Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name! In a small tight-knit community, gossip and rumour spread like wildfire, inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Arthur Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953. This new edition includes an introduction by Soyica Diggs Colbert, that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring The Crucible.

'His drama is a piece of expert dramatic construction. Mr. Miller has woven his characters into a tangle of plot that springs naturally out of the circumstances of life today.' NEW YORK TIMES Three years on from the disappearance of his son, successful businessman Joe Keller has made a comfortable life for his family in America's Midwest: despite being accused of supplying defective aircraft equipment in World War 2, he is altogether happy. But, when a shadowy figure from Joe's past returns, his hidden truths are revealed, and the price of the American Dream is laid bare. Miller's first successful play on Broadway, All My Sons launched his career and established him as one of America's greatest dramatists, also winning him the 1946 Tony Award for Best Author. An incisive indictment of greed, capitalism and self-interest, All My Sons is remembered as one of the playwright's greatest works. This Methuen Drama Student Edition is edited by Clare Gleitman, with commentary and notes that explore the play's production history (including excerpts from an interview with director Jeremy Herrin) as well as the dramatic, thematic and academic debates that surround it.

Why am I trying to become what I don't want to be ... when all I want is out there, waiting for me the minute I say I know who I am. Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead. Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world. This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.

'It is Mr. Miller's notion, potentially a great one, that the Baums' story can help tell the story of America itself during that traumatic era.' NEW YORK TIMES When the stock market crashes, the once-financially comfortable Baum family lose everything and are forced to leave their lofty home in Manhattan to live with relatives in Brooklyn: how can their pride, purpose and artistic endeavours survive such a sudden and shocking reversal of fortune? A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was performed on Broadway in 1980. This Methuen Drama Student Edition is edited by Jane K. Dominik, with commentary and notes that explore the play's production history (including excerpts from interviews with designers of the 1980 Broadway production) as well as the dramatic, thematic and academic debates that surround it.

"It's moral vision, as well as the Miller voice, which remains as strong and unrelenting as a prophet's, that distinguish Broken Glass." - The New York Times When Sylvia Gellburg, a young Jewish woman living in Brooklyn, becomes partially paralyzed from the waist down, her husband Phillip is shocked: what could've caused this sudden condition? The answer is Kristallnacht, the horrific, anti-Semitic event occurring halfway around the world. As the Gellburgs reckon with this pogrom and with the breakdown of their own marriage, a terrifying thought emerges: will the Jewish people ever be able to avoid persecution? Broken Glass is one of Miller's most moving and personal works, touching on themes of Jewish identity and anti-Semitism, winning him the Olivier Award for Best New Play in 1994. This Methuen Drama Student Edition is edited by Ambika Singh, and Nupur Tandon, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Thacker,) as well as the dramatic, thematic and academic debates that surround it.

'Mr. Miller knows his audience... he is letting us know, the devil will have his due.' NEW YORK TIMES When insurance agent Lyman Felt is hospitalised following a near-fatal car crash, both of his wives show up at his bedside and his duplicitous bigamy is revealed. As his shocked spouses - the prim Theo and the assertive Leah - reel from this revelation and their husband's hypocrisy, an outrageous question is presented: is marriage actually easier this way? Touching on themes of betrayal, crisis and reconciliation, The Ride Down Mt. Morgan is one of Miller's more controversial works, and was nominated for the Tony Award for Best Play in 1991. This Methuen Drama Student Edition is edited by Thiago Russo, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Esbjornson) as well as the dramatic, thematic and academic debates that surround it.

