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Red River (1947) is one of Howard Hawks' near-perfect films. A
sweeping, fast-moving Western, it's stunningly shot and stars John
Wayne and Montgomery Clift in complex roles set off by typically
fine ensemble acting. In her study, Suzanne Liandrat-Guigues
explores the thematic complexity of "Red River" as well as its
historical resonances and its place in film history. She focuses
particular attention on the actors' contributions and on "Red
River"'s relationship to other Hawks classics.
El nombre de Visconti asume un papel aparte en la historia del
cine. La riqueza de su personalidad resulta fascinante; esta
aureolado por la historia de su familia, que atraviesa gran parte
de la historia cultural italiana y europea. Visconti ha sido
considerado como un cineasta clasico que trata temas y asuntos
tomados de diversas fuentes y cuya abundancia provoca irritacion.
Su clasicismo prolonga la alianza del sentido y la imagen, lo que
es rechazado por la modernidad. Por otra parte, se le considera uno
de los creadores de la nueva escuela del cine italiano, el
neorrealismo. En sufilmografia destacan Rocco y sus hermanos, El
gatopardo, Senso, Muerte en Venecia y Luis II de Baviera.
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