Feminicide and Global Accumulation brings us to the frontlines of an international movement of Black, Indigenous, popular, and mestiza women's organizations fighting against violence-interpersonal, state sanctioned, and economic-that is both endemic to the global economy and the contemporary devalued status of racialized women, trans, and gender non-conforming communities in the Global South. These struggles against racism, capitalism, and patriarchy show how crucially linked the land, water, and other resource extraction projects that criss-cross the planet are to devaluing labor and nature and how central Black and Indigeneous women and trans leadership is to its resistance. The book is based on the first ever International Forum on Feminicide among ethnicized and racialized groups-which brought together activists and researchers from Colombia, Guatemala, Italy, Brazil, Iran, Guinea Bissau, Bolivia, Canada, the U.S., Ecuador, Spain, Mexico, among other countries in the world to represent different social movements and share concrete stories, memories, experiences and knowledge of their struggles against racism, capitalism and patriarchy. Feminicide and Global Accumulation reflects, in a collective fabric, the communitarian and enraged struggles of women, trans, and gender non-conforming communities who commit themselves to the transformation of their communities by directly challenging the murder and assassination of women and violence in all its forms.

Recognizing the fiftieth anniversary of the protests, strikes, and violent struggles that formed the political and cultural backdrop of 1968 across Europe, the United States, and Latin America, Susana Draper offers a nuanced perspective of the 1968 movement in Mexico. She challenges the dominant cultural narrative of the movement that has emphasized the importance of the October 2nd Tlatelolco Massacre and the responses of male student leaders. From marginal cinema collectives to women's cooperative experiments, Draper reveals new archives of revolutionary participation that provide insight into how 1968 and its many afterlives are understood in Mexico and beyond. By giving voice to Mexican Marxist philosophers, political prisoners, and women who participated in the movement, Draper counters the canonical memorialization of 1968 by illustrating how many diverse voices inspired alternative forms of political participation. Given the current rise of social movements around the globe, in 1968 Mexico Draper provides a new framework to understand the events of 1968 in order to rethink the everyday existential, political, and philosophical problems of the present.

Recognizing the fiftieth anniversary of the protests, strikes, and violent struggles that formed the political and cultural backdrop of 1968 across Europe, the United States, and Latin America, Susana Draper offers a nuanced perspective of the 1968 movement in Mexico. She challenges the dominant cultural narrative of the movement that has emphasized the importance of the October 2nd Tlatelolco Massacre and the responses of male student leaders. From marginal cinema collectives to women's cooperative experiments, Draper reveals new archives of revolutionary participation that provide insight into how 1968 and its many afterlives are understood in Mexico and beyond. By giving voice to Mexican Marxist philosophers, political prisoners, and women who participated in the movement, Draper counters the canonical memorialization of 1968 by illustrating how many diverse voices inspired alternative forms of political participation. Given the current rise of social movements around the globe, in 1968 Mexico Draper provides a new framework to understand the events of 1968 in order to rethink the everyday existential, political, and philosophical problems of the present.