Containing the biographies of over one hundred black women who write horror, 100+ Black Women in Horror is a reference guide, a veritable who's who of female horror writers from the African Diaspora. It is an expansion of the original 2014 book 60 Black Women in Horror. February is African American History Month here in the United States. It is also Women in Horror Month (WiHM). This list of black women who write horror was compiled at the intersection of the two. It consists of an alphabetical listing of the women with biographies, photos, and web addresses, as well as interviews with 17 of these women and an essay by David Watson on LA Banks and Octavia Butler.

Spit and Pathos is a collection of short horror stories, beat poetry about love, death, and grief, and essays on African American literature and black womanhood by Sumiko Saulson. Born in the wake of the death of her former fiancZ Gregory Hug, the collection includes the award-winning essays "When We First Become Other" and "Elements of Horror in Toni Morrison s use of Magical Realism and African American Folklore" as well as the award-winning short stories "Balm of Brackish Water" and "The Ride of Herne and Hespeth."

Containing the biographies of over one hundred black women who write horror, 100+ Black Women in Horror is a reference guide, a veritable who's who of female horror writers from the African Diaspora. It is an expansion of the original 2014 book 60 Black Women in Horror. February is African American History Month here in the United States. It is also Women in Horror Month (WiHM). This list of black women who write horror was compiled at the intersection of the two. It consists of an alphabetical listing of the women with biographies, photos, and web addresses, as well as interviews with 17 of these women and an essay by David Watson on LA Banks and Octavia Butler.

Death is stalking Berkeley, California in a sleek new jacket and snazzy checkered fedora. Insects and animals collapse in his wake. When the indigent begin to mysteriously die in the streets, the rest of the town is indifferent. Red Montgomery, a nineteen year old black homeless woman, is the only one who can see him. She feels powerless to intervene. But is she?