'An enthralling thriller ... hypnotically readable' ANDREW TAYLOR

In the heat of the desert, will the trail go cold?

Cairo, 1938
Archie Nevenden is many things: amateur archaeologist; theatre impresario; absent father; potential defector. And now, he's a missing person.

His daughter, Prim, hasn't seen him for nearly fifteen years. But she's never given up on him, and now she's on her way to Cairo to assist in the search.

Harry Taverner claims to work for the British Council, but Prim knows there's more to it. He clearly has a theory about what happened to Archie, one she's not going to like.

As Prim and Harry uncover the layers of Archie's existence in Cairo, they find themselves drawn in to more than one conspiracy. And soon they'll discover that Archie may not be the only one in danger...

Praise for S W Perry:
'Powerful, panoramic' Sunday Times
'Beautifully written, entirely convincing' Leonora Nattrass
'Gripping and heartfelt' Elisabeth Gifford
'Sweeping' Daily Mail

Employing an inductive approach to learning Greek, this popular book emphasizes reading substantial passages from original literature rather than memorization of rules and forms. Grammar and syntax are introduced as the reading progresses. Beginning Greek features:

* Explanatory notes accompanying each passage

* An appendix containing literal translations of the readings

* Presentation of grammar in large units rather than in fragments, giving students a unitary view

* A progression of passages, from the easier New Testament Greek to the more difficult Attic Greek

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.