Helene Cixous is among the most influential and original literary critics and feminist thinkers of our time. This volume reproduces - for the first time, in any language - a collection of pages from her original writing notebooks, offering a unique insight into her radical thought and work. The material gathered here ranges across the full spectrum of Cixous' writing, including the concept of ecriture feminine, and the starting points and sources of inspiration for her poetry and prose. The editor's introduction succinctly outlines the central tenets of Cixous' theory of writing. Each extract is accompanied by editorial commentary and a translation, both by Susan Sellers. The book concludes with an interview with Cixous herself, in which she discusses the writing process, her own criticism, fiction and poetry and the value and importance of these notebooks. Students and teachers of literature, psychoanalysis, philosophy and feminist theory will find this an illuminating and inspiring collection of writings.

Helene Cixous: live theory provides a clear and informative introduction to one of the most important and influential European writers working today. The book opens with an overview of the key features of Cixous' theory of "ecriture feminine" (feminine writing). The various manifestations of "ecriture feminine" are then explored in chapters on Cixous' fictional and theatrical writing, her philosophical essays, and her intensely personal approach to literary criticism. The book concludes with a new, lively and wide-ranging interview with Helene Cixous in which she discusses her influences and inspirations, and her thoughts on the nature of writing and the need for an ethical relationship with the world. Also offering a survey of the many English translations of Cixous' work, this book is an indispensable introduction to Cixous' work for students of literature, philosophy, cultural and gender studies.

Myth and Fairy Tale in Contemporary Women's Fiction explores contemporary women's rewritings of myths and fairy tales. It examines the nature and role of myth, reviewing existing theories in an attempt to explain the ongoing potency of mythical paradigms in contemporary women's fiction despite the distorted images of gender they frequently present. To illustrate this, the book offers a series of readings of texts by a range of contemporary women writers whose fictions draw on, interrogate, or rework mythic models, including A. S. Byatt, Michele Roberts, and Angela Carter.

Virginia Woolf's writing has generated passion and controversy for the best part of a century. Her novels - challenging, moving, and always deeply intelligent - remain as popular with readers as they are with students and academics. The highly successful 2010 Cambridge Companion has been fully revised to take account of new departures in scholarship since it first appeared. The second edition includes new chapters on race, nation and empire, sexuality, aesthetics, visual culture and the public sphere. The remaining chapters, as well as the guide to further reading, have all been fully updated. The Cambridge Companion to Virginia Woolf remains the first port of call for students new to Woolf's work, with its informative, readable style, chronology and authoritative information about secondary sources.

The Waves is one of the greatest achievements in modern literature. Commonly considered the most important, challenging and ravishingly poetic of Virginia Woolf's novels, it was in her own estimation 'the most complex and difficult of all my books'. This edition will be the most authoritative, most fully collated and annotated text available to scholars to date, and for considerable time to come. It maps the text of The Waves from the first British edition to all other editions published in Woolf's lifetime, as well as to all extant proofs. The text is presented in clearly readable form, with page-by-page direction to emendation, variants, and notes. The substantial introduction includes a detailed account of the novel's composition, publication and early critical reception. There are extensive explanatory notes on the text, a full chronology of composition and publication and a more general chronology covering Woolf's life and works.

This is the first truly representative selection of texts by Helene Cixous. The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts span twenty years of intellectual thought and demonstrate clearly the development of one of the most creative and brilliant minds of the twentieth century. Susan Sellers' introductions to each piece will be especially helpful to readers new to the writings of Cixous.
With a foreward by Jacques Derrida, a preface by Cixous herself, and first-rate editorial material by Sellers, "The Helene Cixous Reader" is destined to become a key text of feminist writing.

These interviews with H?l?ne Cixous offer invaluable insight into her philosophy and criticism. Culled from newspapers, journals, and books, "White Ink" collects the best of these conversations, which address the major concerns of Cixous's critical work and features two dialogues with twentieth-century intellectuals Michel Foucault and Jacques Derrida.

The interviews in "White Ink" span more than three decades and include a new conversation with Susan Sellers, the book's editor and a leading Cixous scholar and translator. Cixous discusses her work and writing process. She shares her views on literature, feminism, theater, autobiography, philosophy, politics, aesthetics, religion, ethics, and human relations, and she reflects on her roles as poet, playwright, professor, woman, Jew, and, her most famous, "French feminist theorist." Sellers organizes "White Ink" in such a way that readers can grasp the development of Cixous's commentary on a series of vital questions. Taken together, the revealing performances in "White Ink" provide an excellent introduction this thinker's brave and vital work--each one an event in language and thought that epitomizes Cixous's intellectual and poetic force.

Orlando is a young Elizabethan nobleman whose wealth and status afford him an extravagant lifestyle. Appointed ambassador in Constantinople, he wakes one morning to find he is a woman. Unperturbed by such a dramatic transformation, and losing none of his flamboyance and ambition, the newly female Orlando charges through life and English history so that by the end of this extraordinary biography she is a modern, 1920s woman. Virginia Woolf's wildly imaginative, comic novel was inspired by the life of her lover, Vita Sackville West. This beautiful Macmillan Collector's Library edition of Orlando is published with the original illustrations and with an introduction by the academic and novelist Dr Susan Sellers. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

"Three Steps on the Ladder of Writing" is a poetic, insightful, and ultimately moving exploration of 'the strange science of writing.' In a magnetic, irresistible narrative, Cixous reflects on the writing process and explores three distinct areas essential for 'great' writing: "The School of the Dead" -- the notion that something or someone must die in order for good writing to be born; "The School of Dreams" -- the crucial role dreams play in literary inspiration and output; and "The School of Roots" -- the importance of depth in the 'nether realms' in all aspects of writing.

