Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The collection could not be more timely. The work adds a new layer to the ever-growing #MeToo movement. Resistance underscores the validity of all women's experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.

What can it look like for poetry to bear witness? What might it feel like for a poem to keep company? A Different Species of Breathing: The Poetry of Sue Goyetteoffers an introduction to the work of a poet whose writing attends to these large and connected questions.Goyette’s poetry experiments with (and pushes at the edges of) lyric poetry to explore webs of connection. Whether considering the ways in which systems of care fail children, the devastating reach of Big Pharma, the reciprocal relationship between oceans and humans, or the possibilities that rest in rewriting one’s own story, Goyette’s poetry is rooted in the work of witnessing and being in company with others. A Different Species of Breathing opens with an introduction by scholar, editor, and poet Bart Vautour, which offers readers context for Goyette’s lyric innovations as well as her key poetic concerns. A selection chosen from across Goyette’s published work then presents readers with poems that appear in chronological order to ground readers in the poet’s trajectories of thinking. The volume closes with a new and previously unpublished interview between Goyette and scholar and writer Erin Wunker. For scholars, poetry aficionados, students, and those interested in questions of care, connection, and ecosystems.

Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001 this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Each year The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections. Royalties generated from The 2017 Griffin Poetry Prize Anthology will be donated to UNESCO's World Poetry Day, which was created to support linguistic diversity through poetic expression and to offer endangered languages the opportunity to be heard in their communities. Shortlist announced: April 11, 2017 Readings: June 7, 2017 Prizes awarded: June 8, 2017

Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The collection could not be more timely. The work adds a new layer to the ever-growing #MeToo movement. Resistance underscores the validity of all women's experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.