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In this pioneering work, first published in 1981, Sunday O. Anozie
examines the relevance of structuralism and semiology to literary
criticism in general and to African poetics in particular. Behind
the growing body of African literature lies an immense reservoir of
oral tradition for which the proper tools of analysis and
interpretation have yet to be found. This book represents the first
comprehensive full-scale exposition, analysis and critique of
structuralism by a non-Western and non-European scholar. From an
African viewpoint, it examines the roles to be played by
structuralism and post-structuralism in the development of the
general principles governing poetics and literary creativity in
Africa. This title will be of interest to students of literature
and literary theory.
In this pioneering work, first published in 1981, Sunday O. Anozie
examines the relevance of structuralism and semiology to literary
criticism in general and to African poetics in particular. Behind
the growing body of African literature lies an immense reservoir of
oral tradition for which the proper tools of analysis and
interpretation have yet to be found. This book represents the first
comprehensive full-scale exposition, analysis and critique of
structuralism by a non-Western and non-European scholar. From an
African viewpoint, it examines the roles to be played by
structuralism and post-structuralism in the development of the
general principles governing poetics and literary creativity in
Africa. This title will be of interest to students of literature
and literary theory.
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