Cixous's love of language and passion for the written word is evident on every page. Her emotive style draws heavily on the writers she most admires: the Brazilian novelist Clarice Lispector, the Russian poet Marina Tsvetaeva, the Austrian novelists Ingeborg Bachmann and Thomas Bernhard, Dostoyevsky and, most of all, Kafka.

These interviews with H?l?ne Cixous offer invaluable insight into her philosophy and criticism. Culled from newspapers, journals, and books, "White Ink" collects the best of these conversations, which address the major concerns of Cixous's critical work and features two dialogues with twentieth-century intellectuals Michel Foucault and Jacques Derrida.

The interviews in "White Ink" span more than three decades and include a new conversation with Susan Sellers, the book's editor and a leading Cixous scholar and translator. Cixous discusses her work and writing process. She shares her views on literature, feminism, theater, autobiography, philosophy, politics, aesthetics, religion, ethics, and human relations, and she reflects on her roles as poet, playwright, professor, woman, Jew, and, her most famous, "French feminist theorist." Sellers organizes "White Ink" in such a way that readers can grasp the development of Cixous's commentary on a series of vital questions. Taken together, the revealing performances in "White Ink" provide an excellent introduction this thinker's brave and vital work--each one an event in language and thought that epitomizes Cixous's intellectual and poetic force.

At 39 Marion has a lot going for her. She's talented, ambitious and married to a wealthy financier who adores her. Marion's top clients benefit from her entrepreneurial flair, but when her husban says it's time they had a child, this contrary heroine starts to panic and the cracks in her carefully constructed lifestyle start to show.

"You see, even after all these years, I wonder if you really loved me." Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything--marriage, lovers, loss, madness, children, success and failure--the sisters remain the closest of co-conspirators. But they also betray each other.
In this lyrical, impressionistic account, written as a love letter and an elegy from Vanessa to Virginia, Sellers imagines her way into the heart of the lifelong relationship between the writer Virginia Woolf and the painter Vanessa Bell. With sensitivity and fidelity to what is known of both lives, Sellers has created a powerful portrait of sibling rivalry.

Hne Cixous is among the most influential and original literary critics and feminist thinkers of our time. This volume reproduces - for the first time, in any language - a collection of pages from her original writing notebooks, offering a unique insight into her radical thought and work. The material gathered here ranges across the full spectrum of Cixous' writing, including the concept of criture minine, and the starting points and sources of inspiration for her poetry and prose. The editor's introduction succinctly outlines the central tenets of Cixous' theory of writing. Each extract is accompanied by editorial commentary and a translation, both by Susan Sellers. The book concludes with an interview with Cixous herself, in which she discusses the writing process, her own criticism, fiction and poetry and the value and importance of these notebooks. Students and teachers of literature, psychoanalysis, philosophy and feminist theory will find this an illuminating and inspiring collection of writings. Edited by Susan Sellers, Professor of English and Related Literature at the Univeristy of St Andrews.

Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism.

These interviews with H?l?ne Cixous offer invaluable insight into her philosophy and criticism. Culled from newspapers, journals, and books, "White Ink" collects the best of these conversations, which address the major concerns of Cixous's critical work and features two dialogues with twentieth-century intellectuals Michel Foucault and Jacques Derrida.

The interviews in "White Ink" span more than three decades and include a new conversation with Susan Sellers, the book's editor and a leading Cixous scholar and translator. Cixous discusses her work and writing process. She shares her views on literature, feminism, theater, autobiography, philosophy, politics, aesthetics, religion, ethics, and human relations, and she reflects on her roles as poet, playwright, professor, woman, Jew, and, her most famous, "French feminist theorist." Sellers organizes "White Ink" in such a way that readers can grasp the development of Cixous's commentary on a series of vital questions. Taken together, the revealing performances in "White Ink" provide an excellent introduction this thinker's brave and vital work--each one an event in language and thought that epitomizes Cixous's intellectual and poetic force.

The Semi-Transparent Envelope three acclaimed literary critics examine issues not only as theoretical aspects of the feminist agenda but within the evolution of their own works of fiction.

Helene Cixous: live theory provides a clear and informative introduction to one of the most important and influential European writers working today. The book opens with an overview of the key features of Cixous' theory of "ecriture feminine" (feminine writing). The various manifestations of "ecriture feminine" are then explored in chapters on Cixous' fictional and theatrical writing, her philosophical essays, and her intensely personal approach to literary criticism. The book concludes with a new, lively and wide-ranging interview with Helene Cixous in which she discusses her influences and inspirations, and her thoughts on the nature of writing and the need for an ethical relationship with the world. Also offering a survey of the many English translations of Cixous' work, this book is an indispensable introduction to Cixous' work for students of literature, philosophy, cultural and gender studies.

This collection presents six essays by one of France's most remarkable contemporary authors. A notoriously playful stylist, here Helene Cixous explores how the problematics of the sexes-viewed as a paradigm for all difference, which is the organizing principle behind identity and meaning-manifest themselves, write themselves, in texts. These superb translations do full justice to Cixous's prose, to its songlike flow and allusive brilliance.

Virginia Woolf's writing has generated passion and controversy for the best part of a century. Her novels - challenging, moving, and always deeply intelligent - remain as popular with readers as they are with students and academics. The highly successful 2010 Cambridge Companion has been fully revised to take account of new departures in scholarship since it first appeared. The second edition includes new chapters on race, nation and empire, sexuality, aesthetics, visual culture and the public sphere. The remaining chapters, as well as the guide to further reading, have all been fully updated. The Cambridge Companion to Virginia Woolf remains the first port of call for students new to Woolf's work, with its informative, readable style, chronology and authoritative information about secondary sources.