Charles Brockden Brown (1771-1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown's non-novelistic writings-letters, political pamphlets, fictions, periodical writings, historical writings, and poety-in a seven-volume scholarly set. This series' volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). The American Register and Other Writings, 1807-1810, volume 6 of the series, assembles and presents for the first time Charles Brockden Brown's writing from the final years of his life, including from his magisterial periodical project, the American Register. In this semi-annual periodical, Brown narrates the tumultuous political events of the United States and Europe amidst the Napoleonic Wars. In addition to providing the complete text of the "Prefaces" and "Annals" from the five volumes of the American Register, this volume also includes other late periodical writing by Brown and his prospectus for the unpublished "A System of General Geography." Each edited text provides detailed information concerning publication history, provenance, and attribution, along with extensive scholarly annotation. A Historical Essay provides detailed contextualization of the geopolitical affairs in which Brown's writing is steeped. A Textual Essay offers full bibliographical information and context for each edited text and explains editorial protocols for the volume.

This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.

The ambition of this book is to resituate the problem of 'world literature', considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development. This theory has a long pedigree in the social sciences, where it continues to stimulate debate. But its implications for cultural analysis have received less attention, even though the theory might be said to draw attention to a central - perhaps the central - arc or trajectory of modern(ist) production in literature and the other arts worldwide. It is in the conjuncture of combined and uneven development, on the one hand, and the recently interrogated and expanded categories of 'world literature' and 'modernism', on the other, that this book looks for its specific contours. In the two theoretical chapters that frame the book, the authors argue for a single, but radically uneven world-system; a singular modernity, combined and uneven; and a literature that variously registers this combined unevenness in both its form and content to reveal itself as, properly speaking, world-literature. In the four substantive chapters that then follow, the authors explore a selection of modern-era fictions in which the potential of their method of comparativism seems to be most dramatically highlighted. They treat the novel paradigmatically, not exemplarily, as a literary form in which combined and uneven development is manifested with particular salience, due in no small part to its fundamental association with the rise of capitalism and its status in peripheral and semi-peripheral societies as a 'modernising' import. The peculiar plasticity and hybridity of the novel form enables it to incorporate not only multiple literary levels, genres and modes, but also other non-literary and archaic cultural forms - so that, for example, realist elements might be mixed with more experimental modes of narration, or older literary devices might be reactivated in juxtaposition with more contemporary frames.

Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville’s Covehithe, Reza Negarestani’s Cycolonopedia, Julio Ortega’s novel Adiós, Ayacucho, Ahmed Saadawi’s Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.

Charles Brockden Brown (1771-1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown's non-novelistic writings-letters, political pamphlets, fictions, periodical writings, historical writings, and poety-in a seven-volume scholarly set. This series' volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). Political Pamphlets, volume 4 of the series, brings together, for the first time, the three political pamphlets and related writings of Charles Brockden Brown. While Brown is well known as a novelist and editor, his pamphlets addressing the Louisiana Question and Jefferson's Embargo are here presented and contextualized in terms of the period's geopolitical developments and the newspaper polemics that were their immediate context. Each edited text provides detailed information concerning publication history, provenance, and attribution, along with extensive scholarly annotation. A Historical Essay locates the pamphlets in the wider contexts of Brown's literary career, the print culture of the Revolutionary Atlantic world, and the literary history of the eighteenth and nineteenth centuries, while a Textual Essay provides full bibliographical information on the sources for all copy-texts, as well as extensive description of the editorial protocols. The volume substantially reshapes our understanding of Brown's corpus and development, and provides insights into the relations of literary, journalistic, and political writing during the Jefferson and Madison administrations. The Committee on Scholarly Editions of the Modern Language Association has awarded the volume a seal of certification as an MLA Approved Scholarly Edition.

Charles Brockden Brown (1771–1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fictions, periodical writings, historical writings, and poety—in a seven-volume scholarly set. This series’ volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). Poems, volume 7 of the series, is the first comprehensive collection of the poetry of Charles Brockden Brown (1771– 1810), one of the earliest professional writers in U.S. history. While Brown is well known as a novelist, his poetry has never before been collected, and many of the works included in this book appear in print for the first time in 200 years. The Committee on Scholarly Editions of the Modern Language Association has awarded the volume a seal of certification as an MLA Approved Scholarly Edition. Each edited text has a detailed textual note providing publication history, provenance, and information on attribution, along with extensive scholarly annotations. A historical introduction locates the poems in Brown’s biography, the print culture of the Revolutionary Atlantic world, and the literary history of the seventeenth and eighteenth centuries, while a textual essay provides full bibliographical information on the sources for all copy-texts, as well as an extensive description of the editorial protocols. The volume therefore promises to reshape our understanding of professional literary writing in the period after the American Revolution.

