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'Defying the Dragon' tells a remarkable story of audacity: of how
the people of Hong Kong challenged the PRC's authority, just as its
president reached the height of his powers. Is Xi's China as
unshakeable as it seems? What are its real interests in Hong Kong?
Why are Beijing's time-honoured means of control no longer working
there? And where does this leave Hongkongers themselves? Stephen
Vines has lived in Hong Kong for over three decades. His book
shrewdly unpacks the Hong Kong-China relationship and its wider
significance-right up to the astonishing convergence of political
turmoil and international crisis with Covid-19 and the 2020
crackdown. Vividly describing the uprising from street level, Vines
explains how and why it unfolded, and its global repercussions.
Now, the international community is reassessing relations with
Beijing, just as Hong Kong's rebellion and China's handling of the
pandemic have exposed the regime's weakness. In a crisis that has
become existential all round, what lies ahead for Hong Kong, China
and the world?
Looks at the return of the sublime in post-modernity, and at
intimations of a 'post-Romantic' sublime in Romanticism itself. The
sublime is explored as a discourse of 'invention' -- taking the
Latin meaning of to 'come upon', 'find', 'discover' that involves
an encounter with the new, the unregulated and the surprising.
Lyotard and Zizek, among others, have reconfigured the sublime for
post-modernity by exceeding the subject-centred discourse of
Romantic aesthetics, and promoting not a sublime of the subject,
but of the unpresentable, the 'Real', the unknown, the other.
'Reinventing the Sublime' looks at 18th-century, Romantic,
modernist and post-modern 'inventions' of the sublime alongside
contemporary critical accounts of the relationship of sublimity to
subjectivity, aesthetics, politics and history, including '9/11'.
It reads Burke and Kant alongside post-modern discourses on the
sublime, and Wordsworth, De Quincey and Mary Shelley in relation to
temporality and materiality in Romanticism, and considers
'modernist' inflections of the sublime in T.S. Eliot, Virginia
Woolf and Djuna Barnes in relation to the themes of disjunction and
excess in modernity. The author examines the postmodern revisiting
of the sublime in Thomas Pynchon, D.M Thomas and Toni Morrison, and
draws on Lyotard's reading of the sublime as an aesthetic of the
avant-garde and as a singular and disruptive 'event', to argue that
the sublime in its post-modern and contemporary forms encodes an
anxious but affirmative relationship to the ironies of temporality
and history. 'Reinventing the Sublime' focuses on the endurance of
the sublime in contemporary thinking, and on the way that the
sublime can be read as a figure of the relationship of
representation to temporality itself.
William Blake is acknowledged as a poet of opposition and
contradiction: a writer who, from Songs of Innocence and Experience
to his last epic Jerusalem, ceaselessly explored the conflicts
between limitation and possibility, reason and energy, torment and
joy. But the contradictions within Blake's own 'visionary' poetics
are less often considered. Throughout his work, Blake powerfully
dramatises the energies and agonies of his own poetic labour.
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