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This anthology outlines a research project at the Angermuseum in
Erfurt and forms the start of a new assessment of the landscape
painter Friedrich Nerly (1807-1878) from Erfurt, who spent the main
years of his career in Italy, particularly in Venice. If one wants
to do justice to the phenomenon of Nerly, it is necessary to take a
look at the changes in artistic, economic, and social contexts.
Nerly's oeuvre should be connected with the innovative painting
practices and finding of motifs of the early plein-air painters as
well as with sales strategies that reacted to the globalization of
the art market and tourism. In line with research on cultural
transfer, questions, for instance, regarding the achievements that
Nerly brought to Italy or inspirations that he found in his home
country emerge cross-nationally.
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