Opening up the warm body of American Horror - through literature, film, TV, music, video games, and a host of other mediums - this book gathers the leading scholars in the field to dissect the gruesome histories and shocking forms of American life. Through a series of accessible and informed essays, moving from the seventeenth century to the present day, The Cambridge Companion to American Horror explores one of the liveliest and most progressive areas of contemporary culture. From slavery to censorship, from occult forces to monstrous beings, this book is essential reading for anyone interested in America's most terrifying cultural expressions.

Opening up the warm body of American Horror - through literature, film, TV, music, video games, and a host of other mediums - this book gathers the leading scholars in the field to dissect the gruesome histories and shocking forms of American life. Through a series of accessible and informed essays, moving from the seventeenth century to the present day, The Cambridge Companion to American Horror explores one of the liveliest and most progressive areas of contemporary culture. From slavery to censorship, from occult forces to monstrous beings, this book is essential reading for anyone interested in America's most terrifying cultural expressions.

In addition to the definitive UVA text of Brown's seminal novel, this edition includes an introduction setting the work in its historical, literary, and intellectual contexts. Related texts include selections from William Godwin's Enquiry Concerning Political Justice (1793), Erasmus Darwin's Zoonomia; or, The Laws of Organic Life (1794), Benjamin Franklin's A Narrative of the Late Massacres (1764), and Thomas Barton's The Conduct of the Paxton-Men (1764), as well excerpts from Brown's own essays on somnambulism and the uses of history in fiction.

Charles Brockden Brown (1771–1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fictions, periodical writings, historical writings, and poety—in a seven-volume scholarly set. This series’ volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). The Literary Magazine and Other Writings, volume 3 of the series, presents a selection of Brown’s published writings between 1801 and 1807. The majority of the volume is devoted to texts that appeared in The Literary Magazine, and American Register, which Brown edited from October 1803 to December 1807, through fifty-one issues. The volume also includes a number of additional non-fiction pieces that Brown wrote during this period: a significant review essay in the 1801 American Review, and Literary Journal; a series of articles in the 1802 Port Folio; and a biographical sketch of Brown’s late brother-in-law, John Blair Linn, which was published with Linn’s book-length poem Valerian in 1805. The majority of these texts have not been in print since the early nineteenth century, and never have they been accorded this level of textual and editorial scrutiny.

Mary Wollstonecraft is an iconic writer for feminism and modern culture. Her best-known work, 'A Vindication of the Rights of Woman' (1792), forcefully argues for womens cultural and political equality using the language and concepts of the revolutionary age, and review earlier Enlightenment arguments for political and social change. Over two hundred years later, Wollstonecrafts arguments can still provoke debate as they address issues of sex-gender inequality that are still with us, although in new and ever-changing forms. This abridged edition is intended to help readers more easily understand the arguments and essential contexts of this vital book.

Michel Foucault's "Discipline and Punish" is one of the best-selling works of critical theory and a key text on many undergraduate courses. However, it is a long, difficult text which makes Anne Schwan and Stephen Shapiro's excellent step-by-step reading guide a welcome addition to the "How to Read Theory" series. Undergraduates across a wide range of disciplines are expected to have a solid understanding of Foucault's key terms, which have become commonplace in critical thinking today. While there are many texts that survey Foucault's thought, these are often more general overviews or biographical precis that give little in the way of robust explanation and discussion. In contrast, "How to Read Foucault's Discipline and Punish" takes a plain-speaking, yet detailed, approach, specifically designed to give students a thorough understanding of one of the most influential texts in contemporary cultural theory.

In addition to the definitive UVA text of Brown's seminal novel, this edition includes an introduction setting the work in its historical, literary, and intellectual contexts. Selections from William Godwin's Inquiry Concerning Political Justice (1793), Erasmus Darwin's Zoonomia or The Laws of Organic Life (1794), Benjamin Franklin's A Narrative of the Late Massacres (1764), and Thomas Barton's The conduct of the Paxton-men (1764) are included here, as are several of Brown's lesser-known but revealing writings on such subjects as somnambulism and the uses of history in fiction.

As it tells the story of Constantia Dudley, from her family's financial collapse to her encounters with a series of cosmopolitan revolutionaries and reactionaries, Charles Brockden Brown's Ormond; or The Secret Witness (1799) develops a sustained meditation on late-Enlightenment debates concerning political liberty, women's rights, conventions of sex-gender, and their relation to the reshaping of an Atlantic world in the throes of transformation. This edition of Ormond includes Brown's Alcuin (1798), an important dialogue on women's rights and marriage, as well as his key essays on history and literature, along with selections from contemporary writings on women's education and revolution debates that figure in the novel's background and in the charged atmosphere of the late 1790s.

