Whether as the mothers of the Norse God Heimdall, Morgan and her sisters on Avalon, the nine sisters at the heart of the founding myth of the Gikuyu of Kenya, or witches battling with the Irish St Patrick, stories of nine women, often attending a goddess or linked to a heroic or divine male, exist across much of our world. Triggered by a local story still told in his native Dundee, Stuart McHardy has traced what seems to be memories of groups of nine women, most likely some kind of priestesses, across much of Europe and as far as Siberia, Korea, India and Africa. Whether as Pictish saints, Muses, Valkyries, Druidesses or witches, the tales of these groups of nine women transcend a vast range of cultural and linguistic boundaries. The painting of nine women dancing round a priapic male in a Catalonian cave painting over fifteen thousand years old suggests these groups may well have been one of the oldest cultural institutions humanity has known. 

When the Romans came north to what is now modern Scotland they encountered the fierce and proud warrior society known as the Picts, who despite their lack of discipline and arms, managed to prevent the undefeated Roman Army from conquering the northern part of Britain, just as they later repulsed the Angles and the Vikings. A New History of the Picts is an accessible true history of the Picts, who are so often misunderstood. New historical analysis, recently discovered evidence and an innovative Scottish perspective will expose long held assumptions about the native people. This controversial text contests that Scottish history has long since been dominated and distorted by misleading perspectives. A New History of the Picts discredits the idea that the Picts were a strange historical anomaly and shows them to be the descendants of the original inhabitants of the land, living in a series of loose tribal confederations gradually brought together by external forces to create one of the earliest states in Europe: a people, who after repulsing all invaders, merged with their cousins, the Scots of Argyll, to create modern Scotland. All of Scotland descends from the fierce Picts.

Lord Cockburn, Victorian defender of Edinburgh’s beauties, describes Calton Hill as ‘the Glory of Edinburgh’. ‘It presents us,’ enthused Cockburn, ‘with the finest prospects both of its vicinity and the city… it is adorned by beautiful buildings dedicated to science and to the memory of distinguished men.’ Following on from the success of Arthur’s Seat, the Journeys and Evocations series continues with a look at the events and folklore surrounding Edinburgh’s iconic Calton Hill. Standing only 338 ft (103m) high, this small hill offers a fascinating view of Edinburgh both literally and historically. The book brings together prose, poetry and photographic images to explore the Calton Hill’s role in radical and nationalist politics through the centuries, as well as taking a look at the buildings, philosophy and intrigue of a central part of Edinburgh’s landscape.

Scotland's Democracy Trail goes from Edinburgh Castle, Greyfriars, down the High Street, across North Bridge to Calton Hill, and then on down to the Scottish Parliament at Holyrood. Apart from its historic significance, the route encompasses Edinburgh's most dramatic scenery and townscape. The Trail follows the emergence of democratic thought and action in Scotland from the sixteenth century, linking pivotal events to locations on the way. It is a story of ups and downs, triumphs and tragedies, borne along by a stubborn persistent advance. Although the roots of democracy run deep in Scotland, here we concentrate on the footprint of democracy in our capital city.

The Wey Forrit is a political work written in Scots which examines the current British political climate, with a particular focus on how the inner workings of Westminster affect Scotland and her people. Arguing from a communitarian perspective, Stuart McHardy meticulously pulls apart the long-standing political ideas and traditions which many citizens of the United Kingdom have automatically accepted as correct or justified. He challenges his readers to re-think the consensus. Focusing on some of today's most highly discussed and potentially divisive topics - such as Brexit and Scottish Independence - McHardy lambasts the 'peelie-wallie politicians and lickspittle journalists' who protect the needs of the rich and sneer at those outside the realms of money and power. His views on the sovereignty of the Scottish Nation are also put forward, considering both the past and future implications of the way in which Britain came into being and the way in which it has been run for the three centuries since the Act of Union.

Jacobite influences are often found in Scottish culture. Indeed, many of their stories and legends are still told today in some form or another. Tales of Bonnie Prince Charlie and the Jacobites is an imaginative look into the story of the Jacobites who fought to bring the Stuart kings back to Scotland. McHardy examines the Jacobite tales to create a vivid historical picture of Scotland's Stuart past.

 Whether dodging the men of the excise, fighting with government troops or simply indulging in a spot of the national sport of drinking whisky, Scots have long had a true love affair with their favourite amber nectar. In this book writer and storyteller Stuart McHardy, known to take a dram or ten himself, draws upon the wide range of tales associated with the world's finest tipple, to make you laugh, cry and wonder!  

