'The ultimate Camp statement: it's good because it's awful.' These two classic essays were the first works of criticism to break down the boundaries between 'high' and 'low' culture, and made Susan Sontag a literary sensation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

A startling reappraisal of the intersection of information, news, art, and politics in the contemporary depiction of war and disaster. From Goya's Disasters of War to news footage and photographs of the conflicts in Vietnam, Rwanda and Bosnia, pictures have been charged with inspiring dissent, fostering violence or instilling apathy in us, the viewers. Regarding the Pain of Others will alter our thinking not only about the uses and meanings of images, but about the nature of war, the limits of sympathy, and the obligations of conscience.

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. 'Sontag offers enough food for thought to satisfy the most intellectual of appetites'The Times 'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves'Washington Post 'The most original and illuminating study of the subject'New Yorker One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

A series of provocative discussions on everything from individual authors to contemporary religious thinking, Against Interpretation and Other Essays is the definitive collection of Susan Sontag's best known and important works published in Penguin Modern Classics. Against Interpretation was Susan Sontag's first collection of essays and made her name as one of the most incisive thinkers of our time. Sontag was among the first critics to write about the intersection between 'high' and 'low' art forms, and to give them equal value as valid topics, shown here in her epoch-making pieces 'Notes on Camp' and 'Against Interpretation'. Here too are impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis and contemporary religious thought. Originally published in 1966, this collection has never gone out of print and has been a major influence on generations of readers, and the field of cultural criticism, ever since. Susan Sontag (1933-2004) was born in Manhattan and studied at the universities of Chicago, Harvard and Oxford. She is the author of four novels - The Benefactor, Death Kit, The Volcano Lover and In America, which won the 2000 US National Book Award for fiction - a collection of stories, several plays, and six books of essays, among them Illness as Metaphor and AIDS and Its Metaphors. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. If you enjoyed Against Interpretation and Other Essays, you might like Sontag's On Photography, also available in Penguin Modern Classics. 'A dazzling intellectual performance' Vogue 'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times

Walter Benjamin is one of the most fascinating and enigmatic intellectual figures of this century. Not only was he a thinker who made an enormous impact with his critical and philosophical writings, he shattered disciplinary and stylistic conventions. This collection, introduced by Susan Sontag, contains the most representative and illuminating selection of his work over a twenty-year period, and thus does full justice to the richness and the multi-dimensional nature of his thought. Included in these pages are aphorisms and townscapes, esoteric meditation and reminiscences of childhood, and reflections on language, psychology, aesthetics and politics.

This is a memoiristic book and a dual portrait, built around intense friendships with two leading public intellectuals who achieved celebrity status--Susan Sontag on a global scale, George Steiner principally in Europe, though also for a time in the US. For audiences at Woody Allen movies Sontag was the prime embodiment of the term "intellectual," whose famous 1965 essay "Notes on Camp" won her an enormous following. For viewers of French, German and British television over decades Steiner was the primary interview show talking head, igniting controversy on many fronts, while also commanding a loyal audience for thirty years as a book critic at The New Yorker. To know Sontag and Steiner, as this memoir suggests, was often to feel overmatched and yet also bemused and awe-struck. Both of them gave off an air of omniscience and self-confidence, as if they had taken to heart the words of the Nobel laureate Elias Canetti, who wrote, "I cannot become modest; too many things burn in me." Maestros & Monsters is the work of a well-known public intellectual who was close to Sontag and Steiner over a half century, and who managed to bring them together on several occasions--the only times they ever met. Those encounters are among the most bizarre episodes in this narrative, which also features extended encounters with such literary figures as Arthur Koestler, Edward Said, Phillip Rieff, James Wood and others.

