Critically examines the concept of nature in the tradition of German Western Marxism often known as Critical Theory. Focuses on the work of Luk cs, Horkheimer and Adorno, Marcuse, and Habermas. Argues that the concept has been problematic from the beginning, and that resolving it can bring insight i

This book provides a compelling and insightful portrait of ten female architects, artists, and designers who explored unique approaches to teaching, practice, and research in the postindustrial city of Detroit. These women explored the phenomenon of a new "ecological urbanism" through their own work in art, architecture, design, planning, landscape architecture, and installation as well as the work of their students. Teaching and Designing in Detroit provides an eighteen-year snapshot of this work, how it affected the women's practice, how they influenced student relationships to design and community development, and how their visions are now being carried out in Detroit. This book is organized into sections that group stories according to their focus on practice, pedagogy, and community engagement. Included in the book is a foreword by Leslie Kanes Weisman, the only female architecture professor at the University of Detroit Mercy in the 1970s, and an afterword by Sharon Egretta Sutton reflecting on how working and practicing in Detroit foreshadowed the future vision now being carried out in the rebounding city of Detroit. An intriguing read for students and professionals, this book will illustrate how these lessons learned can be applied by universities and communities in other postindustrial cities.

There is no part of our bodies that fully rotates be it a wrist or ankle or arm in a shoulder socket, we are made to twist only so far. And yet, there is no more fundamental human invention than the wheel a rotational mechanism that accomplishes what our physical form cannot. Throughout history, humans have developed technologies powered by human strength, complementing the physical abilities we have while overcoming our weaknesses. Providing a unique history of the wheel and other rotational devices, like cranks, cranes, carts, and capstans, Why the Wheel Is Round examines the contraptions and tricks we have devised in order to more efficiently move and move through the physical world. Steven Vogel combines his engineering expertise with his remarkable curiosity about how things work to explore how wheels and other mechanisms were, until very recently, powered by the push and pull of the muscles and skeletal systems of humans and other animals. Why the Wheel Is Round explores all manner of treadwheels, hand-spikes, gears, and more, as well as how these technologies diversified into such things as hand-held drills and hurdy-gurdies. Surprisingly, a number of these devices can be built out of everyday components and materials, and Vogel's accessible and expansive book includes instructions and models so that inspired readers can even attempt to make their own muscle-powered technologies, like trebuchets and ballista. Appealing to anyone fascinated by the history of mechanics and technology as well as to hobbyists with home workshops, Why the Wheel Is Round offers a captivating exploration of our common technological heritage based on the simple concept of rotation. From our leg muscles powering the gears of a bicycle to our hands manipulating a mouse on a roller ball, it will be impossible to overlook the amazing feats of innovation behind our daily devices.

In its essence, science is a way of looking at and thinking about the world. In The Life of a Leaf, Steven Vogel illuminates this approach, using the humble leaf as a model. Whether plant or person, every organism must contend with its immediate physical environment, a world that both limits what organisms can do and offers innumerable opportunities for evolving fascinating ways of challenging those limits. Here, Vogel explains these interactions, examining through the example of the leaf the extraordinary designs that enable life to adapt to its physical world. In Vogel's account, the leaf serves as a biological everyman, an ordinary and ubiquitous living thing that nonetheless speaks volumes about our environment as well as its own. Thus in exploring the leaf's world, Vogel simultaneously explores our own.

