This volume explores the history, evolution, and future of Luso-Hispanic Cultural Studies as a discipline, a pedagogical tool, and a set of working practices by bringing together a diverse group of renowned specialists to examine how the field has grown out of and radically reconsidered some of the basic premises of British Cultural Studies since the 1950s to address the many cultures of the Spanish and Portuguese-speaking world. The chapters in this volume address How Cultural Studies is being practiced in the increasingly virtual mediascapes of the twenty-first century What happens to basic critical assumptions about culture and power after they have passed through the filter of Post-Colonial and Decolonial Studies of the Luso-Hispanic world How we understand the role of culture in light of recent experiences with radical demographic shifts, populism and civil unrest within Latin America, Iberian and the Latino U.S How new ways of practising Luso-Hispanic Cultural Studies have worked their way into our pedagogy and the structure of the curriculum in the age of the increasingly privatized neoliberal university Providing keen insight and reflection on these questions, this volume is an essential read for scholars and students of Visual and Film Studies, Latin American and Iberian Studies, Luso-Brazilian Studies, Language and Culture Pedagogy, Global Studies, and for anyone interested in Cultural Studies across the Luso-Hispanic world.

While the simultaneously creative and destructive forces of modernity in Western Europe have been well studied, the case of Spain has often been overlooked. Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces made possible by electricity, transportation, mass production and the emergence of an entertainment industry. The authors examine how mass print culture, early cinema, popular drama, photography, fashion, painting, museums and urban planning played a role in the way that Spanish society saw itself and was in turn seen by the rest of the world. Assessing how new cultural forms were instrumental in shaping Spaniards into citizens of the modern world, the authors consider such subjects as the spectacle of the body, notions of race and gender, the changing meanings of time, space and motion, the relationship between technology and everyday life and popular culture.

While the simultaneously creative and destructive forces of modernity in Western Europe have been well studied, the case of Spain has often been overlooked. Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces made possible by electricity, transportation, mass production and the emergence of an entertainment industry. The authors examine how mass print culture, early cinema, popular drama, photography, fashion, painting, museums and urban planning played a role in the way that Spanish society saw itself and was in turn seen by the rest of the world. Assessing how new cultural forms were instrumental in shaping Spaniards into citizens of the modern world, the authors consider such subjects as the spectacle of the body, notions of race and gender, the changing meanings of time, space and motion, the relationship between technology and everyday life and popular culture.

The best of Susan Larson, former columnist of the Gwinnett Daily Post. "A delightful walk through the woods of life, one column at a time."

Ruthie Rossley loves horses more than anything. When her parents buy an old dairy farm Upstate, she struggles to persuade them to give her the pony of her dreams. When they finally relent, she buys the first horse she sees. Sam. He's huge, ugly, opinionated and rank to shoe. Ruthie, her sister Evvie and Sam learn to love and care for each other. Sam teaches Ruthie horsewomanship: that is, courage, patience, self-control and forgiveness. Often Sam's lessons are learned the hard way. Confronted with family strife and misfortune, Ruthie realizes it is time to use her horse sense on people: she must forgive her troubled father, and honor the patient courage of her mother. Can this young girl gain control her rage and hurt, and re-unite her family? Sam knows the answer. YA Fiction, 212 pages.

"Your child has autism" - four small words with the power to leave parents feeling helpless, overwhelmed, and confused. This concise, no-nonsense book will enable parents to regain control of the situation and take the first practical steps towards a calm and happy life with their newly-diagnosed child. Dr. Larson Kidd's approach draws from the vast amount of information available on parenting a child with autism and distils it into ten manageable steps. It covers the key aspects of life with a child on the autism spectrum, including the basics such as sleeping, eating, and toileting, through adapting the home, creating routines, and exploring therapy. Ready-to-implement strategies are outlined simply and clearly, and are firmly grounded in the author's extensive experience of supporting children with autism. This practical book will be essential and empowering reading for every parent whose child has recently been diagnosed with autism or for parents still struggling with where to begin to help their child.

This book studies the urban spaces imagined by the technocrats who had the power to shape Madrid between 1900 and 1936 and relates them to the fiction of authors who responded by creating utopian and dystopian narratives.

The literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate.

Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.

