Throughout the twentieth century, American male soldiers returned home from wars with foreign-born wives in tow, often from allied but at times from enemy nations, resulting in a new, official category of immigrant: the "allied" war bride. These brides began to appear en masse after World War I, peaked after World War II, and persisted through the Korean and Vietnam Wars. GIs also met and married former "enemy" women under conditions of postwar occupation, although at times the US government banned such unions.

In this comprehensive, complex history of war brides in 20th-century American history, Susan Zeiger uses relationships between American male soldiers and foreign women as a lens to view larger issues of sexuality, race, and gender in United States foreign relations. Entangling Alliances draws on a rich array of sources to trace how war and postwar anxieties about power and national identity have long been projected onto war brides, and how these anxieties translate into public policies, particularly immigration.

During World War I, the first U.S. war in which women were mobilized by the armed services on a mass scale, more than sixteen thousand female personnel served overseas with the American Expeditionary Force. Elite society women--the so-called heiress corps--have dominated the popular perception of women's service ever since. But Susan Zeiger shows that the majority of these female nurses, clerical workers, telephone operators, and canteen workers were wage-earners whose motives for enlistment ranged from patriotism to economic self-interest, from a sense of adventure to a desire to challenge gender boundaries.
In exploring women's experience of war, Zeiger draws from a wealth of diaries, letters, questionnaires, oral histories, and memoirs, as well as army records. She analyzes the ways women's wartime service brought to light contradictions in prevailing gender relations at the height of the campaign for women's suffrage, and she places the stories of servicewomen in the broader context of women's employment in the early twentieth century. At a time when women sought to expand their personal opportunities, Zeiger argues, the government, determined to contain the disruption to the gender status quo, created a separate, subordinate status for women in the military, attempting to "domesticate" and reinscribe them within conventional roles.

A critical reading of the unstable structures that organize biological and social life This timely and radically interdisciplinary volume uncovers the aesthetics and politics of infrastructure. From roads and bridges to harbors and canals, infrastructure is conventionally understood as the public works that allow for the circulation of capital. Yet this naturalized concept of infrastructure, driven by capital's restless expansion, is haunted by imperial tendencies to occupy territory, extract resources, and organize life. Infrastructure thus undergirds the living nexus of modernity in an ongoing project of racialization, affective embodiment, and environmental praxis. Rather than merely making visible infrastructure's modes of power, however, The Aesthetic Life of Infrastructure brings literary methods to bear on the interpretive terrain, reading infrastructural space and temporalities to show that their aesthetic and sensorial experience cannot be understood apart from histories of production and political economies. Building on critical infrastructure studies in anthropology, geography, and media studies, this collection demonstrates the field's vitality to scholars working across the humanities, including in literary, visual, and cultural studies. By querying the presumed invisibility of infrastructure's hidden life, the volume's contributors revitalize ongoing literary debates about reading surface and depth. How, they ask, might infrastructure and aesthetics then function as epistemic tools for rethinking each other? And what urgency do they acquire in light of current crises that bear on death, whether biological, social, or planetary?