An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners. In the beginning there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Contains a Compact Disc of Steven Schick performing eight musical works that he discusses in detail in the book. Composers include John Luther Adams, Brian Ferneyhough, Michael Gordon, David Lang, Edgard Varèse, Charles Wuorinen, and Iannis Xenakis. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred piecesfrom renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish."

Collection of performances of German composer Karlheinz Stockhausen's early percussion works. The performers include pianists James Avery and Katalin Lukács, celesta player Pavlos Antoniadis and percussionist Steven Schick with his ensemble Red Fish Blue Fish. The works featured are: 'Kontakte', 'Mikrophonie', 'Zyklus', 'Refrain' and 'Schlagtrio'.

Live performance of modern composer Roger Reynold's piece 'Sanctuary'. A challenging and adaptable composition, 'Sanctuary' is performed by percussionist Steven Schick and his band Red Fish Blue Fish. Three different versions of the performance are available on the release: a studio version filmed to maximise sound and visual quality for viewers, a complete live performance from Washington DC's National Gallery of Art and excerpts from a special outdoor performance at The Salk Institute in La Jolla, Calif.