Toward a Cultural Archive of la Movida revisits the cultural and social milieu in which la Movida, an explosion of artistic production in the late 1970s and early 1980s, was articulated discursively, aesthetically, socially, and politically. We connect this experience with a broader national and international context that takes it beyond the city of Madrid and outside the borders of Spain. This collection of essays links the political and social undertakings of this cultural period with youth movements in Spain and other international counter-cultural or underground movements. Moving away from biographical experiences or the identification of further participants and works that belong to la Movida, the articles collected in this volume situate this movement within the political and social development of post-Franco Spain. Finally, it also offers a reading of recent politically motivated recoveries of this cultural phenomenon through exhibitions, state sponsored documentaries, musicals, or tourist itineraries. The perception of Spain as representative of a successful dual transition from dictatorship to democracy and free market capitalism created a "Spanish model" that has been emulated in countries like Portugal, Argentina, Chile and Hungary, all formerly ruled by totalitarian regimes. While social scientists study the promises, contradictions and failures of the Spanish Transicion-especially on issues of memory, repression, and (the lack of) reconciliation -our approach from the humanities offers another vantage point to a wider discussion of an unfinished chapter in recent Spanish history by focusing on la Movida as the "cultural archive" whose cultural transitions parallel the political and economic ones. The transgressive, urban nature of this movement demonstrated an overt desire, especially among Spanish youth, to reach onto a global arena emulating the punk and new wave aesthetic of such cities as London, New York, Paris, and Berlin. Art, design, film, music, fashion during this period helped to forge a sense of a modern urban identity in Spain that also reflected the tensions between modernity and tradition, global forces and local values, international mass media technology and regional customs.

Carmen de Burgos (1867-1932) was one of Madrid's best-known authors during the first third of the century, when the capital was experiencing the accelerated changes associated with the processes of modernity. A prolific writer of a wide variety of works (12 novels, 57 short stories, a long list of translations, manuals of behavior for women and a vast number of newspaper articles), Burgos was also an important public figure whose essays and speeches passionately promoted the cause of increasing civil rights for women in Spanish society. To return to her work today is to familiarize one's self with the popular literature, politics and social concerns of almost a century ago. This edition includes two of Burgos's fictional works from 1931: the full-length novel -Quiero vivir mi vida-, and the short story -Punal de claveles-. Both were published the year before the autor's death, during the most politically radical period of her life. Burgos dedicates the novel to Gregorio Maranon, calling it -an homage to the great doctor Maranon, who in the most competent and noble of ways, has illuminated the study of intersexuality with his piety and science.- Likewise, in the prologue to the novel (included here in this edition), Maranon praises Burgos for her clear understanding of his theories and the incorporation of his concept of intersexuality into the development of the characters. The murder known as the -crime of Nijar- (Almeria, 1928) is the basis for the plot of Burgos's -Punal de claveles- as well as for Lorca's better-known play -Bodas de sangre- (1932). What in the poet Lorca's hands was a poetic tragedy, for Burgos -the feminist- became a story about the need for women to have the opportunity to escape traditional gender roles. Unlike that of -Bodas de sangre-, -Punal de claveles's- happy ending is directed towards a mass (and largely female) audience. This critical edition by Susan Larson includes Maranon's essay -Sobre el sentido de los celos- an introduction which includes a comparison of -Punal de claveles- to Lorca's -Bodas de sangre- as well as notes to help the reader understand Burgos's work in social and cultural context.

While Carmen de Burgos (Almera 1867-Madrid 1932) belonged to the Generation of '98 in terms of her age, she is really too modern and progressive a figure for this categorization. A journalist, author, translator and progressive feminist intellectual, de Burgos was one of the most widely-read writers of her time. When she died she left a body of work impressive both in its quantity and quality: 12 full length and approximately 57 short novels. "La rampa" (1917) is the second full-length novel by Carmen de Burgos, and is dedicated to all of the throngs of wounded and lost women who have come to me asking which path they should take, and who have made me feel their tragedy. The Spanish literary canon would remain incomplete if it did not include this urban novel by Carmen de Burgos, that in a highly original female point of view, captures Madrid in the process of modernization. "La rampa" narrates how modernity brought new possibilities for some middle- and upper-class women, but was ultimately an empty promise for many working-class women living in the city. This critical edition prepared by Susan Larson is accompanied by commentary, an extensive bibliography of works by and about the author, and an introduction that includes biographical information about Carmen de Burgos as well as an urban history of Madrid between 1890 and 1920 meant to frame the work within its urban context.