Most of us think about our circulatory system only when something goes wrong, but the amazing story of how it goes right--"magnificently right," as author Steven Vogel puts it--is equally worthy of our attention. It is physically remarkable, bringing food to (and removing waste from) a hundred trillion cells, coursing through 60,000 miles of arteries and veins (equivalent to over twice around the earth at the equator). And it is also intriguing. For instance, blood leaving the heart flows rapidly through the arteries, then slows down dramatically in the capillaries (to a speed of one mile every fifty days), but in the veins, on its way back to the heart, it speed up again. How? In Vital Circuits, Steven Vogel answers hundreds of such questions, in a fascinating, often witty, and highly original guide to the heart, vessels and blood. Vogel takes us through the realm of biology and into the neighbouring fields of physics, fluid mechanics, and chemistry. We relive the discoveries of such scientists as William Harvey and Otto Loewi, and we consider the circulatory systems of such fellow earth-dwellers as octopuses, hummingbirds, sea gulls, alligators, snails, snakes, and giraffes. Vogel is a master at using everyday points of reference to illustrate potentially daunting concepts. Heating systems, kitchen basters, cocktail parties, balloons--all are pressed into service. And we learn not only such practical information as why it's a bad idea to hold your breath when you strain and why you might want to wear support hose on a long airplane flight, but also the answers to such seemingly unrelated issues as why duck breasts (but not chicken breasts) have dark meat and why dust accumulates on the blades of a fan. But the real fascination of Vital Circuits lies neither in its practical advice nor in its trivia. Rather, it is in the detailed picture we construct, piece by piece, of our extraordinary circulatory system. What's more, the author communicates not just information, but the excitement of discovering information. In doing so, he reveals himself to be an eloquent advocate for the cause of science as the most interesting of the humanities. Anyone curious about the workings of the body, whether afflicted with heart trouble or addicted to science watching, will find this book a goldmine of information and delight.

There is no part of our bodies that fully rotates—be it a wrist or ankle or arm in a shoulder socket, we are made to twist only so far. And yet there is no more fundamental human invention than the wheel—a rotational mechanism that accomplishes what our physical form cannot. Throughout history, humans have developed technologies powered by human strength, complementing the physical abilities we have while overcoming our weaknesses. Providing a unique history of the wheel and other rotational devices—like cranks, cranes, carts, and capstans—Why the Wheel Is Round examines the contraptions and tricks we have devised in order to more efficiently move—and move through—the physical world. Steven Vogel combines his engineering expertise with his remarkable curiosity about how things work to explore how wheels and other mechanisms were, until very recently, powered by the push and pull of the muscles and skeletal systems of humans and other animals. Why the Wheel Is Round explores all manner of treadwheels, hand-spikes, gears, and more, as well as how these technologies diversified into such things as hand-held drills and hurdy-gurdies. Surprisingly, a number of these devices can be built out of everyday components and materials, and Vogel’s accessible and expansive book includes instructions and models so that inspired readers can even attempt to make their own muscle-powered technologies, like trebuchets and ballista. Appealing to anyone fascinated by the history of mechanics and technology as well as to hobbyists with home workshops, Why the Wheel Is Round offers a captivating exploration of our common technological heritage based on the simple concept of rotation. From our leg muscles powering the gears of a bicycle to our hands manipulating a mouse on a roller ball, it will be impossible to overlook the amazing feats of innovation behind our daily devices.

This book provides a compelling and insightful portrait of ten female architects, artists, and designers who explored unique approaches to teaching, practice, and research in the postindustrial city of Detroit. These women explored the phenomenon of a new "ecological urbanism" through their own work in art, architecture, design, planning, landscape architecture, and installation as well as the work of their students. Teaching and Designing in Detroit provides an eighteen-year snapshot of this work, how it affected the women's practice, how they influenced student relationships to design and community development, and how their visions are now being carried out in Detroit. This book is organized into sections that group stories according to their focus on practice, pedagogy, and community engagement. Included in the book is a foreword by Leslie Kanes Weisman, the only female architecture professor at the University of Detroit Mercy in the 1970s, and an afterword by Sharon Egretta Sutton reflecting on how working and practicing in Detroit foreshadowed the future vision now being carried out in the rebounding city of Detroit. An intriguing read for students and professionals, this book will illustrate how these lessons learned can be applied by universities and communities in other postindustrial cities.

Both a landmark text and reference book, Steven Vogel's "Life in Moving Fluids" has also played a catalytic role in research involving the applications of fluid mechanics to biology. In this revised edition, Vogel continues to combine humor and clear explanations as he addresses biologists and general readers interested in biological fluid mechanics, offering updates on the field over the last dozen years and expanding the coverage of the biological literature. His discussion of the relationship between fluid flow and biological design now includes sections on jet propulsion, biological pumps, swimming, blood flow, and surface waves, and on acceleration reaction and Murray's law. This edition contains an extensive bibliography for readers interested in designing their own experiments.

