Set your students on track to achieve the best grade possible with My Revision Notes. Our updated approach to revision will help students learn, practise and apply their skills and understanding. Coverage of key content is combined with practical study tips and effective revision strategies to create a guide that can be relied on to build both knowledge and confidence. My Revision Notes: Eduqas GCSE (9-1) Geography B will help students: - Develop subject knowledge by making links between topics for more in-depth exam answers - Plan and manage revision with our topic-by-topic planner and exam breakdown introduction - Practise and apply skills and knowledge with Exam-style questions and frequent check your understanding questions, and answer guidance online - Build quick recall with bullet- pointed summaries at the end of each chapter - Understand key terms for the exam with user-friendly definitions and a glossary - Avoid common mistakes and enhance exam answers with Examiner tips - Improve subject-specific skills with an Exam skills checkbox at the end of each chapter

First published in 1998, this volume twelve scholars explore ways in which drawings were employed and appreciated in various European Cities form late medieval times, through the Renaissance and Reformation periods and into the early seventeenth century. The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types, such as studies from different kinds of model and student copies from a master's exemplar. They also investigate how drawings and their mechanically- reproduced equivalents- engravings, etchings and other forms of print - came to be collected for both practical and connoisseurial purposes, and how iconographical and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. Through diverse approaches to the study of artists' attitudes and ambitions, the essays in Drawing 1400-1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realized in some of the greatest artistic statements of all time.

First published in 1998, this volume twelve scholars explore ways in which drawings were employed and appreciated in various European Cities form late medieval times, through the Renaissance and Reformation periods and into the early seventeenth century. The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types, such as studies from different kinds of model and student copies from a master's exemplar. They also investigate how drawings and their mechanically- reproduced equivalents- engravings, etchings and other forms of print - came to be collected for both practical and connoisseurial purposes, and how iconographical and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. Through diverse approaches to the study of artists' attitudes and ambitions, the essays in Drawing 1400-1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realized in some of the greatest artistic statements of all time.

SBAs for the Final FRCR is an invaluable guide to the new Single Best Answer (SBA) paper for the Final FRCR examination, providing over 350 SBA-style questions and referenced answers written in the style of the Royal College of Radiologists. Each question is accompanied by a concise yet detailed model answer carrying references and additional notes. The answers also act as a useful reference source for many of the key topics found in the syllabus. Questions are categorised in the same six modules that compose the FRCR 2A: * Cardiothoracic and vascular * Musculoskeletal and trauma * Gastro-intestinal * Genito-urinary, adrenal, obstetrics and gynaecology, breast * Paediatric * Central nervous system, head and neck Written by a group of authors who have recently successfully completed the exams, SBAs for the Final FRCR is an essential revision aid for all candidates undertaking the FRCR Part 2A.

Over recent years the MRCS viva examination has increasingly made use of radiological imaging to facilitate the discussion of anatomy relevant to surgical practice. It is rare for junior doctors to receive adequate exposure to radiology in their day-to-day surgical practice, which makes preparation for this part of the examination difficult. For many, examinations are stressful. The last thing a candidate needs is to be faced with unfamiliar radiological images. This review of surgically relevant radiological imaging aims to prevent initial uncertainties and will allow candidates to discuss relevant anatomy and score valuable points. An invaluable addition to any revision plan, this title also: * highlights typical anatomy viva questions * familiarizes candidates with a range of images of differing modalities (plain film, fluoroscopy, computed tomography and magnetic resonance imaging) * introduces different planes of imaging, enabling candidates to deal with unusual coronal or sagittal views with confidence * gives concise but detailed notes for quick consultation

This volume explores the ways in which drawings were employed and appreciated in various European cities from late medieval times, through to the Renaissance and Reformation periods and into the early 17th century. The essays examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider roles played by various drawing types such as studies from different kinds of model and student copies from a master's examplar. They also investigate how drawings and their mechanically reproduced equivalents - engravings, etchings, etc - came to be collected for both practical and connoisseurial purposes, and how iconographic and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawings and printmaking.