A beautifully illustrated edition of Studs Terkel's timeless portraits of America's jazz legends, for readers of all ages.
Studs Terkel's first book, "Giants of Jazz," is the master interviewer's unique tribute to America's jazz greats, now available in an affordable paperback edition with the original illustrations and discography.
The thirteen profiles in this "luminous" ("Jazzwise") collection weave together stories of the individual jazz musicians' lives with the history of the jazz era, and the music's evolution from the speakeasies of New York to the concert halls of the world's greatest cities. Terkel--a lifelong fan and friend of many of these legends--uses firsthand interviews with artists such as Louis Armstrong, John Coltrane, Billie Holiday, Duke Ellington, and Charlie Parker to tell the human stories behind the giants who shaped this uniquely American music form. Some of the many fascinating details Terkel relates include Joe Oliver's favorite meal, Fats Waller's 1932 rendezvous in Paris with eminent organist Marcel Dupre, Dizzy Gillespie's childhood trip to a pawnshop to buy his first horn, and the origin of Billie Holiday's nickname. Paperback with French flaps, thirteen b/w illustrations.

One of the 20th century's greatest works of social protest-and its 21st-century message. A classic examination of the American experience for hard-working Italian immigrants living in New York City's Lower East Side shortly before the Great Depression, "Christ in Concrete" focuses on a family's struggle against harsh economic realities and tenement living.

A collection of the Pulitzer-Prize winning oral historian's remarkable conversations with some of the greatest luminaries of theatre and film. Among the many highlights are Buster Keaton explaining the wonder of unscripted silent comedy and interviews with Arthur Miller, Edward Albee, and Tennessee Williams. Because Studs knows his subjects' work intimately, he asks precisely the right questions to elicit the most revealing responses.

The Pulitzer Prizing-winning author Studs Terkel is layed bare in an autobiography of modern times - the stirring story of a man whose life has been so vivid that its telling mirrors the events of a century. From Mahalia Jackson to Bertrand Russell, from Martin Luther King Jr. to Frederico Fellini, Studs has met them all and captured their voices for us. With the addition of a marvelous new postscript, Talking to Myself is as enjoyable now as when it was first published--a work that is as unusual as it is compelling.

In this unique look at one of our most pervasive national myths, Studs Terkel persuades an extraordinary range of Americans to articulate their version of "The American Dream." Beginning with an embittered winner of the Miss U.S.A. contest who sees the con behind the dream of success and including an early interview with a highly ambitious Arnold Schwarzenegger, Terkel explores the diverse landscape of the promise of the United States—from farm kids dreaming of the city to city kids determined to get out, from the Boston Brahmin to the KKK member, from newly arrived immigrants to families who have lived in this country for generations, these narratives include figures both famous and infamous. Filtered through the lens of our leading oral historian, the chorus of voices in American Dreams highlights the hopes and struggles of coming to and living in the United States. Originally published in 1980, this is a classic work of oral history that provides an extraordinary and moving picture of everyday American lives.

In this unique re-creation of one of the most dramatic periods in modern American history, Studs Terkel recaptures the Great Depression of the 1930s in all its complexity. The book is a mosaic of memories from those who were richest to those who were most destitute: politicians like James Farley and Raymond Moley; businessmen like Bill Benton and Clement Stone; a six-day bicycle racer; artists and writers; racketeers; speakeasy operators, strikers, and impoverished farmers; people who were just kids; and those who remember losing a fortune. Hard Times is not only a gold mine of information--much of it little known--but also a fascinating interplay of memory and fact, showing how the Depression affected the lives of those who experienced it firsthand, often transforming the most bitter memories into a surprising nostalgia.

A beautiful paperback edition of Terkel's greatest hits. For this volume, Studs himself selected the best interviews from eight of his classic books: American Dreams, Coming of Age, Division Street, The Good War, The Great Divide, Hard Times, Race and Working - together with his original introductions to each book. Published in the year of teh great man's 95th birthday, it's a keeper from the United States' foremost oral historian and the bestselling author of 12 legendary books of oral history.

The Pulitzer Prize–winning historian talks with some of twentieth century’s most iconic musicians—“Riveting . . . Just about every interview has a revelation� (San Francisco Chronicle).   Through the second half of the twentieth century, Studs Terkel hosted the legendary radio show “The Wax Museum,� presenting Chicago’s music fans with his inimitable take on music of all kinds, from classical, opera, and jazz to gospel, blues, folk, and rock. Featuring more than forty of Terkel’s conversations with some of the greatest musicians of the past century, And They All Sang is “a tribute to music’s universality and power� (Philadelphia Inquirer). Included here are fascinating conversations with Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others.   As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, “the terms ‘interview’ or ‘oral history’ don’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.� Whether discussing Enrico Caruso’s nervousness on stage with opera diva Edith Mason or the Beatles’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, “Terkel’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle� (The New York Times).   “Whether diva or dustbowl balladeer, Studs treats them all alike, with deep knowledge and an intimate, conversational approach . . . as this often remarkable book shows, Studs Terkel has remained mesmerized by great music throughout his life.� —The Guardian   “[Terkel’s] expertise is evident on every page, whether debating the harmonic structure of the spirituals or discerning the subtleties of Keith Jarrett’s piano technique . . . As ever, he is the most skillful of interviewers.� —The Independent   “What makes And They All Sang a rousing success isn’t just Terkel’s phenomenal range and broad knowledge, it’s his passionate love of the music and his deep humanity.� —San Francisco Chronicle

Chicago was home to the Pulitzer Prize winning Studs Terkel, who moved there in 1922 and made it his home until his death in 2008 at the age of 96. A tribute to the 'Second City' that is part history, part memoir and 100% Studs Terkel, the book is infused with anecdotes, memories and reflections that celebrate the great city of Chicago. Illustrated throughout with black-and-white photographs that perfectly capture Chicago's unique beauty; here is a splendid evocation of Studs' hometown in all of its glory and imperfection.

