Castle. The text and pictures have been fully updated, with new entries including Allan Bank, High Close Arboretum and Wentworth Castle. Several gardens have undergone major redevelopment since the previous edition, while others have colourfully expanded the acreage open to visitors. Extensive tree planting, including reinstating a lost eighteenth-century avenue at Dyrham Park and recreating the pear tree arch at Rudyard Kipling's home, Bateman's, are just a few of the new and exciting additions to this classic guide to Britain's most outstanding gardens.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Garnett's distinctive contribution to the development of a social realist aesthetic in British TV drama is also examined, from the documentary-inspired single plays of the 1960s and 70s to the subversion of genre within popular drama series of the 1990s and 2000s. Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology - 16 mm in the 1960s, digital video in the 1990s - have shaped his creative output. Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts his career from his early days as an actor to his position as executive producer and head of World Productions, focusing on the ways in which he has helped to define the role of the creative producer, shaping the distinctive politics and aesthetics of the drama he has produced, and enabling and facilitating the contributions of others. Garnett's distinctive contribution to the development of a social realist aesthetic is also examined, through the documentary-inspired early single plays to the subversion of genre within popular drama series. -- .

The British New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era.
Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include:
* Edward Bond
* John Osborne
* Shelagh Delaney * Harold Pinter

The British New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era.
Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include:
* Edward Bond
* John Osborne
* Shelagh Delaney * Harold Pinter

A collection of essays by leading media professionals and academics, which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes.

Life on Mars (2006-07), is one of the most talked-about television drama events of the last decade. Centring on Sam Tyler, a DI in 2006 who is inexplicably catapulted back to 1973 after an accident, the series mixes science fiction with police drama. This collection, the first extended account of Life on Mars, includes contributions by some of the most experienced television studies researchers, and extends the discussion to the series' follow-up, Ashes to Ashes (2008-10), set in 1981, considers the series' impact in the USA and the critical and popular response to the Spanish and American remakes.

A collection of essays by leading media professionals and academics, which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes.