Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A novel written in the same year as Lady Chatterley's Lover about the effect of a love affair on three generations.

Eugene O'Neill is one of America's most celebrated playwrights, but relatively few Americans know the name of the man who essentially gave O' Neill his first chance at greatness: George Cram, Jig Cook, one of America's most colorful and original thinkers and the founder of the Provincetown Players, the first company to stage O'Neill. Cook's story, with all its hopes, dreams, and disappointments, is told in The Road to the Temple.

First published in 1927 in the United States and reprinted in 1941, this biography is the work of Cook's third wife, Pulitzer Prize winning playwright Susan Glaspell, It traces Cook's lifelong search for self, a search that took him from his birthplace in Davenport, Iowa, to New York to Delphi; from university teaching and truck farming, to the Provincetown Players, to the antiquity of Greece. Part of Jig's story is told by excerpts from his journals, pictures, poetry, and fiction. Interwoven with narrative flashbacks, these entries concerning his day-to-day activities as well as his thoughts and feelings bring him to life for the reader. In addition, Glaspell offers finely crafted portraits of the American Midwestin the late nineteenth century; a vivid picture of Greenwich Village between 1910 and 1920; and a moving and lyrical account of the life she and Jig lived in Greece, where Jig died on January 11, 1924. A compelling combination of biography and autobiography, this volume presents a unique and personal picture of a fascinating American original.

Drama / Characters: 3 male, 2 female

Scenery: interior

Unusually powerful and effective, and gives fine roles for two good actresses. The wife of a strangled farmer is arrested on suspicion. While officers and neighbors are searching the old farmhouse for evidence, two women friends discover a slain canary and a broken cage. This evidence can prove the wife guilty, but by keeping her secret, they free her. An American classic by one of the original members of the Provincetown Playhouse where this play was premiered.

The playwright, Susan Glaspell, is a Pulitzer Prize-Winner.

The first complete collection of the works of American playwright Susan Glaspell, this book includes all seven of the Pulitzer Prize winner's seven one-act works: Suppressed Desires, Trifles, The People, The Outside, Woman's Honor, Close the Book, and Tickless Time. The book also features Glaspell's seven full-length plays, including Bernice, Inheritors, The Verge, Alison's House, The Comic Artist, Chains of Dew, and Springs Eternal, the last two of which are published here for the first time. Each play includes an introductory essay along with extended biographical and critical essays. A previously unknown Glaspell play, the political parody Free Laughter, is included in an appendix. Two other appendices give details on both first run and recent productions of Glaspell's plays.

A cofounder of the Provincetown Players and winner of a Pulitzer Prize for Drama, Susan Glaspell (1876-1948) was one of the first female playwrights. Although long neglected, the four plays collected in this critical edition reveal the thoroughly modern nature of her concerns. Trifles (1916) develops a feminist critique of social role, while The Outside (1917) stages a debate between the life force and a perverse celebration of death. In The Verge (1921), Glaspell presented an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. And though Inheritors (1921) is far more conventional, it nonetheless questions the nature and reality of American pieties. Long known for a single play, Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative innovation.