'Magnificent... Her famous seriousness pervades throughout... What's striking is the astonishing scope, potential and possibility Sontag saw in short fiction' Financial Times The complete collected short stories of Susan Sontag, one of the most brilliant and influential writers of the twentieth century Susan Sontag is most often remembered as a brilliant essayist - inquisitive, analytical, fearlessly outspoken. Yet all throughout her life, she also wrote short stories: fictions which wrestled with those ideas and preoccupations she couldn't address in essay form. These short fictions are allegories, parables, autobiographical vignettes, each capturing an authentic fragment of life, dramatizing Sontag's private griefs and fears. Stories collects all of Sontag's short fiction for the first time. This astonishingly versatile collection showcases its peerless writer at the height of her powers. For any Sontag fan, it is an unmissable testament to her creative achievements. 'Sontag is one of the most influential critics of her generation' New York Review of Books

'The most original and illuminating study of the subject.' The New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory... one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites.' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years.' Washington Post

With the publication of her first book of criticism, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses . . . . In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E. M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In these memoirs, Braz Cubas, a wealthy nineteenth-century Brazilian, examines (from beyond the grave) his rather undistinguished life in 160 short chapters that are filled with philosophical digressions and exuberant insights. A clear forerunner of Gabriel Garcia Marquez and Jorge Luis Borges, "Epitaph for a Small Winner," first published in 1880, is one of the wittiest self-portraits in literary history as well as "one of the masterpieces of Brazilian literature" (Salman Rushdie).

'Wildly original, morose, uproarious... It is also one of the funniest books ever written' Susan Sontag A naive young man is sent by the bishop of Iceland to investigate a small town that has reportedly lost its faith. The church is boarded up and the errant pastor lives with a woman who is not his wife. He has also allowed a corpse to be lodged in the glacier. So the rumours go. What he discovers is a community that regards itself as the centre of the world - earthly yet otherworldly, banal yet astonishing. Brimming with humour, mystery, and the supernatural this is a surprising and moving novel from the Nobel Prize-winning Icelandic author. WITH AN INTRODUCTION BY SUSAN SONTAG

Summer in Baden-Baden was acclaimed by The New York Review of Books as "a short poetic masterpiece" and by Donald Fanger in The Los Angeles Times as "gripping, mysterious and profoundly moving." A complex, highly original novel, Summer in Baden-Baden has a double narrative. It is wintertime, late December: a species of "now." A narrator Tsypkinis on a train going to Leningrad. And it is also mid-April 1867. The newly married Dostoyevskys, Fyodor, and his wife, Anna Grigor'yevna, are on their way to Germany, for a four-year trip. This is not, like J. M. Coetzee's The Master of St. Petersburg, a Dostoyevsky fantasy. Neither is it a docu-novel, although its author was obsessed with getting everything "right." Nothing is invented, everything is invented. Dostoyevsky's reckless passions for gambling, for his literary vocation, for his wife, are matched by her all-forgiving love, which in turn resonates with the love of literature's disciple, Leonid Tsypkin, for Dostoyevsky. In a remarkable introductory essay (which appeared in The New Yorker), Susan Sontag explains why it is something of a miracle that Summer in Baden-Baden has survived, and celebrates the happy event of its publication in America with an account of Tsypkin's beleaguered life and the important pleasures of his marvelous novel."

At the Same Time contains sixteen illuminating essays by Susan Sontag. With a preface by David Rieff. The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers. 'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman 'One of America's greatest public intellectuals' Observer 'Excellent and essential' Financial Times 'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph 'Sontag's clear thinking . . . shines like a spotlight in dark places' The Times One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

'The only transformation that interests me is a total transformation- however minute. I want the encounter with a person or a work of art to change everything.' Brazen, brilliant and deeply searing, Sontag's diaries wrestle with the profound - exploring ideas and subjects as far-reaching as writing, war, desire and consciousness. From the graphic destruction of war-torn Vietnam to her tumultuous romantic affairs, in the second volume of her diaries, Sontag is profoundly candid and insightful. This instalment charts the years when Sontag wrote the majority of her renowned essays, including the ground-breaking Against Interpretation in 1966. Riveting and enlightening, As Consciousness is Harnessed to Flesh illuminates the mind of one of the twentieth century's most significant intellectuals. 'Her diary entries combine her interests with bright, aphoristic turns of phrase....These diaries are a reminder of the value of the work that made her great, and also mysterious . . . ' The Economist 'It is a rare pleasure to read, in her diary, discoveries being made in real time. She applies her mind to itself with enthusiasm' The Guardian 'In its fragmentation and incoherence and passion, its combination of the erudite and the everyday, it is more true to life, both intellectual and emotional, than the most artful novel or careful biography. It may well be that Sontag's diaries, like Virginia Woolf's (which she knew and admired) will come to be seen as just as brilliant and important as anything she wrote.' The Telegraph

