After they are pulled 700,000 light-years away from Alpha Quadrant, the captain and crew of Star Trek: Voyager must travel homeward while exploring new challenges to their relationships, views of others, and themselves. As the first extended, critical study dedicated to Star Trek: Voyager, this book examines how the series uses the physical distance from the crew's home quadrant and the effect this has on the dynamics among community formation, self-creation and a sense of place. Chapters cover topics such as time travel, leadership models, interspecies relationships, the impact of trauma, models of self-creation and individuality, environmental influences on groups and individuals, memory, nostalgia, and how spiritual experiences affect people. The holographic Doctor and the former Borg, Seven of Nine, stand out as complex and boundary-stretching figures.

The all-new essays in this book respond to the question, How do spaces in science fiction, both built and unbuilt, help shape the relationships among humans, other animals and their shared environments? Spaces, as well as a sense of place or belonging, play major roles in many science fiction works. This book focuses especially on science fiction that includes depictions of the future that include, but move beyond, dystopias and offer us ways to imagine reinventing ourselves and our perspectives; especially our links to and views of new environments. There are ecocritical texts that deal with space/place and science fiction criticism that deals with dystopias but there is no other collection that focuses on the intersection of the two. The essays in this volume treat Shelley's Frankenstein, Capek's War with the Newts, William Morris's News from Nowhere, Le Guin's The Word for World Is Forest, Delany's Stars in My Pocket Like Grains of Sand, Philip K. Dick's Do Androids Dream of Electric Sheep?, Marge Piercy's He, She, It, Neal Stephenson's Anathem, Amitav Ghosh's Calcutta Chromosome and Cormac McCarthy's The Road.

Though science fiction and fantasy have existed as literary genres for well over a century, a working definition of the terms has yet to be determined. Ursula K. Le Guin, who emerged as a popular science fiction and fantasy writer in the 1960s, has not only witnessed, but also experienced first-hand the shifts and transformations of these increasingly popular genres. Delve into her fantastical worlds and investigate several of her famous works in this study ideal for high school and undergraduate students. Learn about the author's life and decade-spanning career, as well as her numerous literary achievements. This comprehensive analysis of Le Guin's work will leave readers anxious for her future endeavors. After a biography that focuses on Le Guin's interest in science fiction, this study delves into analyses of Le Guin's most well-known works, with emphasis on plot, as well as thematic and character development. Works covered include: BLA Wizard of Earthsea (1968) BLThe Left Hand of Darkness (1969) BLThe Tombs of Atuan (1970) BLThe Farthest Shore (1972) BLThe Lathe of Heaven (1973) BLThe Dispossessed: An Ambiguous Utopia (1974) BLThe Eye of the Heron (1978) BLTehanu (1990) and more.