The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context. The cinema of the German Democratic Republic, that is, the cinema of its state-run studio DEFA, portrayed gender and sexuality in complex and contradictory ways. In doing so, it reflected the contradictions in GDR society in respect to such questions. This is the first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres (from shorts and feature films to educational videos, television productions, and documentaries) and in light of social, political, and cultural contexts. It is also unique in its investigation of previously unresearched subjects, including films and directors that have received little scholarly attention and nonconformist representations of gender and sexual embodiments, identifications, and practices. The volume presents the work of leading scholars on the GDR and allows students and scholars to examine East German film with respect to the acceptance, rejection, or nuanced negotiation of ideas of proper male and female behavior espoused by the country's brand of socialism. Contributors: Muriel Cormican, Jennifer L. Creech, Heidi Denzel de Tirado, Kyle Frackman, Sebastian Heiduschke, Sonja E. Klocke, John Lessard, Larson Powell, Victoria I. Rizo Lenshyn, Reinhild Steingroever, Faye Stewart, Evan Torner, Henning Wrage. Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Faye Stewart is Associate Professor of German at Georgia State University.

Why does a power expand and become an empire? Writing in the early years of the Peloponnesian War, Herodotus gave Athens full credit for saving Greece from Persia, but also identified the city's expansion as a new manifestation of imperialist aggression. In this skillful analysis of Herodotus' intellectual world, J.A.S. Evans combines historical, anthropological, and literary techniques to show how the war affected not only the great thinker's view of Persian aggression and of the people involved in it but also the shape of the Histories themselves. The first essay discusses Herodotus' investigation of imperialism, and the second finds the beginnings of biography in his descriptions of individuals, particularly in his well-crafted portrait of Cyrus. The third essay describes the "Father of History" as a collector and evaluator of local oral stories, sources for the written work that was destined by its scope and unifying plan to introduce a new genre. Evans draws analogies between Herodotus' methods and those of oral historians in other cultures, particularly in precolonial Africa. He also explores comparisons between Herodotus in Egypt and sixteenth-and seventeenth-century European ethnologists in the Americas.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Why does a power expand and become an empire? Writing in the early years of the Peloponnesian War, Herodotus gave Athens full credit for saving Greece from Persia, but also identified the city's expansion as a new manifestation of imperialist aggression. In this skillful analysis of Herodotus' intellectual world, J.A.S. Evans combines historical, anthropological, and literary techniques to show how the war affected not only the great thinker's view of Persian aggression and of the people involved in it but also the shape of the Histories themselves. The first essay discusses Herodotus' investigation of imperialism, and the second finds the beginnings of biography in his descriptions of individuals, particularly in his well-crafted portrait of Cyrus. The third essay describes the "Father of History" as a collector and evaluator of local oral stories, sources for the written work that was destined by its scope and unifying plan to introduce a new genre. Evans draws analogies between Herodotus' methods and those of oral historians in other cultures, particularly in precolonial Africa. He also explores comparisons between Herodotus in Egypt and sixteenth-and seventeenth-century European ethnologists in the Americas. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Two experienced Ripperologists have applied their joint knowledge and expertise to the painstaking collation of all the known official records to produce the ultimate Ripper book - a narrative account of the murders encompassing all the known evidence. The most complete work on the Ripper case ever, contains: the entire contents of the Scotland Yard files covering the full series of murders; extensive press reports; witness statements and extracts from police notebooks; documents missing from the official files and many rare photographs. The Ultimate Jack the Ripper Sourcebook is not only an invaluable reference, but is also a compelling account of the Victorian serial murderer whose identity remains one of criminology's greatest mysteries.