Jane Austen's career as a novelist began in 1811 with the publication of ""Sense and Sensibility"". Her work was finally adapted for the big screen with the 1940 filming of ""Pride and Prejudice"" which was very successful at the box office. No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared: firstly ""Clueless"", then ""Persuasion"", followed by ""Pride and Prejudice"", ""Sense and Sensibility"", the Miramax ""Emma"", and the Meridian/A&E ""Emma"". This book traces the history of film and television adaptations of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: ""Sense and Sensibility"", ""Pride and Prejudice"", ""Emma"", ""Mansfield Park"", ""Persuasion"" and ""Northanger Abbey"". Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.

With its mix of family drama, sex, and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of Kings Henry VII, Henry VIII, and Edward VI and Queens Mary I and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known film about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.

This book provides summaries and analyses of more than 250 novels and nearly 30 films and examines the extent to which they accurately reflect the history, mores and manners of the period--and the extent to which they reveal the ideas and attitudes of their authors and of the periods in which they were written. Particular emphasis is placed on the nature and importance of the war at sea for the British and on the role of famous naval officers such as Nelson, Pellew, Duncan, Smith and Cochrane in the defeat of Napoleon.