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Are 'Dear John' letters lethal weapons in the hands of men at war?
Many US officers, servicemen, veterans, and civilians would say
yes. Drawing on personal letters, oral histories, and psychiatric
reports, as well as popular music and movies, Susan L. Carruthers
shows how the armed forces and civilian society have attempted to
weaponize romantic love in pursuit of martial ends, from World War
II to today. Yet efforts to discipline feeling have frequently
failed. And women have often borne the blame. This sweeping history
of emotional life in wartime explores the interplay between
letter-writing and storytelling, breakups and breakdowns, and
between imploded intimacy and boosted camaraderie. Incorporating
vivid personal experiences in lively and engaging prose - variously
tragic, comic, and everything in between - this compelling study
will change the way we think about wartime relationships.
This provocative history of early cold war America recreates a time
when World War III seemed imminent. Headlines were dominated by
stories of Soviet slave laborers, brainwashed prisoners in Korea,
and courageous escapees like Oksana Kasenkina who made a 'leap for
freedom' from the Soviet Consulate in New York. Full of fascinating
and forgotten stories, "Cold War Captives" explores a central
dimension of American culture and politics - the postwar
preoccupation with captivity. 'Menticide', the calculated
destruction of individual autonomy, struck many Americans as a more
immediate danger than nuclear annihilation. Drawing upon a rich
array of declassified documents, movies, and reportage - from
national security directives to films like "The Manchurian
Candidate" - his book explores the ways in which east-west disputes
over prisoners, repatriation, and defection shaped popular culture.
Captivity became a way to understand everything from the anomie of
suburban housewives to the 'slave world' of drug addiction. Sixty
years later, this era may seem distant. Yet, with interrogation
techniques derived from America's communist enemies now being used
in the 'war on terror', the past remains powerfully present.
Waged for a just cause and culminating in total victory, World War
II was America's "good war." Yet for millions of GIs overseas, the
war did not end with Germany and Japan's surrender. The Good
Occupation chronicles America's transition from wartime combatant
to postwar occupier, by exploring the intimate thoughts and
feelings of the ordinary servicemen and women who
participated-often reluctantly-in the difficult project of
rebuilding nations they had so recently worked to destroy. When the
war ended, most of the seven million Americans in uniform longed to
return to civilian life. Yet many remained on active duty, becoming
the "after-army" tasked with bringing order and justice to
societies ravaged by war. Susan Carruthers shows how American
soldiers struggled to deal with unprecedented catastrophe among
millions of displaced refugees and concentration camp survivors
while negotiating the inevitable tensions that arose between
victors and the defeated enemy. Drawing on thousands of unpublished
letters, diaries, and memoirs, she reveals the stories service
personnel told themselves and their loved ones back home in order
to make sense of their disorienting and challenging postwar
mission. The picture Carruthers paints is not the one most
Americans recognize today. A venture undertaken by soldiers with
little appetite for the task has crystallized, in the retelling,
into the "good occupation" of national mythology: emblematic of the
United States' role as a bearer of democracy, progress, and
prosperity. In real time, however, "winning the peace" proved a
perilous business, fraught with temptation and hazard.
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