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'A wonderfully original take on a Rock and Roll autobiography' Paul
McCartney 'An inimitable Rock 'n' Roll life told as boldly as it
was lived' Bruce Springsteen What story begins in a bedroom in
suburban New Jersey in the early '60s, unfolds on some of the
country's largest stages, and then ranges across the globe,
demonstrating over and over again how Rock and Roll has the power
to change the world for the better? This story. The first true
heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van
Zandt trades in his devotion to the Baptist religion for an
obsession with Rock and Roll. Groups like the Beatles and the
Rolling Stones created new ideas of community, creative risk, and
principled rebellion. They changed him forever. While still a
teenager, he met Bruce Springsteen, a like-minded outcast/true
believer who became one of his most important friends and
bandmates. As Miami Steve, Van Zandt anchored the E Street Band as
they conquered the Rock and Roll world. And then, in the early
'80s, Van Zandt stepped away from E Street to embark on his own
odyssey. He refashioned himself as Little Steven, a political
songwriter and performer, fell in love with Maureen Santoro who
greatly expanded his artistic palette, and visited the world's hot
spots as an artist/journalist to not just better understand them,
but to help change them. Most famously, he masterminded the
recording of "Sun City," an anti-apartheid anthem that sped the
demise of South Africa's institutionalized racism and helped get
Nelson Mandela out of prison. By the '90s, Van Zandt had lived at
least two lives-one as a mainstream rocker, one as a hardcore
activist. It was time for a third. David Chase invited Van Zandt to
be a part of his new television show, the Sopranos-as Silvio Dante,
he was the unconditionally loyal consiglieri who sat at the right
hand of Tony Soprano (a relationship that oddly mirrored his
real-life relationship with Bruce Springsteen). Underlying all of
Van Zandt's various incarnations was a devotion to preserving the
centrality of the arts, especially the endangered species of Rock.
In the twenty-first century, Van Zandt founded a groundbreaking
radio show (Underground Garage), a fiercely independent record
label (Wicked Cool), and developed a curriculum to teach students
of all ages through the medium of music history. He also rejoined
the E Street Band for what has now been a twenty-year victory lap.
UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie
Van Zandt's always surprising life. It is more than just the
testimony of a globe-trotting nomad, more than the story of a
groundbreaking activist, more than the odyssey of a spiritual
seeker, and more than a master class in rock and roll (not to
mention a dozen other crafts). It's the best book of its kind
because it's the only book of its kind.
Featured in Rolling Stone! The behind-the-scenes battle for the
Rock Hall.For 25 years, the Rock and Roll Hall of Fame has defined
Cleveland's image as the "Rock and Roll Capital of the World." But
while the Rock Hall has become an iconic landmark for the city of
Cleveland and for fans of rock and roll around the world, it was
just one missed phone call away from never being built in
Cleveland. If the prominent singer and actress Leslie Gore hadn't
contacted radio personality Norm N. Nite in August 1983, the Hall
of Fame would not be in Cleveland-period. Earlier that summer, Gore
had learned that the newly formed Rock and Roll Hall of Fame
Foundation was looking for a city to house their planned museum
honoring the history of rock. Gore knew that a year earlier, Nite
had pitched an idea for a similar museum, so she reached out to let
him know that other figures in the music industry were working to
turn his dream into a reality. Nite immediately joined the
project's Rules and Nominating Committee and spearheaded the
campaign to bring the museum to Cleveland. At the time, the search
committee was considering several other cities, including Memphis,
Detroit, and New York, but Nite argued that the city's deep
historical connection to rock music through Alan Freed and the
Moondog Coronation Ball made Cleveland the perfect location. He
began lobbying local and state politicians, fundraising with music
moguls and civic leaders, and promoting the museum to the broader
Cleveland public. As fans got involved, especially with their
overwhelming response to a USA Today phone poll, Nite's campaign to
bring the Hall to Cleveland was ultimately successful. This book,
told from Nite's insider perspective, draws on both first-person
accounts and exclusive interviews with influential business
leaders, government officials, and giants of the music industry. A
detailed record of the Rock Hall's inception and creation, The
House That Rock Built becomes a true tribute to the people who made
it happen-through Herculean efforts-and to the music it celebrates.
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