‘One of the most liberating books of our time'
Newsweek

When diagnosed with breast cancer Susan Sontag discovered the extent to which we have developed a mythology to cope with disease, which can often distort the truth about illness and isolate the patient. In Illness as Metaphor she strips away the myths and presents the true significance of disease as it has affected cultures throughout the centuries. AIDS and Its Metaphors extends her critique to examine the metaphors surrounding AIDS and to expose the truth, free of guilt, shame and fear.

‘Whatever Sontag writes is passionate … hers is the satirist’s pity for our ignorance and folly’
Jonathan Keates, Observer

‘An exemplary demonstration of the power of the intellect in the face of the lethal metaphors of fear’
Michael Ignatieff, New Republic

'In the journal I do not just express myself more openly than I could do to any person; I create myself.' Intimate, vulnerable and unsparing, Reborn bears witness to the evolution of Susan Sontag. With entries dating from 1947-1963, the first instalment from Susan Sontag's diaries charts her ascension from early adolescence to her early thirties. Unabashed, though thoroughly self-reflective, Sontag's diaries reveal the inner workings of her mind, her insecurities and her passions. This compelling account of the evolution of America's greatest post-war intellectual allows us to behold the moral and political awakening of the artist and critic. 'An exceptionally vivid, and often moving, account of a young woman's painful journey towards acceptance of her own nature.' Sunday Telegraph 'Moving on several levels . . . thrilling . . . fascinating . . . often reads like a brilliant postmodern bildungsroman' New York Magazine 'One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging' The Guardian

This collection of essays contains some of the most important pieces of criticism of the twentieth century, including the classics 'The Aesthetics of Silence', a brilliant account of language, thought and consciousness, and 'Trip to Hanoi', written during the Vietnam War. Here too is an excoriating account of America's identity and future, a robust and surprising discussion of pornography and other richly rewarding writings on art, film, literature and politics.

""In the journal I do not just express myself more openly than I could to any person; I create myself."

"The first of three volumes of Susan Sontag's journals and notebooks, "Reborn" (1947-1963) reveals one of the most important thinkers and writers of the twentieth century, fully engaged in the act of self-invention. Beginning with a voracious and prodigious fourteen-year-old, "Reborn" ends as Sontag, age thirty, is finally living in New York as a published writer.

First published in 1967, Death Kit is a classic of modern fiction. Blending realism and dream, Susan Sontag's second novel offers a passionate exploration of the recesses of the American conscience. The novel is a narrative of the suffering of Dalton 'Diddy' Harron, told through his own observations. He works in advertising for a microscope manufacturer, is thirty-three and divorced and a month ago tried to commit suicide. The haphazard events of his life, including killing a railway worker and falling in love with a blind girl, are brought to us through the lens of Diddy's own mind. We follow him through his journey to justify his actions and exorcise his inner demons, but we can see what is happening to Diddy only from inside his head, in the present, and the balance of his mind does not always bear close scrutiny.

A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. At the Same Time gathers sixteen essays and speeches written in the last years of Sontag's life, when her work was being honored on the international stage. She writes of the freedom of literature, about courage and resistance, and fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib. David Rieff describes his mother's passion in his foreword: She wanted to experience everything, taste everything, go everywhere, do everything. Indeed, if I had only one word with which to evoke her, it would be avidity. . . . I think that, for her, the joy of living and the joy of knowing really were one and the same.