For more than four decades, jewellery artist and educator Laurie Hall has been making stories the subject of her work. Her playful, often whimsical jewellery made with found objects is about the places she lives, the landscapes that fill her imagination, her family history, and her ideas of what it is to be an American. As a jeweller, Hall never plays it safe, preferring to fly by the seat of her pants and push her skills and technical knowledge. Her work is part of numerous private and public collections including The Museum of Art and Design in NYC, The Tacoma Art Museum, The Museum of Fine Arts, Houston. She is a product of the jewellery histories that make the Pacific Northwest unique within the larger story of American contemporary jewellery. Featuring 58 images of Hall's jewellery spanning the period from 1974 to 2019, this book explores why she is an important maker whose practice deserves to be more widely known.

In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.

'In this book are bits and pieces of dreams, lives, experiences, and vistas, like squares cut from old cloth and assembled into a crazy quilt of writing styles and forms. The patchwork design mirrors both the complexity of the chroniclers and the stark lines and angles of the American frontier' - Susan Cummins Miller, from the introduction. In this anthology of thirty-four writers who published during the settlement years of the American frontier, Miller assembles nonfiction, fiction, poetry, and occasional writings from women of Anglo, Chinese, Hispanic, and Native American ethnicity. Variously addressing such themes as isolation, drudgery, friendship, mourning, and even mysticism, these writers offer up a different frontier, one that focuses on womens experiences as much as mens. In brief biographical and historical introductions to each writer, Miller shares insights and context as engaging as the selections themselves.