Stuart McHardy examines the Pictish symbols which have been discovered on various items across Scotland. The book sets out a cohesive interpretation of the Pictish past, using a variety of both temporal and geographical sources. This interpretation serves as a backdrop for his analysis of the symbols themselves, providing a context for his suggestion that there was an underlying series of ideas and beliefs behind the creation of the symbols.

Experience the scenery and folklore of Edinburgh's iconic Old Town through new eyes in the latest installment in the Journeys and Evocations series. This blend of prose, poetry, photography and history is the perfect gift for any visitor to Scotland's capital city.

Edinburgh Castle is one of Scotland's most awe-inspiring and striking landmarks. A site of human habitation since the 9th century BC, it has a rich and varied history and has been a crucial strategic military site for thousands of years. A new title in the popular 'Luath Storyteller' series, Tales of Edinburgh Castle is a salute tk the ancient tradition of storytelling, painting a vivid picture of the castle in bygone times, and the rich and varied characters to whom it owes its notoriety.

For many centuries the people of Scotland have told stories of their ancestors, a mysterious tribe called the Picts. This ancient Celtic-speaking people, who fought off the might of the Roman Empire, are perhaps best known for their Symbol Stones – images carved into standing stones left scattered across Scotland, many of which have their own stories. Here for the first time these tales are gathered together with folk memories of bloody battles, chronicles of warriors and priestesses, saints and supernatural beings. From Shetland to the border with England, these ancient memories of Scotland’s original inhabitants have flourished since the nation’s earliest days and now are told afresh, shedding new light on our ancient past.

Arthur's Seat is climbed (or walked up and around) by thousands of people each year. The views from the top of the 350-million year old landmark are breathtaking, yet most who tread its rocky paths are unaware of its great mysteries. Where did the name Arthur’s Seat originate? What led Washington Irvine to claim that this was a site of ‘pure witchcraft’? And who concealed seventeen dolls on the hillside in a mock burial? In this memorable book, Stuart McHardy and Donald Smith recount the tales of folklore and customs that surround Edinburgh's tallest hill.

This book helps you explore the myths and legends surrounding one of Scotland's most famous locations. The home of the fabled Loch Ness monster, or Nessie as she is affectionately known, is a favourite tourist spot. Every year thousands flock to her shores hoping for a glimpse of the mysterious creature. But hers is not the only story Loch Ness has to offer. It is home to a wide range of tales that reflect the dramatic history of the Scottish Highlands. Here memories are long and some stories have survived for well over a thousand years. From Irish priests and Pictish kings to tales of clan feuds and great love, faithful warriors and real heroes, Tales of Loch Ness will bring the legends of Scotland to life.

King Arthur of Camelot and the Knights of the Round Table are enduring romantic figures. A national hero for the Bretons, the Welsh and the English alike Arthur is a potent figure for many. This quest leads to a radical new knowledge of the ancient myth. Historian, storyteller and folklorist Stuart McHardy believes he has uncovered the origins of this inspirational figure, the true Arthur. He incorporates knowledge of folklore and placename studies with an archaeological understanding of the 6th century. Combining knowledge of the earliest records and histories of Arthur with an awareness of the importance of oral traditions, this quest leads to the discovery that the enigmatic origins of Arthur lie not in Brittany or England or Wales. Instead they lie in that magic land the ancient Welsh called Y Gogledd, the North; the North of Britain which we now call - Scotland.

A book about Scotland drawn from hundreds, if not thousands, of stories. From the oral traditions of the Scots, Gaelic and Norse speakers of the pat, it presents a new picture of who the Scottish are and where they come from. The stories are hilarious, tragic, heroic or frightening.

The culture of all nations is rooted in past experience, individual and communal. In Scotland’s Future History McHardy looked at the misrepresentation of so much of Scotland’s political and social history. In this new volume he takes a wider look at aspects of Scotland’s culture that have been at the heart of how we have developed into who we are in today’s world. Topics include literature, religion, history and story, the Radical 1790s, the remarkable Douglas Young and an introduction to Geomythography, a new way of melding prehistory and history to present a new and refreshing way seeing our past. Understanding our past is vital to the process of building a new Scotland in the years ahead. As Scotland moves towards reclaiming her status among the nations of the world it is important that we understand just how culturally distinctive we are. Being Scottish is no better than having any other nationality, but is is certainly no worse, and as this work hopefully shows, it is something worth celebrating.