Different components of grammar interact in non-trivial ways. It has been under debate what the actual range of interaction is and how we can most appropriately represent this in grammatical theory. The volume provides a general overview of various topics in the linguistics of Romance languages by examining them through the interaction of grammatical components and functions as a state-of-the-art report, but at the same time as a manual of Romance languages.

This book brings together scholars who have been working on agreement restrictions within the generative framework. The articles range from syntactic to morphological approaches, investigating different domains of agreement restrictions, such as the Person Case Constraint, nominative objects, and Quirky Case Restrictions in a series of European and Non-European languages, providing new data and novel analyses for both, new and well-known facts. This book collects different and relevant studies in this field and gives a general overview of the different theoretical approaches concerned with the morphological, syntactic and semantic properties of agreement restriction phenomena.

The book is a qualitative and quantitative investigation into the Catalan clitic system from Old to Modern Catalan. Building on the Minimalist Program, the author shows that a number of facts about Old Romance clitic placement that previously have either not been accounted for or have received unsatisfactory treatment can be explained in a principled way once a strict division of labor between syntax and phonology is adopted.

Protest. A word indissociable from the year 2011. In America, Occupy Wall Street protestors took up tented residence across the country to demonstrate against crony capitalism. Spurred by events in Tunisia, Egypt erupted in a people's revolution that ousted dictator Hosni Mubarak. Popular unrest has been brewing since the imposition of austerity measures in Greece and Spain. Meanwhile, the evening news continues to cover these events in one-and-a-half minute intervals accompanied by a flood of images, making these events difficult to assess. "News" represents an innovative collaboration between journalist Susanne Fischer and artist Monika Huber. A former reporter in Baghdad, Fischer has on-the-ground experience with revolutionary events and has brought together contributions that present a balanced view of the Arab Spring, including essays exploring freedom of the press and the role of the Internet in enabling revolution. Huber draws more broadly on events that have dominated television coverage in the past year, including Occupy Wall Street, the uprisings in North Africa and the Middle East, the earthquake and nuclear reactor accident in Japan, the ongoing conflict in Afghanistan, and the mass killings in Norway. Photographing and manipulating images from the news, she creates photo-art that casts a critical eye on the selection, presentation, and perception of these images. With many of the uprisings showing no signs of abating, the words and images in "News" together offer a fresh look at the issues that exceeds what we can find in traditional journalism.