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"We are kindred spirits Your book is what my soul has been longing
for... peace I love your writing. Reading "At the End of the Ferry"
was a delightful glimpse into a world most of us only dream of. My
mind truly escaped from the busyness and stress of this life. While
I read Suzy's words, I got completely lost...lost in the sound of
the waves crashing on the seawall and the smell of homemade soup.
It made me want to book a one-way ticket to the peninsula and
experience the wonder for myself. But instead I'll just reread "At
the End of the Ferry" and get lost again. And again. And again.
Katie Baker Meteorologist /Reporter CBS 5 News Phoenix, Arizona
mother of 3 young children Susan Walters's adventurous "road less
traveled" has not been extreme, but it has been unique. During her
childhood, she discovered faith and nature in the wilderness that
served as her backyard. Just over the fence, Susan learned to
machete her way thru the bushes and wild to find what so few today
take time to explore-a yard with few limits and without peers. From
that simple beginning, her love for nature and all its trimmings
was born. Later she progressed to a greater field of nature as she
and her husband spent nearly a decade living and exploring the
great outdoors of the High Sierras. As work opportunities increased
the couple chose to follow a dream rather than a career path. That
dream led them to a northwest lifestyle that typically only existed
in the pages of history books; a love of the land, a gutsy pioneer
spirit, a new found connection between the Creator and His
creation. This world was found at The End of the Ferry, a tale of
one woman's life for one year.
A desperate woman. An irresistible invitation. An escalating
nightmare of secrets, lies, and murder. Bree’s new home is
luxurious and private, with a fancy Beverly Hills address. What a
shame it’s not hers. Widowed, penniless, living in her car, and
out of options, she’s climbed the fence and crashed in the pool
house. All she wants is a good night’s sleep. But when Sophie,
the absentee owner, finds her, she gets a whole lot more. Sophie
invites Bree back for a party. When it winds down, Bree can’t
resist sneaking upstairs to sleep in a real bed. But the next
morning, she wakes to find Sophie’s dead body floating in the
pool. As the resident vagabond, she’s both the only witness and
the prime murder suspect. Bree knows she shouldn’t run, but her
husband’s death was mysterious, too. If she’s going to clear
her name, she’s going to have to work fast. Because the killer is
still out there, and she’s next.
It all starts with a promise from a stranger: We'll take care of
everything. Holly Kendrick's husband is dead. Holly saw it all. In
one violent moment, a hit-and-run accident turns Holly's life
upside down. Then a fixer for the high-powered guilty party
approaches Holly with an offer she is in no position to refuse.
Holly and her daughter, Savannah, will want for nothing, beginning
with a luxury dream house-all for the price of their silence. But
when their sudden appearance in privileged Calabasas, California,
piques the curiosity of neighbors, the price becomes greater than
they imagined. Because Holly and Savannah aren't the only ones in
the neighborhood with something to hide. Told from alternating
points of view, Good as Dead draws together an unlikely group of
people bound to one another by a crime, a cover-up, and compounding
deceptions. As carefully constructed lives begin to crumble, how
far will everyone be willing to go to bury the truth and protect
the people they love?
"We are kindred spirits Your book is what my soul has been longing
for... peace I love your writing. Reading "At the End of the Ferry"
was a delightful glimpse into a world most of us only dream of. My
mind truly escaped from the busyness and stress of this life. While
I read Suzy's words, I got completely lost...lost in the sound of
the waves crashing on the seawall and the smell of homemade soup.
It made me want to book a one-way ticket to the peninsula and
experience the wonder for myself. But instead I'll just reread "At
the End of the Ferry" and get lost again. And again. And again.
Katie Baker Meteorologist /Reporter CBS 5 News Phoenix, Arizona
mother of 3 young children Susan Walters's adventurous "road less
traveled" has not been extreme, but it has been unique. During her
childhood, she discovered faith and nature in the wilderness that
served as her backyard. Just over the fence, Susan learned to
machete her way thru the bushes and wild to find what so few today
take time to explore-a yard with few limits and without peers. From
that simple beginning, her love for nature and all its trimmings
was born. Later she progressed to a greater field of nature as she
and her husband spent nearly a decade living and exploring the
great outdoors of the High Sierras. As work opportunities increased
the couple chose to follow a dream rather than a career path. That
dream led them to a northwest lifestyle that typically only existed
in the pages of history books; a love of the land, a gutsy pioneer
spirit, a new found connection between the Creator and His
creation. This world was found at The End of the Ferry, a tale of
one woman's life for one year.
'Emilia Pardo Bazan (1851-1921) is without a doubt the most
prolific and influential woman writer of late-nineteenth-century
Spain,' write the editors of this volume. Her writings - novels,
novella, short stories, essays, plays, travel writing, cookbooks -
cover topics from science and technology to fashion and gender
equality. In a literary style characterized by brilliance, they
contend with the critical issues of her time and are compelling to
teach today. Part 1, 'Materials', provides biographical and
critical resources, an overview of Pardo Bazan's vast oeuvre, and a
literary-historical timeline. It also reviews secondary sources,
editions and translated, and digital resources. The essays in part
2, 'Approaches', explore Pardo-Bazan's engagement with contemporary
literary movements, feminism and gender, nation and the late
Spanish empire, Spanish and Galician identities, and
nineteenth-century scientific and medical discourses. Film
adaptations and translations of her works are also addressed.
Instructors of courses on world literature, nineteenth-century
literature, gender studies and Spanish-language courses will find
the volume invaluable.
'Emilia Pardo Bazan (1851-1921) is without a doubt the most
prolific and influential woman writer of late-nineteenth-century
Spain,' write the editors of this volume. Her writings - novels,
novella, short stories, essays, plays, travel writing, cookbooks -
cover topics from science and technology to fashion and gender
equality. In a literary style characterized by brilliance, they
contend with the critical issues of her time and are compelling to
teach today. Part 1, 'Materials', provides biographical and
critical resources, an overview of Pardo Bazan's vast oeuvre, and a
literary-historical timeline. It also reviews secondary sources,
editions and translated, and digital resources. The essays in part
2, 'Approaches', explore Pardo-Bazan's engagement with contemporary
literary movements, feminism and gender, nation and the late
Spanish empire, Spanish and Galician identities, and
nineteenth-century scientific and medical discourses. Film
adaptations and translations of her works are also addressed.
Instructors of courses on world literature, nineteenth-century
literature, gender studies and Spanish-language courses will find
the volume invaluable.
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