Willa Cather said that "O Pioneers!" was her first authentic novel, "the first time I walked off on my own feet--everything before was half real and half an imitation of writers whom I admired." Cather's novel of life on the Nebraska frontier established her reputation as a writer of great note and marked a significant turning point in her artistic development. No longer would she let literary convention guide the form of her writing; the materials themselves would dictate the structure.

The paperback edition contains all the text and scholarly apparatus found in the original Willa Cather Scholarly Edition. Edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association, this volume presents the full range of biographical, historical, and textual information on the novel.

Willa Cather said that "O Pioneers " was her first authentic novel, "the first time I walked off on my own feet--everything before was half real and half an imitation of writers whom I admired." Cather's novel of life on the Nebraska frontier established her reputation as a writer of great note and marked a significant turning point in her artistic development. No longer would she let literary convention guide the form of her writing; the materials themselves would dictate the structure.

The paperback edition contains all the text and scholarly apparatus found in the original Willa Cather Scholarly Edition. Edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association, this volume presents the full range of biographical, historical, and textual information on the novel.

The wide-ranging essays collected in this volume of Cather Studies examine Willa Cather's unique artistic relationship to the environment. Under the theoretical rubric of ecocriticism, these essays focus on Cather's close observations of the natural world and how the environment proves, for most of these contributors, to be more than simply a setting for her characters. While it is certain that Cather's novels and short stories are deeply grounded in place, literary critics are only now considering how place functions within her narratives and addressing environmental issues through her writing. These essays reintroduce us to a Cather who is profoundly identified with the places that shaped her and that she wrote about: Glen A. Love offers an interdisciplinary reading of The Professor's House that is scientifically oriented; Joseph Urgo argues that My Antonia models a preservationist aesthetic in which landscape and memory are inextricably entangled; Thomas J. Lyon posits that Cather had a living sense of the biotic community and used nature as the standard of excellence for human endeavors; and Jan Goggans considers the ways that My Antonia shifts from nativism toward a "flexible notion of place-based community." Susan J. Rosowski (1942-2004) is the author of Birthing a Nation: Gender, Creativity, and the West in American Literature (Nebraska 1997).

Volume 3 of "Cather Studies" demonstrates the range of topics and approaches in contemporary discussions of Willa Cather's work for the informed reader or the specialized student. In fourteen essays, critics and scholars examine Cather's Catholic Progressivism, her literary relations with William Faulkner, and her place in the multicultural canon of American literature.

Roger and Linda Welsch matched references from Willa Cather's writing with recipes they collected from Cather family recipe files, from other period cookbooks, and from old-time ethnic cooks still living in the Bohemian tradition. Cather's Kitchens comes as close as possible to the precise recipes Cather had in mind and memory as she wrote. Roger L. Welsch is a television personality and is the author of nearly thirty books, including It's Not the End of the Earth, but You Can See It from Here and Touching the Fire: Buffalo Dancers, the Sky Bundle, and Other Tales, both available in Bison Books editions. Linda K. Welsch is an acclaimed Nebraska artist. Susan J. Rosowski (1942-2004) is the author of Birthing a Nation: Gender, Creativity, and the West in American Literature (Nebraska 1999).

"They Voyage Perilous" is the first extended interpretation of Willa Cather's writing within the literary tradition of romanticism. Although she partook of the familiar subjects and themes of the Wordsworthian school of romanticism, Cather was not nearly so concerned with what we see as how we see. Her intensely individual perspective, more creatively romantic than has been previously recognized, gave her work its own kind of elegant form.

Susan J. Rosowski argues that Willa Cather early took up the romantic challenge to vindicate imaginative thought in a world threatened by materialism, then pursued it with remarkable consistency throughout her career. The early essays and stories set out the terms of this life-long commitment. In the early novels Cather celebrates imaginative possibilities; in the middle ones she present increasingly desperate circumstances, asking what is left when the imagination is eclipsed by commercial values; in the late novels she writes in a Gothic mode, the dark counterspirit to optimistic romanticism.

The book is organized chronologically, with a chapter devoted to each novel. The chapters can be read independently or as part of a unified argument providing a larger picture.

Now at seventy-three volumes, this popular MLA series (ISSN 1059-1133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.