Set during the epic Philadelphia yellow fever epidemic of 1793, Charles Brockden Brown's classic gothic novel Arthur Mervyn; or, Memoirs of the Year 1793 connects the outbreak with the upheavals of the revolutionary era and the murderous financial networks of Atlantic slavery. This edition of Arthur Mervyn offers selections from key contemporary texts as well as excerpts from Brown's own writings on slavery, race, and the uses of history in fiction.

As it tells the story of Constantia Dudley, from her family's financial collapse to her encounters with a series of cosmopolitan revolutionaries and reactionaries, Charles Brockden Brown's Ormond; or The Secret Witness (1799) develops a sustained meditation on late-Enlightenment debates concerning political liberty, women's rights, conventions of sex-gender, and their relation to the reshaping of an Atlantic world in the throes of transformation. This edition of Ormond includes Brown's Alcuin (1798), an important dialogue on women's rights and marriage, as well as his key essays on history and literature, along with selections from contemporary writings on women's education and revolution debates that figure in the novel's background and in the charged atmosphere of the late 1790s.

Wieland; or The Transformation (1798) ties revolutionary-era Gothic themes to struggles over the politics of Enlightenment on both sides of the Atlantic. This edition of Wieland includes Brown's Memoirs of Carwin the Biloquist and writings on Cicero, as well as his key essays on history and literature, and selections from contemporary German and other texts that figure in the novel's background and in the charged atmosphere of the late 1790s.

Hotel Law, Transactions, Management and Franchising presents a practical guide to the issues that face lawyers and industry leaders working in the hospitality field. It aims to develop the reader's understanding of the acquisition process and the complex relationships in management and franchise deals that dominate the hotel industry. This text is written primarily as a desktop reference for legal practitioners working in the hotel law field and is also suitable for students studying towards hotel and hospitality careers both at an undergraduate and law school or graduate level. The highly experienced author, contributors and editors offer insights into the industry players and their preferred positions, desired outcomes, and the potential pitfalls that can ensnare even the most well-planned deals. With broad coverage of the rapidly growing field of hospitality law-including gaming, recreation, and amenities- the book's approach examines the dominant models of hotel ownership, management and franchising, and includes independent hotels and the move towards complex resorts. The book's coverage of key legal topics ranges from real estate, to intellectual property, contracts, and finance.Hotel Law will give readers an understanding of the hospitality industry from the perspective of the transactional practitioner, while examining the multi-party relationships and agreements that develop between an owner, operator, licensor and lender.

On Wieland; or the Transformation : "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt University On Ormond; or, the Secret Witness : "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful documentation of the essential historical context of feminist, radical, egalitarian, and abolitionist expression. Oh, ye patriots, read it and learn!" --Peter Linebaugh, University of Toledo On Arthur Mervyn; or, Memoirs of the Year 1793 : "This new edition of Arthur Mervyn far exceeds any previous version of this remarkable American novel. Through exhaustive archival research, the editors have produced a reliable text constructed within the intellectual, cultural, political, and religious contexts of a society informing Brown's efforts to capture and preserve the formation of the early republic for generations of readers and cultural historians. This vital text is essential reading for anyone interested in the origins of the United States." --Emory Elliott, University Professor, University of California-Riverside On Edgar Huntly; or, Memoirs of a Sleep-Walker : "This is now the edition of choice for those of us who teach Brown's fascinating Edgar Huntly . Barnard and Shapiro explore the relevant historical, cultural, and literary backgrounds in their illuminating Introduction; they skillfully annotate the text; they provide useful and up-to-date bibliographies; and they append a number of revealing primary texts for further cultural contextualization. This edition will help to stimulate new thinking about race, empire, and sexuality in Brown's prescient novel of the American frontier." --Robert S. Levine, University of Maryland

Neoliberalism is the rare buzzword that has fully crossed over from academic theorizing into mainstream discussion. Neoliberalism and Contemporary American Literature is the first book to examine the ways that US literature has responded to the dominance of our neoliberal regime. The essays collected here reveal how contemporary American writers have both propped up and interrogated the foundations of neoliberalism. The contributors look at a host of literary genres and styles, from the utopian sci-fi of Kim Stanley Robinson and the dark fantasy of Karen Russell to the poetic memoir-fiction hybrids of Ben Lerner, exploring how the relationships between politics, economics, and literary form have become both distorted and revitalized in the age of neoliberalism. Most pressingly, they ask if contemporary literature can still imagine either the end of capitalism or any realistic alternative to it.

Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville’s Covehithe, Reza Negarestani’s Cycolonopedia, Julio Ortega’s novel Adiós, Ayacucho, Ahmed Saadawi’s Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.

Set during the epic Philadelphia yellow fever epidemic of 1793, Charles Brockden Brown's classic gothic novel Arthur Mervyn; or, Memoirs of the Year 1793 connects the outbreak with the upheavals of the revolutionary era and the murderous financial networks of Atlantic slavery. This edition of Arthur Mervyn offers selections from key contemporary texts as well as excerpts from Brown's own writings on slavery, race, and the uses of history in fiction.

Over the past few decades, the writings of Charles Brockden Brown (1771-1810) have reclaimed a place of prominence in the American literary canon. Yet despite the explosion of teaching, research, and an ever-increasing number of doctoral dissertations, there remains no up-to-date overview of Brown's work. The Oxford Handbook of Charles Brockden Brown provides a state-of-the-art survey of the life and writings of Charles Brockden Brown, a key writer of the Atlantic revolutionary age and U.S. Early Republic. The seven novels he published during his lifetime are now studied for their narrative complexity, innovations in genre, and social-political commentaries on life in early America and the revolutionary Atlantic. Through the late twentieth century, Brown was best known as an author of political romances in the gothic mode that proved to be widely influential in romantic era, and has generated large amounts of scholarship as a crucial figure in the history of the American novel. This Handbook extends its focus beyond the well-known novels to address the full range of Brown's prolific literary career. The Handbook includes original essays on all of Brown's fiction and nonfiction writings, and offers new interpretations of the contexts of his work: from the literary, social, political, and economic to the scientific, commercial, and religious. The thirty-five contributors in this volume speak in new ways about Brown's depictions of literary theory, social justice, sexuality, and property relations, as well as colonialism, slavery, Native Americans, and women's rights. Brown's perspectives on American and global history, emerging modernity, selfhood and otherness, and other topics, are explained in comprehensible and up-to-date terms. In addition to opening up new avenues of research, The Oxford Handbook of Charles Brockden Brown provides the intellectual foundations needed to understand Brown's enduring impact and literary legacy.

When the American media published photographs of U.S. soldiers abusing prisoners at Abu Ghraib, the Bush administration assured the world that the abuse was isolated and that the perpetrators would be held accountable. Over the next three years, it refined its narrative at the margins, but by and large its public position remained the same. Yes, the administration acknowledged, some soldiers abused prisoners, but these soldiers were anomalous sadists who ignored clear orders. Abuse, the administration said, was aberrational-not systemic, not widespread, and certainly not a matter of policy. The government's own documents, obtained by the American Civil Liberties Union, tell a starkly different story. They show that the abuse of prisoners was not limited to Abu Ghraib but was pervasive in U.S. detention facilities in Iraq and Afghanistan and at Guantanamo Bay. Even more disturbing, the documents reveal that senior officials endorsed the abuse of prisoners as a matter of policy-sometimes by tolerating it, sometimes by encouraging it, and sometimes by expressly authorizing it. Records from Guantanamo describe prisoners shackled in excruciating "stress positions," held in freezing-cold cells, forcibly stripped, hooded, terrorized with military dogs, and deprived of human contact for months. Files from Afghanistan and Iraq describe prisoners who had been beaten, kicked, and burned. Autopsy reports attribute the deaths of those in U.S. custody to strangulation, suffocation, and blunt-force injuries. Administration of Torture is the most detailed account thus far of what took place in America's overseas detention centers, including a narrative essay in which Jameel Jaffer and Amrit Singh draw the connection between the policies adopted by senior civilian and military officials and the torture and abuse that took place on the ground. The book also reproduces hundreds of government documents--including interrogation directives, FBI e-mails, autopsy reports, and investigative files--that constitute both an important historical record and a profound indictment of the Bush administration's policies with respect to the detention and treatment of prisoners in U.S. custody abroad.

Bringing together new accounts of the pulp horror writings of H.P. Lovecraft and the rise of the popular early 20th-century religious movements of American Pentecostalism and Social Gospel, Pentecostal Modernism challenges traditional histories of modernism as a secular avant-garde movement based in capital cities such as London or Paris. Disrupting accounts that separate religion from progressive social movements and mass culture, Stephen Shapiro and Philip Barnard construct a new Modernism belonging to a history of regional cities, new urban areas powered by the hopes and frustrations of recently urbanized populations seeking a better life. In this way, Pentecostal Modernism shows how this process of urbanization generates new cultural practices including the invention of religious traditions and mass-cultural forms.