"Glimpses of Creatures in Their Physical Worlds" offers an eye-opening look into how the characteristics of the physical world drive the designs of animals and plants. These characteristics impose limits but also create remarkable and subtle opportunities for the functional biology of organisms. In particular, Steven Vogel examines the size and scale, and trade-offs among different physical processes. He pays attention to how the forms and activities of animals and plants reflect the materials available to nature, and he explores the unique constraints and possibilities provided by fluid flow, structural design, and environmental forces.

Each chapter of the book investigates a facet of the physical world, including the drag on small projectiles; the importance of diffusion and convection; the size-dependence of acceleration; the storage, conduction, and dissipation of heat; the relationship among pressure, flow, and choice in biological pumps; and how elongate structures tune their relative twistiness and bendiness. Vogel considers design-determining factors all too commonly ignored, and builds a bridge between the world described by physics books and the reality experienced by all creatures. "Glimpses of Creatures in Their Physical Worlds" contains a wealth of accessible information related to functional biology, and requires little more than a basic background in secondary-school science and mathematics.

Drawing examples from creatures of land, air, and water, the book demonstrates the many uses of biological diversity and how physical forces impact biological organisms.

'Japan Remodeled' provides a very broad discussion of Japanese capitalism, covering a number of industries and firms in a way that masterfully surveys the Japanese economy as a whole. It provides an elegant explanation for why things haven't changed more than they have, which is simply that the Japanese don't want more change.

David E. Alexander's fascination with the many animals and plants that have harnessed the air is evident in "Nature's Flyers: Birds, Insects, and the Biomechanics of Flight," a detailed account of our current scientific understanding of the primary aspects of flight in nature.

Instead of relying on elaborate mathematical equations, Alexander explains the physical basis of flight with sharp prose and clear diagrams. Drawing upon bats, birds, insects, pterosaurs, and even winged seeds, he details the basic operating principles of wings and then moves progressively through more complex modes of animal flight, including gliding, flapping, and maneuvering. In addition to summarizing the latest thinking about flight's energy costs, Alexander presents a holistic view of flight and its ramifications as he explores the ecology and evolution of flying animals, addressing behaviorally important topics such as migration and navigation. With somewhat surprising answers, the author then concludes his study by examining the extent to which natural flight has been inspiring or instructive for the architects of human flight--airplane designers and engineers.

The story—and the science—of nature's greatest engine.

Whether we blink an eye, lift a finger, throw a spear or a ball, walk, run, or merely breathe, we are using muscle. Although muscles differ little in appearance and performance across the animal kingdom, they accomplish tasks as diverse as making flies fly, rattlesnakes rattle, and squid shoot their tentacles.

Our everyday activities turn on the performance of nature's main engine: we may breathe harder going uphill, but we put more strain on our muscles walking downhill. Those of us who are right-handed can tighten screws and jar lids more forcibly than we can loosen them. Here we're treated to the story of how form and performance make these things happen—how nature does her work.

Steven Vogel is a leader in the great new field of bioengineering, which is rapidly explaining the beauty and efficiency of nature. His talents as both scientist and writer shine in this masterful narrative of biological ingenuity, as he relates the story—and science—of nature's greatest engine.

"An entertaining and compelling overview of what we know about muscle."—Science News

"Manages to educate, enlighten, and entertain....fascinating reading."—Science, Sharon Swartz

"A book that should be enjoyed and understood by intelligent non-scientists as much as by scientists...entertaining and illuminating."—Nature, R. McNeill Alexander

"Muscle is a wonderful lens through which to study evolution and human history."—Washington Post Book World, David Brown

"Biomechanics comes alive in a discussion blending science, health, history, and mechanical insights."—Bookwatch

"A thorough and engaging account of how muscles work and how their physiology has influenced the development of human culture."—Exploratorium Magazine

"Fascinating.... [Vogel's] interests seemingly know no bounds, and he takes the readers along with him on a complex, absorbing journey of exploration notable for its unexpected twists and turns."—Kirkus Reviews starred review

