At the centre of this study is a shaman's chant performed during a three-week long feast in the eastern Himalayas. The book includes a translation of this 12-hour text chanted in Apatani, a Tibeto-Burman language, and a description of the events that surround it, especially ritual exchanges with ceremonial friends, in which fertility is celebrated. The shaman's social role, performance and ritual language are also described. Although complex feasts, like this one among Apatanis, have been described in northeast India and upland Southeast Asia for more than a century, this is the first book to present a full translation of the accompanying chant and to integrate it into the interpretation of the social significance of the total event.

This study of an oral tradition in northeast India is the first of its kind in this part of the eastern Himalayas. A comparative analysis reveals parallel stories in an area stretching from central Arunachal Pradesh into upland Southeast Asia and southwest China. The subject of the volume, the Apatanis, are a small population of Tibeto-Burman speakers who live in a narrow valley halfway between Tibet and Assam. Their origin myths, migration legends, oral histories, trickster tales and ritual chants, as well as performance contexts and genre system, reveal key cultural ideas and social practices, shifts in tribal identity and the reinvention of religion.

The theme of this book is the light cast by the activities of Joshua, in possessing the land which God gave to Israel, on the present understanding and enjoyment of all that the Christian believer is brought into as a result of the death of Christ - now risen and ascended. For the Israelite nation, escape from Egypt was followed by troubled years in the wilderness before reaching Canaan, the Promised Land. But, having arrived, they were only able to take possession of those parts of it on which they could walk; and this meant warfare. Some see the Christian experience mirrored in this: a constant daily struggle, with little encouragement until the wilderness and warfare experience is ended and rest is obtained eternally in Heaven - the Father's house - the promised land. The author demonstrates clearly from Scripture that enjoyment of the Christian's eternal inheritance begins now. "To know the love of Christ is the corn and the wine, the milk and honey, the wealth and plenty of the Christian's Canaan. It is the pure delight of a day which will know no evening shade."

"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." Sarah Lamb

Life histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one s own or someone else s, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.

Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk."

Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion--one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience.
Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance.
While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience--absent or otherwise. Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art.