"Inspired...the language spoken here is pure Terkel."--"The New York Times Book Review"
A New York Times bestseller when it was first published in 1995, "Coming of Age" presents an astonishing portrait of American life and the experience of aging in the twentieth century, drawn from the stories of seventy-four very different people, the youngest of whom is seventy and the oldest ninety-nine. Inspiring in the honesty of their voices and their lack of nostalgia or illusions, these are people with the widest range of experiences from all around the country; many were at the vanguard of their movements, whether of trade unions, gay liberation, or the arts. They remind us what we once were, what we have lost, and the extraordinary extent to which we've been transformed as a society over the last hundred odd years.

Perhaps Studs Terkel's best-known book, Working is a compelling, fascinating look at jobs and the people who do them. Consisting of over one hundred interviews conducted with everyone from gravediggers to studio heads, this book provides a timeless snapshot of people's feelings about their working lives, as well as a relevant and lasting look at how work fits into American life.

Capturing the Depression in all its complexity, this work assembles a mosaic of memories as told by those who faced destitution, as well as those who stayed rich. The book includes information that illustrates the Depression's effect on those who lived through it, and shows how bitter memories can be transformed into a surprising nostalgia.

Film-maker Usama Alshaibi returns to his home in Baghdad after 24 years of living in America. Having not seen his family in all that time, he reunites with the people closest to him and discovers how the Iraq he once knew has changed beyond all recognition.

Millions of Studs Terkel fans have come to know the prizewinning oral historian through his landmark books--""The Good War"," "Hard Times," "Working," "Will the Circle Be Unbroken?," and many others. Few people realize, however, that much of Studs's best work was not collected into these thematic volumes and has, in fact, never been published. "P.S." brings together these significant and deeply enjoyable writings for the first time.

The pieces in "P.S." reflect Studs's wide-ranging interests and travels, as well as his abiding connection to his hometown, Chicago. Here we have a fascinating conversation with James Baldwin, possibly Studs's finest interview with an author; pieces on the colorful history and culture of Chicago; vivid portraits of Studs's heroes and cohorts (including an insightful and still timely interview with songwriter Yip Harburg, known for his "Brother, Can You Spare a Dime"); and the transcript of Studs's famous broadcast on the Depression, the very moving essence of what was to become "Hard Times."

A fitting postscript to a lifetime of listening, "P.S." is a truly Terkelesque display of Studs's extraordinary range of talent and the amazing people he found to talk to.

The late John Beecher, though descended from the abolitionist Beechers, grew up in Birmingham, where his father was a steel industry executive. Beecher himself was groomed for a similar role, but when he went into the mills as a young man during the Great Depression, he rebelled and began to write powerful, radical, activist poetry. A contemporary of Woody Guthrie and John Steinbeck, he became a similar chronicler of the massive human displacement of the economic upheaval of the 1930s. During World War II, he served as an officer of the interracial crew of the troop transport Booker T. Washington, and wrote a book about those experiences. In the McCarthy era, he was blacklisted. And in the civil rights era, he turned his attention to the evils of segregation and the Ku Klux Klan. Always, he wrote powerful, spare verse which in lesser hands might have been ruined by its outrage. With his artist wife, Barbara, he published several elegant collections of his poetry on his own hand-set letterpress. His books included Report to the Stockholders, To Live and Die in Dixie, In Egypt Land, and a 1974 Macmillan edition of collected poems. All are out of print.

Mike Royko wrote a daily column for nearly 35 years - at first for the "Chicago Daily News", then the "Sun-Times", and finally the "Tribune" - and his Pulitzer Prize-winning commentary was syndicated in more than 600 newspapers nationwide. Pretension and hypocrisy were his targets, and his well-aimed salvos, delivered with blunt honesty and penetrating wit, w on him fans and foes alike. This text collects the best of Royko's columns from his career. Culled from 7500 columns and spanning four decades, from his early days to his last dispatch, the writings in this collection reflect a radically changing America as seen by a man whose sense of justice and humour never faltered. Included in this volume are columns such as: the stories of his childhood as recollected by himself and his pal, "Slats" Grobnik; his modern-day Christmas parable of Mary and Joseph looking for a room in Chicago; "A Faceless Man's Plea," the tale of woe that in one day had Richard Nixon publicly reversing the Veterans Administration; his account of Frank Sinatra's threat to punch him in the eye; the column he wrote about how his feet had always disappointed him; his pieces on racism; and his amusing attacks on political correctness. Putting each decade into perspective are introductions by Lois Wille, Royko's friend and colleague at all three Chicago dailies.

"Once you've become a part of this particular patch, you'll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real."
Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, "Chicago: City on the Make," filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.
Upon its original publication in 1951, Algren's "Chicago: City on the Make" was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall's business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city's breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.
The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, "the best book about Chicago."