Authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple's lifelong journey together. Are You Two Sisters? is Susan Krieger's candid, revealing, and engrossing memoir about the intimacies of a lesbian couple. Krieger explores how she and her partner confront both the inner challenges of their relationship and the invisibility of lesbian identity in the larger world. Using a lively novelistic and autoethnographic approach that toggles back and forth in time, Krieger reflects on the evolution of her forty-year relationship. She describes building a life together, from sharing pets and travels to getting married. Are You Two Sisters? addresses not only questions of gender and sexuality, but also of disability, as Krieger explores how the couple adapts to her increasing blindness. Krieger's title comes from a question asked by a stranger outside a remote desert bar as she and her partner traveled in the Southwest. Her apprehension about answering that question suggests how, even after the legalization of gay marriage, lesbianism often remains hidden-an observation that makes Krieger's poignant narrative all the more moving.

Authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple's lifelong journey together. Are You Two Sisters? is Susan Krieger's candid, revealing, and engrossing memoir about the intimacies of a lesbian couple. Krieger explores how she and her partner confront both the inner challenges of their relationship and the invisibility of lesbian identity in the larger world. Using a lively novelistic and autoethnographic approach that toggles back and forth in time, Krieger reflects on the evolution of her forty-year relationship. She describes building a life together, from sharing pets and travels to getting married. Are You Two Sisters? addresses not only questions of gender and sexuality, but also of disability, as Krieger explores how the couple adapts to her increasing blindness. Krieger's title comes from a question asked by a stranger outside a remote desert bar as she and her partner traveled in the Southwest. Her apprehension about answering that question suggests how, even after the legalization of gay marriage, lesbianism often remains hidden-an observation that makes Krieger's poignant narrative all the more moving.

"Things No Longer There "is a lovingly crafted collection of personal stories about the author's struggle toward enlightenment while losing her eyesight. It is also, more broadly, about invisible landscapes--places of the heart that linger long after they have disappeared from the world outside. In these ten brief tales and one novella-length intimate drama, Susan Krieger takes us on a series of adventures in vision, a journey both inward and to various parts of the country. We travel with her as she goes birdwatching before sunrise in the New Mexico desert, learns to walk with a white cane, revisits an old love, returns to a summer camp of her youth, and reflects on the nature of blindness and sight.
Krieger's touching memoir explores the ways that outer landscapes may change and sight may be lost, but inner visions persist, giving meaning, jarring the senses with a very different picture than what appears before the eyes. This book will reward both the general reader and those interested in disability studies, feminist ethnography, and lesbian studies.

Come, Let Me Guide You explores the intimate communication between author Susan Krieger and her guide dog Teela over the ten-year span of their working life together. This is a book about being led by a dog to new places in the world and new places in the self, a book about facing life's challenges outwardly and within, and about reading those clues-those deeply felt signals-that can help guide the way. It is also, more broadly, about the importance of intimate connection in human-animal relationships, academic work, and personal life. In her previous book, Traveling Blind: Adventures in Vision with a Guide Dog by My Side, Krieger focused on her first two years with Teela, her lively Golden Retriever-Yellow Labrador. Come, Let Me Guide You continues the narrative, beginning at the moment the author must confront Teela's retirement and then reflecting on the entire span of their relationship. These emotionally moving stories offer the reader personal entree into a life of increasing pleasure and insight as Krieger describes how her relationship with her guide dog has had far-reaching effects, not only on her abilities to navigate the world while blind, but also on her writing and teaching, her ability to face loss, and her sense of self. Come, Let Me Guide You is an invaluable contribution to the literature on human-animal communication and on the guide-dog-human experience, as well as to disability and feminist ethnographic studies. It shows how a relationship with a guide dog is unique among bonds, for it rests upon highly regulated connections yet touches deep emotional chords. For Krieger, those chords have resulted in these memorable stories, often humorous and playful, always instructive, and generative of broader insight.

In an inventive and controversial collection of essays, sociologist Susan Krieger considers the many forms of wealth, both material and emotional, that women pass on to each other. This domestic heritage - the 'family silver' - is the keystone for a discussion of mother-daughter relationships, intimate relationships between lesbians, ties between students and feminist teachers, the dilemmas of women in academia as well as in the broader work world, and the importance of female separatism. Drawing on her experiences as a lesbian, a feminist, and a teacher, Krieger presents a stunning critique of higher education. She argues for acknowledging gender in all areas of women's lives and for valuing women's inner realities and outer forms of expression. Krieger has developed a distinctly feminist approach to understanding and scholarship. Her style is self-revelatory, emotional, and at the same time deeply analytical. Her essays pioneer a new method of locating, defining, and honoring female values. "The Family Silver" includes a thought-provoking discussion of gender roles among women, including the author's experience of being mistaken for a man; an exploration of teaching in a feminist classroom; and, a description of the controversy that resulted when the author refused to allow a hostile male student to take one of her courses. Beautifully written, "The Family Silver" addresses issues of central concern to feminists, postmodernists, and queer theorists and encourages new insights into how gender profoundly affects us all.

"A day draws to a close. Helen worries about when her children will get home; Gloria considers her day at work and, again, thoughts cross her mind about telling them at church that she is a lesbian; Gayle prepares for a meeting at the Women's Shelter...; Ellen gets ready for a class. Chip and Jessica plan another party at their house; Diana paces her kitchen, troubled that Meg still intends to see Bronwyn..." These are some of the people who come to life in this unique book about a lesbian community. It is an experiment, both in women's language and in social science method, and is composed of an interplay of voices that echo, again and again, themes of self and community, sameness and difference, merger and separation, loss and change. Although the method of presentation is unusual, the book is based on solid research. The author lived for a year with the community and then spent two intensive months interviewing 78 women who were either members of the community or importantly associated with it. The author began by addressing several basic questions about privacy that quickly led her to explore dilemmas of identity. In time an even more compelling problem emerged: the loss of sense of self, how it occurs and how it may be dealt with in a social setting. The nature of the community itself raised this issue because it was a community of likeness, intimacy, and ideology. It was also a stigmatized or deviant community - and of women, individuals with life experiences that tended to encourage the giving up of the self to others. The book is organized around particular kinds of situations and relationships in the community where conflicts concerning control over identity are especially prominent. It concludes with an essay on the author's method, "Fiction and Social Science." Author note: Susan Krieger is Visiting Scholar, Department of Sociology, Stanford University.