Explores the role of stories in criminal culture and justice systems around the world Stories are much more than a means of communication-stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm.

Explores the role of stories in criminal culture and justice systems around the world Stories are much more than a means of communication-stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm.

Narrative criminology is an approach to studying crime and other harm that puts stories first. It investigates how such stories are composed, when and why they are told and what their effects are. This edited collection explores the methodological challenges of analysing offenders' stories, but pushes the boundaries of the field to consider the narratives of victims, bystanders and criminal justice professionals. This Handbook reflects the diversity of methodological approaches employed in narrative criminology. Chapters discuss the practicalities of listening to and observing narratives through ethnographic and observational research, and offer accessible guides to using diverse methodological approaches for listening to and interpreting narrative data. With contributions from established and emerging scholars from all over the world, and from diverse fields including politics, psychology, sociology and criminology, the Handbook reflects the cutting edge of narrative methodologies for understanding crime, control and victimisation and is an essential resource for academics studying and teaching on narrative criminology.

Narrative criminology is an approach to studying crime and other harm that puts stories first. It investigates how such stories are composed, when and why they are told and what their effects are. This edited collection explores the methodological challenges of analysing offenders' stories, but pushes the boundaries of the field to consider the narratives of victims, bystanders and criminal justice professionals. This Handbook reflects the diversity of methodological approaches employed in narrative criminology. Chapters discuss the practicalities of listening to and observing narratives through ethnographic and observational research, and offer accessible guides to using diverse methodological approaches for listening to and interpreting narrative data. With contributions from established and emerging scholars from all over the world, and from diverse fields including politics, psychology, sociology and criminology, the Handbook reflects the cutting edge of narrative methodologies for understanding crime, control and victimisation and is an essential resource for academics studying and teaching on narrative criminology.

'Street capital' introduces the worlds of young black men dealing cannabis at a drug scene called The River in Oslo, Norway. The lives of these men are structured by a huge and complex cannabis economy and they are involved in fights, robberies and substance abuse. They lack jobs and education, and many of them do not have family or close friends, yet they do have 'street capital': the knowledge, skills and competence necessary to manage life on the streets. Centred on this concept of 'street capital', this unique book presents a new theoretical framework - inspired by and expanding on the work of Pierre Bourdieu, the French sociologist - for understanding street cultures. It is based on extensive fieldwork and repeated in-depth interviews with dealers aged between 15 and 30, which explore themes including marginalisation, discrimination, cannabis dealing and drug use, violence, masculinity, hip-hop culture, experiences with the welfare system, and issues of immigration and racism. The book also analyses the discursive practice of marginalised people on the street and identifies the narratives by which these young men live.

'Street capital' introduces the worlds of young black men dealing cannabis at a drug scene called The River in Oslo, Norway. The lives of these men are structured by a huge and complex cannabis economy and they are involved in fights, robberies and substance abuse. They lack jobs and education, and many of them do not have family or close friends, yet they do have 'street capital': the knowledge, skills and competence necessary to manage life on the streets. Centred on this concept of 'street capital', this unique book presents a new theoretical framework - inspired by and expanding on the work of Pierre Bourdieu, the French sociologist - for understanding street cultures. It is based on extensive fieldwork and repeated in-depth interviews with dealers aged between 15 and 30, which explore themes including marginalisation, discrimination, cannabis dealing and drug use, violence, masculinity, hip-hop culture, experiences with the welfare system, and issues of immigration and racism. The book also analyses the discursive practice of marginalised people on the street and identifies the narratives by which these young men live.