'Much like Mr. Miller, Quentin is a witness to alarming public and personal catastrophes: the stock market crash, the Holocaust, the McCarthy witchhunts and the self-destruction of a show business idol to whom he is married.' NEW YORK TIMES Haunted by past romantic failures, Quentin, a New York City Jewish intellectual, retreats into his mind as he debates marrying for a third time: as he revisits past loves and losses, his mind and memory fragments under philosophical questions; are our failures really just our own? Or is possible to hide away from the mistakes of the past? One of Miller's most personal plays, After the Fall takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself. Touching on themes of the Holocaust, McCarthyism and inherited sin, the play is one of the most discussed within Miller's canon. This Methuen Drama Student Edition is edited by Ramon Espejo-Romero, with commentary and notes that explore the play's production history (including excerpts from an interview with Michael Blakemore, former Associate Director of the Royal National Theatre,) as well as the dramatic, thematic and academic debates that surround it.

'A gentle, lyrical, Chekhovian evocation of the past, with that special unpretentious charm that special works sometimes have.' NEW YORK TIMES At an auto-parts warehouse in Brooklyn, life seems frozen in time: as workers of every age commute in, nothing ever seems to change. Newcomer Bert, only 18 years old, hopes to escape this world, earnestly saving his wages for college... but can such a dream survive his workplace's haze of hopelessness, despondency and alcoholism? A vivid rendering of life under the Great Depression, A Memory of Two Mondays perfectly captures the anxieties and concerns of the 1930s, autobiographically reflecting Miller's own experience as an 18-year-old in this period. This Methuen Drama Student Edition is edited by Stephen Marino, with commentary and notes that explore the play's production history (including excerpts from an interview with director Rob Roznowski) as well as the dramatic, thematic and academic debates that surround it.

"The Price is one of the most engrossing and entertaining plays that Miller has ever written." - The New Uork Times When patriarch of the Franz family dies, his two sons return home to dispose of the furniture crammed in his attic: one is a successful surgeon, the other gave up everything to support their father following the Great Depression. As the pair sort through these abandoned belongings, frustrations, secrets and surprise guests are uncovered. With its touching and farcical presentation of American life beyond the Vietnam War and Great Depression, The Price is widely recognised as one of Miller's major works, earning him a Tony Award nomination in 1968. This Methuen Drama Student Edition is edited by Yuko Kurahashi, with commentary and notes that explore the play's production history (including excerpts from interviews with the director and designers of the 2017 Arena Stage production) as well as the dramatic, thematic and academic debates that surround it.

'When the play focuses on the self-entrapment of the characters, Mr. Miller can be tender as well as trenchant' NEW YORK TIMES Two strangers meet in a New England psychiatric clinic, each visiting their admitted, depressed wife: one is a humble carpenter with seven children, the other a successful businessman in a childless marriage; both have been forgotten by the promise of the American Dream. Described by Miller as 'a comedy about a tragedy', this one-act play highlights the devastating consequences for those who fail to achieve the purported riches of the American Dream; a reality many face. This Methuen Drama Student Edition is edited by Ciaran Leinster, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Thacker) as well as the dramatic, thematic and academic debates that surround it.

The law is nature. The law is only a word for what has a right to happen. When the law is wrong it's because it's unnatural, but in this case it is natural and a river will drown you if you buck it now. Let her go. And bless her. Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them, Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, A View from the Bridge is Miller at his best and a modern classic. This new edition includes an introduction by Julie Vatain-Corfdir that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring A View from the Bridge.

Jew is only the name we give to that stranger. Each man has his Jew; it is the other. And the Jews have their Jews. Arthur Miller's largely forgotten masterpiece, Incident at Vichy is a prescient examination of the evil that exists in us all, inspired by a real-life incident in France in which a Gentile gave a Jew his identity pass during a check, which would have resulted in the Jew otherwise being sent to a concentration camp. This Methuen Drama Student Edition of the play includes commentary and notes by Joshua Polster, Emerson College, US, which investigate the politics of the play in the context of the African-American civil rights movement happening at the time; the Vietnam War; The House Committee on Un-American Activities; and the murder of Kitty Genovese, as well as exploring Miller's own relationships that were central to the play including with psychoanalyst Dr Rudolf Loewenstein, his wife Inge Morath and his friend Elia Kazan.