"Positively gripping."—Booklist

Nature and humans build their devices with the same earthly materials and use them in the same air and water, pulled by the same gravity. Why, then, do their designs diverge so sharply? Humans, for instance, love right angles, while nature's angles are rarely right and usually rounded. Our technology goes around on wheels and on rotating pulleys, gears, shafts, and cams yet in nature only the tiny propellers of bacteria spin as true wheels. Our hinges turn because hard parts slide around each other, whereas nature's hinges (a rabbit's ear, for example) more often swing by bending flexible materials. In this marvelously surprising, witty book, Steven Vogel compares these two mechanical worlds, introduces the reader to his field of biomechanics, and explains how the nexus of physical law, size, and convenience of construction determine the designs of both people and nature. "This elegant comparison of human and biological technology will forever change the way you look at each." Michael LaBarbera, American Scientist"

Why do you switch from walking to running at a specific speed? Why do tall trees rarely blow over in high winds? And why does a spore ejected into air at seventy miles per hour travel only a fraction of an inch? "Comparative Biomechanics" is the first and only textbook that takes a comprehensive look at the mechanical aspects of life--covering animals and plants, structure and movement, and solids and fluids. An ideal entry point into the ways living creatures interact with their immediate physical world, this revised and updated edition examines how the forms and activities of animals and plants reflect the materials available to nature, considers rules for fluid flow and structural design, and explores how organisms contend with environmental forces.

Drawing on physics and mechanical engineering, Steven Vogel looks at how animals swim and fly, modes of terrestrial locomotion, organism responses to winds and water currents, circulatory and suspension-feeding systems, and the relationship between size and mechanical design. He also investigates links between the properties of biological materials--such as spider silk, jellyfish jelly, and muscle--and their structural and functional roles. Early chapters and appendices introduce relevant physical variables for quantification, and problem sets are provided at the end of each chapter. "Comparative Biomechanics" is useful for physical scientists and engineers seeking a guide to state-of-the-art biomechanics. For a wider audience, the textbook establishes the basic biological context for applied areas--including ergonomics, orthopedics, mechanical prosthetics, kinesiology, sports medicine, and biomimetics--and provides materials for exhibit designers at science museums.Problem sets at the ends of chapters Appendices cover basic background information Updated and expanded documentation and materials Revised figures and text Increased coverage of friction, viscoelastic materials, surface tension, diverse modes of locomotion, and biomimetics

September 2001 marked the fiftieth anniversary of the signing of the San Francisco Treaty, formally ending the Second World War. In signing this treaty, Japan fundamentally transformed its position on the world stage. It established itself in the vanguard of the burgeoning cold war bulwark against the Soviet Union and its communist satellites, and wed itself to the United States through economic, political, and security ties that persist today. The half century since the establishment of the San Francisco system has seen highs and lows in the relations between the two countries, continuing even into the current war on terrorism. This new book evaluates the changing relationship between the two great powers, providing in-depth analysis on a variety of topics. It scrutinizes the historical context, providing the reader with predictive tools for understanding events as they unfold. Instead of looking at the U.S.-Japan relationship one issue at a time, this book examines specific trends and then analyzes how these trends affect the relationship as a whole. This innovative approach allows the reader to view several perspectives simultaneously, and it compels the contributors to assemble clear causal arguments that detail what each factor can and cannot explain. The result is a cogent and convincing appraisal of the status and future of U.S.-Japan relations after fifty years of peaceful coexistence.

A provocative argument that environmental thinking would be better off if it dropped the concept of "nature" altogether and spoke instead of the built environment. Environmentalism, in theory and practice, is concerned with protecting nature. But if we have now reached "the end of nature," as Bill McKibben and other environmental thinkers have declared, what is there left to protect? In Thinking like a Mall, Steven Vogel argues that environmental thinking would be better off if it dropped the concept of "nature" altogether and spoke instead of the "environment"-that is, the world that actually surrounds us, which is always a built world, the only one that we inhabit. We need to think not so much like a mountain (as Aldo Leopold urged) as like a mall. Shopping malls, too, are part of the environment and deserve as much serious consideration from environmental thinkers as do mountains. Vogel argues provocatively that environmental philosophy, in its ethics, should no longer draw a distinction between the natural and the artificial and, in its politics, should abandon the idea that something beyond human practices (such as "nature") can serve as a standard determining what those practices ought to be. The appeal to nature distinct from the built environment, he contends, may be not merely unhelpful to environmental thinking but in itself harmful to that thinking. The question for environmental philosophy is not "how can we save nature?" but rather "what environment should we inhabit, and what practices should we engage in to help build it?"