"Contexts and Contemporary Reactions" illuminates eighteenth-century culture with selections from conduct books for women. Extracts from Burney s letters and journals and five contemporary reviews are also included. "Criticism" presents a superb selection of critical writing about the novel. The critics include Anna Letitia Barbauld, William Hazlitt, John Wilson Croker, Thomas Babington Macaulay, Virginia Woolf, Joyce Hemlow, Martha G. Brown, Kenneth W. Graham, Kristina Straub, Gina Campbell, Susan Fraiman, amd Margaret Anne Doody. A Chronology and Selected Bibliography are included."

The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.

The first edition of the complete plays of Fanny Burney which is taken from the original manuscripts of her work. The edition will include a general introduction, headnotes to each play, explanatory notes and variant readings. It also reveals Burney in a hitherto little-known role as a comic and tragic dramatist and provides many new insights into her overall achievements. Fanny Burney (1752-1840) published relatively little during her lifetime: four novels, Evelina (1778), Cecilia (1782) and a pamphlet. In 1779 whe wrote The Witlings, a satire on the Bluestockings, but the play was never performed in case of possible scandal. Whilst a Keeper of the Robes of Queen Charlotte, Burney wrote historical tragedies, including The Siege of Pevensey, Hubert de Vere and Elberta and Edwy and Elgiva, which was performed at Drury Lane in 1795, but was an immediate commercial failure.

At the beginning of 1778, twenty-five-year-old Fanny Burney, second daughter of England's most eminent musicologist, Dr Charles Burney, was an unknown. By the year's end, however, she had emerged from his shadow as the author of Evelina, or, A Yound Lady's Entrance into the World, a universally acclaimed novel which admirers ranked with the works of Fielding and Richardson. The present volume - the third of a projected twelve-volume critical edition of Burney's earlier journals and letters - covers the period from January 1778 to December 1779. It reveals her striking transformation into a `celebrity' as she is welcomed into London's literary society, and her mixed delight and terror at this reception. As Burney becomes a regular at the Streatham Park home of Henry and Hester Thrale, she is befriended by another regular visitior, Samuel Johnson, and given the opportunity to observe and record the playful and affectionate side of Johnson's character, a side largely missed by Boswell. Urged by the Streathamites to write a comedy for the London stage, she responds with `The Witlings', a satiric portrait of London's bluestockings. Alarmed by the prospect of disapproval from the powerful bluestocking Elizabeth Montagu, Burney's father and her friend Samuel Crisp dissuade her from releasing the piece. Her disappointment is eased by the whirling social life that she enjoys in the company of the Thrales at Streatham and at Brighton, and on which she comments with characteristic perception and humour.