Selecting all the major poetry from her more than thirty years of publishing, Susan Griffin demonstrates once again why she is a major force in American letters. In poems ranging from the comic to the tragic, from the personal to the politically strategic, she maintains an essential element of domesticity as she addresses subjects as diverse as mothering, myth and history, sex, food, and filmmaking.

Tillie Olsen wrote of Griffin's last major collection (Unremembered Country) "In some of these poems it is as if -- through the thousand doors of death, of anguish, Susan Griffin entered, smelted in the crucible of our time -- and somehow transmuted for us an integrative, a life-cherishing vision". Marge Piercy has written that Griffin's poetry "wants to connect us across the generations and across species, to place us where we belong in a web of social caring inside nature, nurtured and nurturing, but these poems never forget the forces and odds against such tenderness".

Written by one of America's most innovative and articulate feminists, this book illustrates how childhood experience, gender and sexuality, private aspirations, and public personae all assume undeniable roles in the causes and effects of war.

Since the late 1980s, Jim Hodges' poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist's work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges' career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges' early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist's recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist's work by author Susan Griffin.
Born in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges' work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.

In her award-winning examination of the nature of war, A Chorus of Stones, critically acclaimed author and feminist Susan Griffin showed new ways of thinking about society and war, about private and public lives. In The Eros of Everyday Life, she once again takes readers on a startling journey, showing the profound connections between religion and philosophy, science and nature, Western thought and the role of women, and the supremacy of abstract thought over the forces of life. Featuring the brilliant original title essay that is nothing less than an intellectual and emotional exploration of the nature of Western society itself, as well as Susan Griffin's best previously published essays of the past decade, The Eros of Everyday Life combines the beautiful lyricism and sensibility of a poet with the intellectual rigor of one of the finest and most original minds writing today.

Distributional cost-effectiveness analysis aims to help health care and public health organisations make fairer decisions with better outcomes. Whereas standard cost-effectiveness analysis provides information about total costs and effects, distributional cost-effectiveness analysis provides additional information about fairness in the distribution of costs and effects - who gains, who loses, and by how much. It can also provide information about the trade-offs that sometimes occur between efficiency objectives, such as improving total health, and equity objectives, such as reducing unfair inequality in health. This is a practical guide to a flexible suite of economic methods for quantifying the equity consequences of health programmes in high-, middle- and low-income countries. The methods can be tailored and combined in various ways to provide useful information to different decision-makers in different countries with different distributional equity concerns. The handbook is primarily aimed at postgraduate students and analysts specialising in cost-effectiveness analysis but is also accessible to a broader audience of health sector academics, practitioners, managers, policymakers and stakeholders. As well as offering an overview for research commissioners, users, and producers, the book includes systematic technical guidance on how to simulate and evaluate distributions, with accompanying hands-on spreadsheet training exercises, and discussions about how to handle uncertainty about facts and disagreement about values, and the future challenges facing this young and rapidly evolving field of study.

This inspired collection offers a new paradigm for moving the world beyond violence as the first, and often only, response to violence. Through essays and poetry, prayers and meditations, "Transforming Terror" powerfully demonstrates that terrorist violence - defined here as any attack on unarmed civilians - can never be stopped by a return to the thinking that created it. A diverse array of contributors - writers, healers, spiritual and political leaders, scientists, and activists, including Desmond Tutu, Huston Smith, Riane Eisler, Daniel Ellsberg, Amos Oz, Fatema Mernissi, Fritjof Capra, George Lakoff, Mahmoud Darwish, Terry Tempest Williams, and Jack Kornfield - considers how we might transform the conditions that produce terrorist acts and bring true healing to the victims of these acts. Broadly encompassing both the Islamic and Western worlds, the book explores the nature of consciousness and offers a blueprint for change that makes peace possible. From unforgettable firsthand accounts of terrorism, the book draws us into awareness of our ecological and economic interdependence, the need for connectedness, and the innate human capacity for compassion.

They charmed some of Europe’s most illustrious men, honing their social skills as well as their sexual ones, and accumulating wealth, fame, and power along the way. Unlike their geisha counterparts, courtesans didn't lived in brothels or bend their wills to suit their suitors. They were the muses who enflamed the hearts of our most celebrated artists--Raphael, Manet, Dumas, and Proust, to name just a few--as well as becoming artists in their own right. Offering the first comprehensive tour of their worlds, Susan Griffins celebrates these first feminists and hails their virtues: Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm.

From Veronica Franco, who graced the palazzos of sixteenth-century Venice, and Madame de Pompadour, the arbiter of all things fashionable at Versailles during the reign of Lous XV, to La Belle Otero of the grand boulevards of Paris in the Gay Nineties and Marion Davies, who took Hollywood by storm in the 1920's and 1930's, The Book of the Courtesans enticingly illustrates the intricacies of their lavish lifestyles and incredible life stories. Fascinating true tales and enlightening snippets from courtesans' memoirs further reveal how these cunning women seized their opportunity to become the West's first liberators, free to choose their own lovers and command remarkable respect.

Delving into his scintillating world, The Book of the Courtesans is an impeccably researched, beautifully crafted portrait of some of the most intriguing figures in women's history.

This inspired collection offers a new paradigm for moving the world beyond violence as the first, and often only, response to violence. Through essays and poetry, prayers and meditations, "Transforming Terror" powerfully demonstrates that terrorist violence - defined here as any attack on unarmed civilians - can never be stopped by a return to the thinking that created it. A diverse array of contributors - writers, healers, spiritual and political leaders, scientists, and activists, including Desmond Tutu, Huston Smith, Riane Eisler, Daniel Ellsberg, Amos Oz, Fatema Mernissi, Fritjof Capra, George Lakoff, Mahmoud Darwish, Terry Tempest Williams, and Jack Kornfield - considers how we might transform the conditions that produce terrorist acts and bring true healing to the victims of these acts. Broadly encompassing both the Islamic and Western worlds, the book explores the nature of consciousness and offers a blueprint for change that makes peace possible. From unforgettable firsthand accounts of terrorism, the book draws us into awareness of our ecological and economic interdependence, the need for connectedness, and the innate human capacity for compassion.