Human Rights and the Arts: Perspectives on Global Asia approaches human rights issues from the perspective of artists and writers in global Asia. By focusing on the interventions of writers, artists, filmmakers, and dramatists, the book moves toward a new understanding of human rights that shifts the discussion of contexts and subjects away from the binaries of cultural relativism and political sovereignty. From Ai Wei Wei and Michael Ondaatje, to Umar Kayam, Saryang Kim, Lia Zixin, and Noor Zaheer, among others, this volume takes its lead from global Asian artists, powerfully re-orienting thinking about human rights subjects and contexts to include the physical, spiritual, social, ecological, cultural, and the transnational. Looking at a range of work from Tibet, Indonesia, Sri Lanka, India, China, Bangladesh, Japan, Korea, Vietnam, and Macau as well as Asian diasporic communities, this book puts forward an understanding of global Asia that underscores "Asia" as a global site. It also highlights the continuing importance of nation-states and specific geographical entities, while stressing the ways that the human rights subject breaks out of these boundaries. Many of these works are included in the companion volume Human Rights and the Arts in Global Asia: An Anthology, also published by Lexington Books.

Do authoritarian regimes manage ethnic pluralism better than democracies? Is the process of democratization itself destructive of inter-ethnic accomodation? The notable contributors to Democratization and Identity explore and challenge such arguments as they introduce the experiences of East and Southeast Asia into the study of democratization in ethnically (including religiously) diverse societies. This insightful volume views political regimes and ethnic identities as co-constitutive: authoritarianism, democratization, and democracy are interconnected processes of (re)producing collective (including ethnic) identities and political power, under the influence of entrenched and evolving sociopolitical relations and forms of economic production. Democratization and Identity suggests that the risk of ethnicized conflict, exclusion, or hierarchy during democratization depends in large part on the nature of the ethnic identities and relations constituted during authoritarian rule. This collection's theoretical breakthroughs and its country case studies shed light on the prospects for ethnically inclusive and non-hierarchical democratization across East and Southeast Asia and beyond.

Do authoritarian regimes manage ethnic pluralism better than democracies? Is the process of democratization itself destructive of inter-ethnic accomodation? The notable contributors to Democratization and Identity explore and challenge such arguments as they introduce the experiences of East and Southeast Asia into the study of democratization in ethnically (including religiously) diverse societies. This insightful volume views political regimes and ethnic identities as co-constitutive: authoritarianism, democratization, and democracy are interconnected processes of (re)producing collective (including ethnic) identities and political power, under the influence of entrenched and evolving sociopolitical relations and forms of economic production. Democratization and Identity suggests that the risk of ethnicized conflict, exclusion, or hierarchy during democratization depends in large part on the nature of the ethnic identities and relations constituted during authoritarian rule. This collection's theoretical breakthroughs and its country case studies shed light on the prospects for ethnically inclusive and non-hierarchical democratization across East and Southeast Asia and beyond.

Human Rights and the Arts: Perspectives on Global Asia approaches human rights issues from the perspective of artists and writers in global Asia. By focusing on the interventions of writers, artists, filmmakers, and dramatists, the book moves toward a new understanding of human rights that shifts the discussion of contexts and subjects away from the binaries of cultural relativism and political sovereignty. From Ai Wei Wei and Michael Ondaatje, to Umar Kayam, Saryang Kim, Lia Zixin, and Noor Zaheer, among others, this volume takes its lead from global Asian artists, powerfully re-orienting thinking about human rights subjects and contexts to include the physical, spiritual, social, ecological, cultural, and the transnational. Looking at a range of work from Tibet, Indonesia, Sri Lanka, India, China, Bangladesh, Japan, Korea, Vietnam, and Macau as well as Asian diasporic communities, this book puts forward an understanding of global Asia that underscores "Asia" as a global site. It also highlights the continuing importance of nation-states and specific geographical entities, while stressing the ways that the human rights subject breaks out of these boundaries.