Forty-one craftspeople answer the questions of who, what, when, where, and how he or she started and maintains a career in the arts. Accompanied by more than 260 photos showing the artists, their work spaces, and their creations, each interview gives experience-based answers to anyone interested in the lives of artists. For students and career changers to makers at all levels, this resource captures insight into the entrepreneurial nature of living a life in the arts-and the choices, bits of luck, joys, and tenacity one needs to overcome hurdles in useful and surprising ways. The 41 artists from across the United States work in many types of media; they include, for example, woodturner Dixie Biggs, fiber artist Carol Eckert, metalsmith Pat Flynn, glass artist Judith Schaecter, and ceramist Mara Superior. As their answers unfold, what develops is a collection of independent voices that follow unique, creative journeys in the arts, despite the twists and turns life takes. This distillation of expertise is a valuable resource to all who are considering a creative career.

Starting with Ralph Waldo Emerson's essay "Nature," Visualizing Nature brings together contemporary visionaries to share deeply personal essays on nature, ecology, sustainability, climate change, philosophy, and more. Compiled by editor and poet Stuart Kestenbaum, the contributors represent a wide range of backgrounds and experiences, each honoring nature's power to heal, inspire, guide, amaze, and strengthen. Activist Maulian Dana of the Penobscot Nation writes on the intertwining relationship of motherhood and Mother Earth. Biology professor David Haskell tells the story of the resilient Bristlecone pine trees, living to be as old as 2,100 years. Iranian scholar Alireza Taghdarreh speaks to her experience of translating Emerson's "Nature" into Farsi. A previously unpublished 1962 speech by Rachel Carson complements the collection of more than twenty essays, each inviting the reader into a quiet space of reflection with the opportunity to think deeply about how they relate to the natural world.

Since its invention in c.100 BC, paper has been a cornerstone of civilization and a key component of the human experience. Artist Matthew Shlian has always recognized paper's significance as a material for experimentation and understanding. In his hands, engineering, science and geometry can all be expressed within the medium of paper. Folded, tessellated, compressed, extrapolated - two-dimensional paper becomes three-dimensional sculpture in beautiful and unexpected ways. Unfolding is a complete overview of Shlian's oeuvre over the past ten years, including small- and large-scale works, unseen development sketchbooks, collaborations with scientific researchers and scientists, three-dimension reliefs and sculpture - all in paper. Printed in full colour on two paper stocks, the book features an introduction by Diana Gaston, an interview between Stuart Kestenbaum and the artist, and essays by acclaimed writer Lawrence Weschler and Islamic design scholar Eric Broug. In keeping with the geometric underpinning of Shlian's work, the dimensions of the book are '16 cubed': 16cm squared by 16cm squared by 16 signatures of 16 pages. Unfolding is a journey into the new possibilities of folding technology, the intricate complexities of Islamic patterns, and the sheer potential offered by a simple sheet of paper. With 200 illustrations, 150 in colour