This innovative and breathtakingly detailed book from the V&A presents dress patterns, construction details, embroidery, and making instructions (including a knitting pattern and lacemaking) for 15 garments and accessories from a 17th-century British woman's wardrobe. Step-by-step drawings of the construction sequence and scale patterns for each garment enable readers to accurately reconstruct them. There are scale diagrams for making linen and metal thread laces, silk braids, and embroidery designs. Multiple photographs, close-up construction details, and X-ray photography reveal the hidden elements of the clothes, the number of layers, and the stitches used inside. This first book in a new series takes the physical examination and study of historical clothing to a new depth and degree of detail, using the expertise of designers, tailors, and makers from London's Shakespeare's Globe Theatre.

This beautifully illustrated book reveals the sharp pleats, high collars, gleaming pastes, colourful beads, elaborate buttons and intricate lacework that make up some of the garments in the Victoria and Albert Museum's extensive fashion collection. With an expertly written text by one of the museum's fashion curators and exquisite colour photography of garment details, complemented by line drawings and photographs, the reader has the unique opportunity to examine up close historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and costume. This new edition features an updated design, fresh content and new research, and an introduction that focuses on the makers and processes involved in producing 18th-century fashion.

Book Two in the V&A's groundbreaking new series presents 17 patterns for garments and accessories from a seventeenth-century woman's wardrobe. It includes patterns for a loose gown, a jacket, a pair of stays and a boned bodice, ivory and wooden busks, shoes, a hat, a stomacher, linen bands and supporters, a bag and a knife case. It also features a description of the stay-making process. Full step-by-step drawings of the construction sequence are given for each garment to enable the reader to accurately reconstruct them. There are scale patterns and diagrams for making linen and metal thread laces and embroidery designs. Multiple photographs of the objects, close-up construction details and X-ray photography reveal the hidden elements of the clothes, the precise number of layers and the stitches used inside.

Sweet and Clean? challenges the widely held beliefs on bathing and cleanliness in the past. For over thirty years, the work of the French historian, George Vigarello, has been hugely influential on early modern European social history, describing an aversion to water and bathing, and the use of linen underwear as the sole cleaning agent for the body. However, these concepts do not apply to early modern England. Sweet and Clean? analyses etiquette and medical literature, revealing repeated recommendations to wash or bathe in order to clean the skin. Clean linen was essential for propriety but advice from medical experts was contradictory. Many doctors were convinced that it prevented the spread of contagious diseases, but others recommended flannel for undergarments, and a few thought changing a fever patient's linens was dangerous. The methodology of material culture helps determine if and how this advice was practiced. Evidence from inventories, household accounts and manuals, and surviving linen garments tracks underwear through its life-cycle of production, making, wearing, laundering, and final recycling. Although the material culture of washing bodies is much sparser, other sources, such as the Old Bailey records, paint a more accurate picture of cleanliness in early modern England than has been previously described. The contrasting analyses of linen and bodies reveal what histories material culture best serves. Finally, what of the diseases-plague, smallpox, and typhus-that cleanliness of body and clothes were thought to prevent? Did following early modern medical advice protect people from these illnesses?